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UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL ...

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the past ... on the part of the visitor and, primarily, the blogger. Excursions in archaeology of the<br />

musical past by both the blogger and the visitor are probably the most intriguing activity enabled<br />

by music blogs. For the latter it is a mission, and a time consuming one. Yet it is also a rewarding<br />

preoccupation with finding old rarities and valuables, to feel the dusty decaying record sleeve<br />

under the fingertips, to smell the touch of time, to hold the record in your hands and wipe it clean,<br />

and play it on the gramophone.<br />

All this invokes very material-based, physical sensations, and in the view of Aktivista‘s statement<br />

that much of the posted music is the music he used to listen to (or at least hear occasionally on the<br />

radio) in the ‗old days,‘ this discovery must be a very tangible and emotional, affective affair.<br />

Through the interaction with the ‗material,‘ tactile memory is invoked that despite all the<br />

technology can only be a personal, intimate experience. On the part of the visitor, the just as<br />

intriguing aspect of looking for music on blogs is, indeed, an act of discovering—not only of<br />

music that one once was a fan of but rather of—music one had no idea it was ever made/recorded.<br />

Despite the fact that it cannot be touched or smelled, the very clicky and hissy sounds that the<br />

digitised tracks played back via one or another player make, are incentive enough to arouse a<br />

sense of pastness in the music.<br />

Now, the analysis of such a blog seems difficult as it is impossible to go through all the posts and<br />

comprehensively analyse all of them. Therefore, a certain selection is essential, and I am aware<br />

that any selection will necessarily be partial and subjective. In the case of this and other blogs<br />

discussed, the selection provides a comprehensive enough picture and enough material to delimit<br />

and investigate the strategies and reaches of digital storytelling. Moreover, these blogs not only<br />

feature as digital storytelling but in a way also as digital memorials: in that that they provide an<br />

interactive more-than-archive of Yugoslav (popular) music. In fact they represent a living<br />

memorial to one country‘s music (on digital memorials see Chapters 1 and 4).<br />

09 April 2011<br />

Opera iz davne 1972 godine uţivo za DAN BLOGA 9. april<br />

WELL BROTHERS AND SISTERS YUGOBLOGGERS TODAY IS THE DAY <strong>OF</strong><br />

THIS BLOG, ON 9 APRIL THAT DISTANT YEAR THREE YEARS AGO I DECIDED<br />

TO BUILD THE FOUNDATIONS <strong>OF</strong> THIS BLOG WITH A VIEW TO<br />

PERSONALLY PRESENT TO YOU ALL THE EXISTING SOUND <strong>OF</strong><br />

YUGOSLAVIA ON ONE PLACE THIS IS HOW<br />

A BLOG WITH MANY MOST DIFFERENT SOUNDS <strong>OF</strong> OUR UNSURPASSED<br />

AND MOST BEAUTIFUL AND GREAT YUGOSLAVIA. I‘M PROUD <strong>OF</strong><br />

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