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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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identity construct #5: latin america 149<br />

He points out that the myth conveniently ignores “racism, genocide, imperialism,<br />

the destruction of nature and the menace of the nuclear shadow.” 1<br />

Martin is astutely able to recognize the amnesia that commonly afflicts<br />

historical memory in the most modern societies of the West. They are quick<br />

to point out their advances and take credit for developing foundational ideas<br />

like liberty and individual rights but slow to recognize their own colossal<br />

failures, or to take responsibility for their role in creating some of history’s<br />

greatest injustices. If he were to extend this analysis, Martin would question<br />

the accuracy of the idea of <strong>Latin</strong> <strong>America</strong>’s duality. Rather than seeing<br />

<strong>Latin</strong> <strong>America</strong> as trapped in a quagmire of competing identities, he would<br />

have observed that this notion of duality tends to benefi t those who have<br />

traditionally held power in <strong>Latin</strong> <strong>America</strong>—the elites of European descent<br />

who insist upon modeling their nations after the United States or Europe.<br />

He ultimately does not overturn these identity myths, however, and accepts<br />

them as generally accurate, notwithstanding his challenge to U.S.<br />

singularity.<br />

Martin explores <strong>Latin</strong> <strong>America</strong>n identity through the lenses of race, nation,<br />

class, and gender—conveniently identical to the categories we offer.<br />

By looking at the history of modern <strong>Latin</strong> <strong>America</strong> through these identities,<br />

Martin contends that it has been trapped in its duality and has struggled in<br />

vain to fi nd its identity. He believes that modern <strong>Latin</strong> <strong>America</strong>n literature<br />

is inundated with references to labyrinths and solitude. The labyrinth is essentially<br />

a metaphor for the struggle for modernity. To be trapped in a labyrinth<br />

is to be stuck in some form of premodernity. To escape the labyrinth<br />

is to achieve modernity and development. Being trapped in a labyrinth is<br />

to be alone, isolated, and insular, or to be suffering from solitude. To enter<br />

into modernity is to join the most advanced sectors of human existence, to<br />

become part of a broader collective whole that sees no limits to human potential<br />

and believes that human beings can overcome almost any obstacle.<br />

In Martin’s words, “To overcome solitude [is to] attain some kind of collective<br />

unity and identity.” 2 He claims that Europe left its labyrinth during<br />

the Renaissance (roughly 1500), which marks the beginning of modernity in<br />

Western history. Supposedly, the United States was freed from its labyrinth<br />

sometime in the late nineteenth century, when its identity shifted from an<br />

internally divided, former British colony to a unifi ed world leader. <strong>Latin</strong><br />

<strong>America</strong>, on the other hand, has yet to join them outside its labyrinth.<br />

Martin admits that the modern West (the United States and Europe)<br />

reentered its labyrinth in the middle of the twentieth century because of<br />

the overwhelming devastation wrought by two world wars. In literature<br />

this second entrance was expressed in the discombobulating work of James

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