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view they call for forming a front against nationalism, primitivism and clerical fascism. In a<br />

similar manner they also emphasise the grave situation the working class, farmers, intellectuals,<br />

youth and pensioners found themselves in, 358 once the post-Yugoslav countries have renounced<br />

the social in socialism. This programme is essentially a case of emotional politicisation of the past<br />

which demonstrates how—before and after the collapse of socialism—the ―people in Central and<br />

Eastern Europe have been politically motivated and manipulated by hope, disappointment, joy and<br />

fear.‖ 359<br />

The ―Product‖ section contains the ‗Terms and Conditions‘ which elaborates on what visitors may<br />

and may not do when participating in the profile/community. To illustrate let me just point out a<br />

few articles:<br />

1. it is strictly forbidden to use offensive tone particularly on national basis, as well as<br />

sarcastic ,tendentious, or ambiguous message that may cause quarrel. Any such post will<br />

be deleted without notice!<br />

2. it is strictly forbidden to post on the WALL anything related to the wars on the territory<br />

of SFRY after second world war<br />

4. any invitation for a laugh, a party etc. IS MOST WELCOME!<br />

5. if you still have the need to debate, you have the right to do so in the Discussions, and<br />

post there. This does not mean that the he may take the right to offended other<br />

nationalities nor any one else. so, all in good manners. any post failing to follow our<br />

principles will be deleted without notice!<br />

The two most generously visited/updated features are the Wall and the Discussions section. The<br />

status on the Wall is regularly (several times a day) updated predominantly posting links to videos<br />

on YouTube and various newspaper articles. In fact, the updates-pace is such that it is virtually<br />

impossible to go back to posts older than a few months, without risking browser overload.<br />

Furthermore, once browsing to an ‗older‘ post and clicking to see it in full (expand the collapsed<br />

comments), it is virtually impossible to return to the precise location ... unless one keeps track of<br />

how many times one has hit the ‗older posts‘ button.<br />

In terms of content, the posts to the SFR Jugoslavija‘s Wall (this also applies to other profiles) can<br />

be roughly divided in three categories: 1) links to YouTube videos, 2) links to daily/political news<br />

reports, 3) routine posts. The most vastly represented in the first category are the so-called<br />

‗musical posts‘ i.e. links to YouTube videos which typically feature a pop-song video or a digital<br />

memorial as discussed in Chapter 3. Such posts generate quite some response in terms of ‗Liking‘<br />

(passive participation) and commenting: ―This song reminds me of... [...] This song was my<br />

358 SFR Jugoslavija – SFR Yugoslavia, ―Info.‖<br />

359 Maruška Svašek, ―Introduction: Postsocialism and the politics of emotion,‖ in Maruška Svašek (ed.)<br />

Postsocialism: Politics and emotions in Central and Eastern Europe, New York Oxford, Bergham Books, 2008, 7.<br />

181

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