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UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL ...

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Figure 17 | A screen shot of CY webpage, preserved in the Internet Archive, www.archive.org.<br />

The difference in these instances to offline commemorative places, monuments and memorials is<br />

in that digital memorials, precisely via their detemporalisation and deterritorialisation, provide for<br />

a deterritorialised and detemporalised participation in a commemorating community. Or, to turn<br />

this perspective around, digital commemoration enables a somewhat revised temporality and<br />

territoriality to emerge: even more so than in the mass media era (print, TV, radio) where the<br />

community could identify with a specific topicality and/or materiality (news, commemoration)<br />

still in territorial terms, the sense of belonging in the DME is redefined through the perspective of<br />

individual‘s participation in the process. Or, in the mediatised event, which in terms of web<br />

publication can be seen as the ―most condensed and semantically wealthy unit of time.‖ 248 The<br />

pervasive fascination and determinant of online temporality, the ‗real time‘ of publication and<br />

experience/consumption, as Lisa Gitelman argues, is an act ―unlabored, immediately lived and<br />

immediately real [...] more of an effect, then, an experience of data ‗on the fly,‘ than it is the literal<br />

copresence or cotemporality of users and events.‖ 249 Yet, the anticipation of co-presence and cotemporality<br />

is, apart from the on-the-fly-ness, an important aspect of online (commemorative)<br />

participation.<br />

Following Frank Kessler and Mirko Tobias Schäfer, participation can be seen as explicit—<br />

uploading, commenting, flagging, tagging; and implicit—random, accidental click, unintentional<br />

cybertracing that feel into the database. 250 In the case of YouTube they argue that ―every<br />

interaction with the YouTube site leads to a trace in the system and becomes a record relevant to<br />

the statistics that can be read at the surface as an indicator for ‗popularity.‘‖ 251<br />

As liberating as this (ideally) may seem, such vernacular, private, individual initiatives may in fact<br />

sap the traditional national edifices, which despite the globalising structural trends still exert<br />

significant influence over the everyday. It is not my intention here to argue that the internet or<br />

globalisation (should) necessarily lead to withering away of the national. On the contrary, it is<br />

fairly obvious that the globalising trends and the new communications technologies importantly<br />

248 Mary Ann Doane, quoted in Lisa Gitelman, Always Already New, 138.<br />

249 Lisa Gitelman, Always Already New, 2009, 138.<br />

250 Frank Kessler and Mirko Tobias Schäfer, ―Navigating YouTube: Constituting a Hybrid Information Management<br />

System,‖ in Pelle Snickars and Patrick Vonderau (eds.), The YouTube Reader, 275–291, 285.<br />

251 Frank Kessler and Mirko Tobias Schäfer, ―Navigating YouTube: Constituting a Hybrid Information Management<br />

System,‖ in Pelle Snickars and Patrick Vanderau (eds.), The YouTube Reader, 275-291, 285.<br />

114

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