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Schofield Clark, Lynn. ―Theories: Mediatization and Media Ecology.‖ In Knut Lundby (ed.). Mediatization, Concepts, Changes, Consequences. New York, Peter Lang, 2009, 85–100. Schuster, Laura. ―The Trouble with Memory: Reco(r)ding the Mind in Code 46.‖ Inter- Disciplinary.net. http://www.inter-disciplinary.net/wp-content/uploads/2009/03/schusterpaper.pdf. Accessed 8 August 2011. Scollon, Suzie Wong. ―Calibrating Divergent Discourses in Convergent Geographies.‖ Presented at the Dialogue Under Occupation, November 14–16, 2007, East Jerusalem, http://www.neiu.edu/~duo/scollon.htm. Scribner, Charity. Requiem for Socialism. Cambridge, MIT, 2003. Sekulić, Aleksandra. ―Korak nazad, dva koraka napred: Medijska arheologija: Devedesete.‖ In Devedesete: Medijska arheologija. Beograd, Merkur, 2009, 4–12. Senjković, Reana and Davor Dukić. ―Virtual Homeland? Reading music on offer on a particular web page.‖ International Journal of Cultural Studies 8(1), 2005, 44–62. SerbianGhost. ―Tatu – Jugoslavija.‖ http://www.youtube.com/watch?v=bs0SVgWCBHo. Accessed 21 August 2011. SFR Jugoslavija – SFR Yugoslavia. http://www.facebook.com/#!/pages/SFR-Jugoslavija-SFR- Yugoslavia/36436743833. Accessed 8 September 2011. SFR Jugoslavija – SFR Yugoslavia. http://www.facebook.com/#!/permalink.php?story_fbid=212443955466077&id=36436743833. Post from 2 July 2011. Accessed 21 September 2011. SFR Jugoslavija – SFR Yugoslavia. Post from 3 June 2011, 22:55. http://www.facebook.com/permalink.php?story_fbid=231159093564341&id=36436743833. SFR Jugoslavija – SFR Yugoslavia. Post from 4 June 2011, 03:11. http://www.facebook.com/permalink.php?story_fbid=158874190846222&id=36436743833. Shulz, Winfried. ―Reconstructing Mediatization as an Analytical Concept,‖ European Journal of Communication 19(1), 2004, 87–101. Sigel, Paul. ―Counter-Monuments – Criticising Traditional Monuments.‖ Denkmalkonzepte, Goethe Institut. http://www.goethe.de/kue/arc/dos/dos/zdk/en204638.htm. Accessed 23 August 2011. Snickars, Pelle and Patrick Vanderau (eds.). The YouTube Reader. Stockholm, National Library of Sweden, 2009. Soban, Branko. ―Rumeni veter, ki odganja mir.‖ Sobotna priloga. http://www.delo.si/clanek/105839. Accessed 8 August 2011. Sobchack, Vivian. ―Nostalgia for a Digital Object.‖ In Lauren Rabinowitz and Abraham Geil (eds.). Memory Bites, History, Technology and Digital Culture. Durham and London, Durham University Press, 2004, 305–329. Sobchak, Vivian. ―Afterword: Media Archaeology and Re-Presencing the Past.‖ In Erkki Huhtamo and Jussi Parikka (eds.). Media Archaeology, Approaches, Applications and Implications. Berkeley, Los Angeles London, California University Press, 2011, 323–334. 260
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UNIVERSITY OF NOVA GORICA GRADUATE
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Some cases in vernacular digital me
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others in the remains of Yugoslavia
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Chapter 1 | Introduction: Cyberplac
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storytelling, memories and memorial
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conceptual framework supporting thi
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Media and Memory The most ubiquitou
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Archiving, Techno-topia and Pervasi
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as an archive, 29 the randomness of
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technologies (typewriters, calculat
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digital age. 41 Yet, considering th
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which she can, at the click of the
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However, in the case of Yugoslav di
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narrativisations, sampling, remixin
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cultural frameworks.‖ 67 Moreover
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from ‗pre-media‘ (before the in
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framework accounts for numerous eme
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outside the process of representati
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understanding of (the production an
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they are able through digital conne
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Setting Sail Reappropriations and r
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After the internet and digital comm
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that was made during the era of soc
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create and communicate, via digital
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time.‖ 127 Drawing on this concep
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the different musics‘ ―common f
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Blogging and Memory The practice of
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enhanced in blogging, it apparently
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and enthusiasts alike. Thus, for in
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videos are used as audiovisual reco
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Figure 4 | Yugoslav Airlines Luggag
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the posts are fairly scant textuall
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Finally, if initially recording and
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spectacle for which that audience h
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usiness) and outdated principles of
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and replaying music require much le
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encourages the visitors to buy. 173
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also provides a genre distinction a
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initial way for the past to ‗surv
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Through referring (nostalgically) t
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posts he uses a first-person, very
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the past ... on the part of the vis
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uploaded, so do share with others.
