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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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218 reframing latin america<br />

moral ambiguity by fi at. When Santos forces the issue, the authority in town<br />

settles the question of property with a legal-speech act: “the laws must be<br />

fulfi lled just because, otherwise they wouldn’t be laws, that is, orders from<br />

the Government” (107; 177–178). Thanks to this kind of tautological voluntarism,<br />

Santos accepts that his entitlement is merely legal fi ction; yet he<br />

accepts it all the same as constitutive of a modern order. And he is willing<br />

to consider the fi ction foundational because, in this self-serving tautology,<br />

it promises to found something. If law is merely simulacrum for the right to<br />

possess, it nevertheless can stabilize the irrational dissemination that Bárbara<br />

puts into motion (her androgynous eroticism, her scattered cattle and<br />

boundless borders). The simulacrum can become a horizon for future representations;<br />

it can domesticate the llano’s mirages by fencing in the land, by<br />

writing clearly. Truth, in other words, need not be the immutable given that<br />

Barquero demanded; it can be a procreative assumption. Although Santos<br />

may have no real genealogical claims, the legal fi ction allows him to make<br />

generative claims, like the ones made in romantic founding novels. And<br />

like the language of love and politics in those dialectical romances, Santos’s<br />

legal language has no a priori grounding; instead it lays the ground for productive<br />

relationships.<br />

The analogy is hardly fortuitous. Marriage, after all, is a fi ction, a contract<br />

that can be read as an allegory of the Law of the Llano. It makes no<br />

genealogical claims to legitimacy, since marriage partners need hardly be<br />

blood relatives; but it does make a promise of productivity. And Santos’s<br />

projected marriage to Marisela both repeats and makes possible, in a familiarly<br />

dialectical way, the legal fi ction aimed at populating the desert [. . .].<br />

But this is to dwell on the difficulty of establishing historical legitimacy,<br />

the very problem the future-looking contract can displace. Legitimation<br />

here is not retrospective but proleptic, through the resourceful management<br />

and the procreative marriage the legal fi ctions project. By contrast, Bárbara’s<br />

equally fi ctional claim on the land promises to found very little. Maternity<br />

for her was an infuriating victory of men who reproduce themselves<br />

on women; and management was left to traditional terror (28; 40). Santos<br />

plans to populate the llano with legitimate children; Bárbara doesn’t. This<br />

practical difference allows us to sense a shift from the moral to the legal<br />

questions this novel raises, from personal claims to patriotic duty, from genealogical<br />

rights to the generative responsibility of fathering the fatherland.<br />

It is a responsibility that Gallegos and Santos can translate imperfectly but<br />

pragmatically into the transparently constructed but nonetheless effective<br />

difference between better or worse for civilization, for or against the necessary<br />

fi ctions that will ground productivity and prosperity.

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