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In such an environment that at the same time rejected also significant portions of once common/shared history nostalgia is not surprising. Great video. Really. It shows the effort put in. Damn those motherfuckers who killed her. If I could I‘d fuck them all for ever. It was a good life. Someone will say his granny always cries when she remembers Tito. And it‘s no wonder. Because I don‘t believe that the generations today, that grew up in a paranoid world where man is wolf to man, are in any condition to comprehend how it used to be. The atmosphere and values of kindness can‘t be explained. This has to be experiences [lived]. A different world all together. MarshalRedDog 279 Figure 25 | The making of the socialist man. 279 See mejerchold, ―Tri put sam video Tita,‖ comments, http://www.youtube.com/all_comments?v=E2N-WUeHwRo, accessed 2 September 2011. 136
Jugoslavijo A much more elaborate vernacular experiment in creating a digital video historical narrative, indeed a distinctly straightforward type of digital memorials is the video made by dugmicmala. On her YouTube Channel she states: I‘m living the dream of Yugoslavia, I‘m living in a world where it is not important who you are, how you‘re called and what religion you belong to. You can take me everything, but not my idea of a better world. Fascists will always happen, but in my world, they have no access. Stop the silence and speak up. We need to be brave in a world full of corruption and hate! Maybe we can‘t change the world, but we can change our attitude! 280 In the video the maker used as a musical structure Boban Rajović‘s song ―Jugoslavija‖ which is dubbed over an edited series of digitised images/photographs intercepted by textual captions, much like in a silent film. 281 The video starts with the text: ―Yugoslavia... What has happened? It all fell apart,‖ which is followed by an image of the map of Yugoslavia. The first ‗chapter‘ begins with a caption: ―Comrade Tito... 1892-1980, Glorious President, combatant, communist, fisherman, maker of freedom,‖ which is followed by a series of digitised photos (Tito during WWII; meeting politicians and celebrities, addressing people, rebuilding the country, on the cover of the Time magazine etc.). The next chapter is called ―1980, Yugoslavia is crying. Yugoslavia is afraid of the future. Comrade Tito is gone,‖ depicting the year 1980 when the president of the country died. It features photographs of his last farewell in Yugoslav capitals. The chapter ―After Tito... The country is falling apart...‖ presents the flags of the newly established countries and the inscription: ―Independence is no guarantee for peace.‖ Photos follow of the war in Bosnia, dead people, concentration camps... ―Did we really need this? Nationalism rules, this has nothing to do with religion, it has everything to do with people and the blood that was spilled.‖ 280 See dugmicMala‘s channel www.youtube.com/user/dugmicMala. 281 dugmicMala, ―Jugoslavija,‖ http://www.youtube.com/watch?v=M7SorJzdBtc. 137
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UNIVERSITY OF NOVA GORICA GRADUATE
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Some cases in vernacular digital me
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others in the remains of Yugoslavia
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Chapter 1 | Introduction: Cyberplac
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storytelling, memories and memorial
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conceptual framework supporting thi
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Media and Memory The most ubiquitou
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Archiving, Techno-topia and Pervasi
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as an archive, 29 the randomness of
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technologies (typewriters, calculat
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digital age. 41 Yet, considering th
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which she can, at the click of the
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However, in the case of Yugoslav di
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narrativisations, sampling, remixin
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cultural frameworks.‖ 67 Moreover
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from ‗pre-media‘ (before the in
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framework accounts for numerous eme
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outside the process of representati
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understanding of (the production an
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they are able through digital conne
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Setting Sail Reappropriations and r
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After the internet and digital comm
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that was made during the era of soc
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create and communicate, via digital
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time.‖ 127 Drawing on this concep
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the different musics‘ ―common f
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Blogging and Memory The practice of
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enhanced in blogging, it apparently
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and enthusiasts alike. Thus, for in
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videos are used as audiovisual reco
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Figure 4 | Yugoslav Airlines Luggag
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the posts are fairly scant textuall
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Finally, if initially recording and
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spectacle for which that audience h
