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post what?! (not) an abbreviated introduction 39<br />

tural Studies Reader (New York: Routledge, 1993); Meenkshi Durham and<br />

Douglas Kellner, eds., Media and <strong>Cultural</strong> Studies: Keyworks (Malden, MA:<br />

Blackwell, 2001). For those interested in learning more about the main theorists<br />

and debates concerning the relationship between postmodernism and<br />

poststructuralism, see Christopher Norris, Deconstruction and the “Unfi<br />

nished Project of Modernity” (London: Athlone, 2000); Steven Best and<br />

Douglas Kellner, Postmodern <strong>Theory</strong>: Critical Investigations (New York:<br />

Guilford, 1991).<br />

12. Walter Truett Anderson, Reality Isn’t What It Used to Be (San<br />

Francisco: Harper, 1990).<br />

13. Jean Baudrillard, Simulacra and Simulation (Ann Arbor: U of Michigan<br />

P, 1994).<br />

14. Marshall Berman, All that Is Solid Melts into Air (New York:<br />

Simon, 1982).<br />

15. Diana Fuss, Essentially Speaking: Feminism, Nature and Difference<br />

(London: Routledge, 1989) xi–xii. For a quick defi nition of essentialism, see<br />

Brian Cliff’s description on the Emory University’s English Department Web<br />

site from spring 1996 .<br />

16. David Guralink, ed., Webster’s New World Dictionary (New York: Simon<br />

& Schuster, 1980) 656.<br />

17. We should also point out that the term hermeneutic has had different<br />

meanings in various intellectual traditions. In twentieth-century<br />

continental philosophy, it has had semiotic overtones in what has come<br />

to be identifi ed as phenomenology. According to this school of thought,<br />

a “hermeneut,” the reader or interpreter of a text, is always recognized as<br />

being historically situated; thus, “no matter how ‘close’ she claims to be<br />

to identifying the conditions of its [the text’s] production, [she] will always<br />

be mediated by [. . .] historically constructed assumptions and expectations.”<br />

Clive Cazeaux, ed., The Continental Aesthetics Reader (New York:<br />

Routledge, 2000) 65. Throughout this text, the version of hermeneutics<br />

that we employ emerged from literature classrooms, where it meant the<br />

search for the author’s original intentions as the litmus test for authentic,<br />

original, accurate, and, above all, good literary analysis. It is for this reason<br />

that we will use the terms hermeneutic and modern more or less interchangeably.<br />

18. Jean François Lyotard, The Postmodern Condition: A Report on Knowledge<br />

(Minneapolis: U of Minnesota P, 1984).<br />

19. Karl Marx, The 18th Brumaire of Louis Bonaparte (Moscow: Progress,<br />

1972) 120.<br />

20. Edward Said, Orientalism (New York: Pantheon, 1978).<br />

21. “Death of the Author” was originally published in 1968 but appeared<br />

in translation in English for the fi rst time in Roland Barthes, Image-Music-<br />

Text (New York: Hill & Wang, 1977).<br />

22. Butler, Postmodernism 28.<br />

23. Edward Said, The World, the Text and the Critic (Cambridge: Harvard<br />

UP, 1983) 34.

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