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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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246 reframing latin america<br />

figure 14.3 A main structure at the ruins of Monte Albán in central Mexico,<br />

2004. It is the kind of pre-Hispanic archeological site that inspired the young Che<br />

Guevara during his journey. Photograph by Scott McPherson<br />

Temple of the Sun served a base for the Church of Santo Domingo, a<br />

lesson and a punishment from the proud conqueror. And yet, the heart<br />

of <strong>America</strong>, trembling with indignation, still twitches the docile back of<br />

the Andes every now and then, sending huge shock waves up to the surface.<br />

The dome of proud Santo Domingo has come crashing down three<br />

times to the roar of broken bones and its walls have tottered, cracked<br />

and fallen too. But the foundation they were built on, the grey stone<br />

block of the Temple of the Sun, remain impervious, and however great<br />

the disaster befalling the usurper, not one of its huge rocks shifts. 10<br />

These observations can be seen as nothing more than the musings of an impressed<br />

tourist. But something deeper is also at work. Whether or not Che<br />

was aware of it, his attention to <strong>Latin</strong> <strong>America</strong>’s Indian past was typical of<br />

nationalists living in the middle of the twentieth century who sought to<br />

bring dark-skinned masses and light-skinned elites together. Writers, artists,<br />

and politicians all began to celebrate their nation’s Indian heritage,<br />

evoking a powerful neoromanticism that sought out their nation’s uniqueness.<br />

Variations on this theme are evident in Jose Martí’s celebration of the<br />

natural man and the rescue of barbarism by Gallegos in Doña Bárbara. A<br />

form of Indianism also contributed to the rise of magical realism, as we will

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