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usiness) and outdated principles of
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and replaying music require much le
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encourages the visitors to buy. 173
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also provides a genre distinction a
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initial way for the past to ‗surv
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Through referring (nostalgically) t
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posts he uses a first-person, very
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the past ... on the part of the vis
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Page 87 and 88: music. Such blog-enabled preservati
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Page 91 and 92: I guess that in 1984 Luna and Katar
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Page 95 and 96: makes it into an organised database
Page 97 and 98: which required more ‗action‘ to
Page 99 and 100: files as digital media objects. As
Page 101 and 102: Chapter 3 | YouTube and Digital Mem
Page 103 and 104: users of the site. 217 Moreover, as
Page 105 and 106: In the category of vernacular or us
Page 107 and 108: selection is in many cases thorough
Page 109 and 110: database is changing as well. As Ge
Page 111 and 112: image. That's it.‖ 241 The fact i
Page 113 and 114: The site is no longer operable, yet
Page 115 and 116: inflame a reaction formation: the
Page 117 and 118: commemorative act, crucially (co-)d
Page 119 and 120: and use of technology, also as ‗g
Page 121 and 122: photographs and footage from often
Page 123 and 124: [We have scattered around the world
Page 125 and 126: The ending of the video sends a ver
Page 127 and 128: Milošević giving a speech is embe
Page 129 and 130: memory practices and nostalgic refe
Page 131 and 132: moje detinjstvo, sloboda, mir [my c
Page 133 and 134: 4) In Zemun [part of Belgrade]. How
Page 135: European that originated in Asia an
Page 139 and 140: Figure 27 | Photograph of a delegat
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Page 143 and 144: Damned be Josip Broz ―Tito‖ all
Page 145 and 146: HERZEGOVINA, THAT IS, IT IS THE ONL
Page 147 and 148: oppression. And the cover by Azra,
Page 149 and 150: Kroz čempres vjetar duva [Through
Page 151 and 152: Figure 30 | The closing scene. What
Page 153 and 154: This is a time when men were gentle
Page 155 and 156: The string of post‘n‘replies re
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Page 175 and 176: Nevertheless, many of these profile
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oil down to pros and cons of Yugosl
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Enver Dizdarevic Is the idea to cre
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ut how can you explain to the peopl
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intertwining of, on the one hand, t
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Zlatko Crnogorac unfortunately I se
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Party: Komunista Partija Jugoslavij
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The user Šime Zelić stands firmly
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lives came to power. we promulgate
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comments and 245 people ‗liked‘
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Ever since April 2010, the profile
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It remains to be seen what will bec
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while the country‘s ‗birthday
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Figure 36 | Nova Jugoslavija, websi
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dismissed as a-political. And even
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Chapter 5 | Conclusion: ... Archivi
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much) political agenda. Nevertheles
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(cultural reference). Today, in a t
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ather than digging for material tra
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altogether, but aim to suggest that
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social bonds among 22 million peopl
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Jugoslavija Facebook profile case d
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Povzetek Zdi se, da sta splošno ra
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Priĉujoĉo raziskavo sestavljajo t
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splošno prav v tem, da ga prebere
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odkrivajo, jo privedejo na površje
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avdiovizualnih izvedb preteklosti.
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Lahko bi se reklo, da je bila praks
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skozi avdiovizualne in besedilne ko
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»Zgodovina« uporabniške dejavnos
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katere bi se lahko gradila ta zaţe
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to malo verjetno. Kljub temu pa to
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Baker, Catherine. ―Where to Read
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―Constitution of CY (English).‖
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Hahn, Chris M. Postsocialism, Ideal
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Josip Broz Tito. ―Info.‖ http:/
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mejerchold. ―Tatu - Jugoslavija.
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Pogaĉar, Martin. ―Nostalgia in C
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Sobel, Jon. ―HOW: Technology, Tra
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―RAZNI IZVODJACI Hitovi Omera Pob
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