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Reframing Latin America: A Cultural Theory Reading ... - BGSU Blogs

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150 reframing latin america<br />

Joyce and Franz Kafka, among many others, with their rambling, circular,<br />

surreal, and often senseless narrative forms. But whereas some critics perceive<br />

this reentrance as the beginning of the postmodern age and the death<br />

of modernity, others like Martin see it as a temporary period of adjustment,<br />

when the modern West is working out its kinks, righting its listing ship. In<br />

contrast, a similar expression of disorientation in <strong>Latin</strong> <strong>America</strong>n literature,<br />

the so-called Boom of magical realism in the 1960s and 1970s, is seen as an<br />

expression of <strong>Latin</strong> <strong>America</strong>’s deep-seated dualism and its ongoing effort to<br />

exit its own labyrinth. In summary, Martin basically challenges his readers<br />

to ask why so many of <strong>Latin</strong> <strong>America</strong>’s great writers, including Jorge Luis<br />

Borges, Octavio Paz, and Gabriel García Márquez, obsess about labyrinths<br />

and solitude unless <strong>Latin</strong> <strong>America</strong> truly suffers from an essence of duality<br />

and must continue searching for the way out.<br />

An alternative perspective to Martin is provided by Leslie Bary, a professor<br />

of Spanish at the University of Louisiana who specializes in questions<br />

of identity construction and representations of mestizaje in <strong>Latin</strong> <strong>America</strong>n<br />

literature. The selection from her work is drawn from a brief introduction<br />

that Bary wrote for a book not unlike this one in its structure and organization.<br />

There, Bary set the stage for eight selections of readings surveying<br />

modern <strong>Latin</strong> <strong>America</strong> history. They begin with Simón Bolívar’s famous<br />

speech before the Congress of Angostura in 1819 and end with Rigoberta<br />

Menchú’s testimonial, I, Rigoberta Menchú, which explores Indian life in<br />

the midst of Guatemala’s civil war in the 1970s and 1980s. Also included<br />

are Domingo Sarmiento’s Facundo, Andrés Bello’s study of Spanish grammar<br />

in <strong>Latin</strong> <strong>America</strong>, José Enrique Rodó’s Ariel, Jose Martí’s Our <strong>America</strong>,<br />

and The Cosmic Race by José Vasconcelos. These are canonical literary<br />

texts for studying modern <strong>Latin</strong> <strong>America</strong>. Gerald Martin refers to most of<br />

them, and some are readings in this book.<br />

Bary reads these texts from a semiotic perspective. She fi rst challenges<br />

the notion of identity as an essence or constant, instead positing it as a<br />

construct that is always subject to change. More specifi cally, Bary defi nes<br />

identity as an “arena for struggle.” 3 She means that we make our identities<br />

in the process of acting upon our preconceptions of them, not that our actions<br />

emerge from innate and ontological identities.<br />

Bary’s arena for struggle can be further clarifi ed using politics as an example.<br />

Rather than being based on accurate or inaccurate understandings<br />

of peoples’ true identities, politics and policymaking represent moments<br />

at which identities are made and given meaning. If a national government<br />

adopts a specifi c policy toward its Indians, for example, it is acting on ideas<br />

about Indian identity whether or not a consensus about those ideas exists

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