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UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL ...

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The comments here, as cursory as they may be, nevertheless contribute significantly to the crucial<br />

attributes of the profile as a digital memorial: co-creation of remembering and the enhanced<br />

immediacy of remembering. With regards to the former, the visitor who engage in commenting<br />

bring in their own, often personal considerations of the past and the present. Thus the visitor<br />

indicates her intimate relation to the posted content. The fact that the statements rarely bring into<br />

the process of remembrance an elaborate explanation of why somebody likes particular music or<br />

the description of feelings it arouses calls for another consideration. The case is that people, when<br />

contributing to Facebook posts, are not in any way required to justify their thinking or beliefs. By<br />

participating in a pub(lic) interaction they are also not required to make consistent or sensible<br />

statements ... which does not free them (users nor posts) from politicisation.<br />

Figure 32 | SFR Jugoslavija, Facebook profile, http://www.facebook.com/#!/pages/SFR-Jugoslavija-SFR-<br />

Yugoslavia/36436743833.<br />

On the contrary, the Facebook-facilitated/enabled digital sociability—along with the limitations<br />

that discourage and prevent longer posts generally being accepted, by the technology (character<br />

limit) and the users—actively encourages brief, also inconsistent posts. As such they could easily<br />

be dismissed as irrelevant both as a research object and politically. True, the comments in music<br />

183

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