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music. Such blog-enabled preservati
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This activity is in a way similar t
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I guess that in 1984 Luna and Katar
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TCHECHOSLOVAKIA, HUNGARY, ROMANIA,
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makes it into an organised database
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which required more ‗action‘ to
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files as digital media objects. As
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Chapter 3 | YouTube and Digital Mem
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users of the site. 217 Moreover, as
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In the category of vernacular or us
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selection is in many cases thorough
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database is changing as well. As Ge
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image. That's it.‖ 241 The fact i
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The site is no longer operable, yet
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inflame a reaction formation: the
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commemorative act, crucially (co-)d
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and use of technology, also as ‗g
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photographs and footage from often
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[We have scattered around the world
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The ending of the video sends a ver
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Milošević giving a speech is embe
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memory practices and nostalgic refe
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moje detinjstvo, sloboda, mir [my c
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4) In Zemun [part of Belgrade]. How
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European that originated in Asia an
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Jugoslavijo A much more elaborate v
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Figure 27 | Photograph of a delegat
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And breaks into the refrain: moja r
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Damned be Josip Broz ―Tito‖ all
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HERZEGOVINA, THAT IS, IT IS THE ONL
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oppression. And the cover by Azra,
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Kroz čempres vjetar duva [Through
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Figure 30 | The closing scene. What
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This is a time when men were gentle
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The string of post‘n‘replies re
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Croats had the greatest fascists an
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among the people [...] commie, do y
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(potential) action are being built.
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the contrary, they are often overly
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Chapter 4 | The Past on Facebook: P
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to make of the interweaving of poli
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Facebook: Digital Sociability and M
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keeping in touch; or, in the case o
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author traces in both the ―import
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Nevertheless, many of these profile
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ways, these domains and the differe
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allegiance. But, at the same time w
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view they call for forming a front
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The comments here, as cursory as th
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egimes. 362 A recent post links to
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oil down to pros and cons of Yugosl
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Enver Dizdarevic Is the idea to cre
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ut how can you explain to the peopl
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intertwining of, on the one hand, t
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Zlatko Crnogorac unfortunately I se
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Party: Komunista Partija Jugoslavij
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The user Šime Zelić stands firmly
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lives came to power. we promulgate
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comments and 245 people ‗liked‘
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Ever since April 2010, the profile
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It remains to be seen what will bec
Page 209 and 210: while the country‘s ‗birthday
Page 211 and 212: Figure 36 | Nova Jugoslavija, websi
Page 213 and 214: dismissed as a-political. And even
Page 215 and 216: Chapter 5 | Conclusion: ... Archivi
Page 217 and 218: much) political agenda. Nevertheles
Page 219 and 220: (cultural reference). Today, in a t
Page 221 and 222: ather than digging for material tra
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Page 225 and 226: social bonds among 22 million peopl
Page 227 and 228: Jugoslavija Facebook profile case d
Page 229 and 230: Povzetek Zdi se, da sta splošno ra
Page 231 and 232: Priĉujoĉo raziskavo sestavljajo t
Page 233 and 234: splošno prav v tem, da ga prebere
Page 235 and 236: odkrivajo, jo privedejo na površje
Page 237 and 238: avdiovizualnih izvedb preteklosti.
Page 239 and 240: Lahko bi se reklo, da je bila praks
Page 241 and 242: skozi avdiovizualne in besedilne ko
Page 243 and 244: »Zgodovina« uporabniške dejavnos
Page 245 and 246: katere bi se lahko gradila ta zaţe
Page 247 and 248: to malo verjetno. Kljub temu pa to
Page 249 and 250: Baker, Catherine. ―Where to Read
Page 251 and 252: ―Constitution of CY (English).‖
Page 253 and 254: Hahn, Chris M. Postsocialism, Ideal
Page 255 and 256: Josip Broz Tito. ―Info.‖ http:/
Page 257 and 258: mejerchold. ―Tatu - Jugoslavija.
Page 259: Pogaĉar, Martin. ―Nostalgia in C
Page 263: ―RAZNI IZVODJACI Hitovi Omera Pob
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