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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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236 reframing latin america<br />

potentially oppositional sides is metaphorical for a broader political and/or<br />

diplomatic project.<br />

• What discourses of gender, race, and nation are present in the phrase<br />

cited by Burton: All “‘priddy girls’ of uniformly pale complexion?”<br />

• Why is Donald Duck as an inept (and animated) predator such an<br />

effective symbol for the ostensible change in U.S. policy toward <strong>Latin</strong><br />

<strong>America</strong>? How would this fi lm be different if another Disney character,<br />

such as the savvy Mickey Mouse, were chosen to represent the United<br />

States instead of Donald Duck? How does this choice of character bolster<br />

Burton’s interpretation of the fi lm?<br />

• Burton interprets The Three Caballeros as presenting multiple sexual<br />

innuendos and containing scenes with seemingly obvious sexual overtones.<br />

She suggests that these images were not the conscious intent of the<br />

authors and refl ect a broader sexualization of <strong>Latin</strong> <strong>America</strong> that is typical<br />

of an imperializing ethos. Is it possible that this is not the case and that it<br />

is just Burton and a few academics like her who see those images and thus<br />

interpret in a way that says more about themselves than about the fi lm or<br />

what it represents? How would Burton, or perhaps Edward Said (author of<br />

Orientalism), respond to that question?<br />

notes<br />

1. Julianne Burton, “Don (Juanito) Duck and the Imperial Patriarchal Unconscious:<br />

Disney Studios, the Good Neighbor Policy, and the Packaging<br />

of <strong>Latin</strong> <strong>America</strong>,” ed. Andrew Parker, Nationalism and Sexualities (New<br />

York: Routledge, 1992) 23.<br />

2. Burton 24.<br />

3. For a seminal study of Disney and discourse, see Ariel Dorfman and<br />

Armand Mattelart, How to Read Donald Duck: Imperialist Ideology in<br />

the Disney Comic, trans. David Kunzle (New York: International General,<br />

1974). The excerpt is from Burton 32–38.<br />

4. Richard Shale, Donald Duck Joins Up: The Walt Disney Studios During<br />

World War II (Ann Arbor: UMI Research Press, 1987) 107<br />

5. Anthony Wilden, System and Structure: Essays in Communication<br />

and Exchange (London: Tavistock, 1980) xxxiii–xxxv.

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