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Contents Preface ................................................................................................................................................... 4 Chapter 1 | Introduction: Cyberplaces of Memory ........................................................................... 7 What This Is All About? .............................................................................................................................................. 7 Technologising Media and Memory .......................................................................................................................... 11 Media and Memory ................................................................................................................................................ 13 Archiving, Techno-topia and Pervasive Scepsis .................................................................................................... 15 A Peek Into the History of Human Communication ............................................................................................... 20 Media Archaeology and Mnemosyne ..................................................................................................................... 24 Grasping Digital Memory: Concepts and Theory ...................................................................................................... 27 Mediated Memories ............................................................................................................................................... 28 Mediation and Mediatisation ................................................................................................................................. 30 Remediation and Media Convergence ................................................................................................................... 31 Digital Storytelling ................................................................................................................................................ 33 Representation and Mediality ................................................................................................................................ 34 Multimodal Mobile Media Objects (4MOs) ........................................................................................................... 36 The Connectivity Turn ........................................................................................................................................... 36 Territoriality and Temporality ............................................................................................................................... 37 Digital Memorials .................................................................................................................................................. 39 Setting Sail ................................................................................................................................................................. 41 Case Studies: An Outline ....................................................................................................................................... 46 Methodology .......................................................................................................................................................... 47 Chapter 2 | Music Blogging: Saving Yugoslav Popular Music ....................................................... 50 Introduction ............................................................................................................................................................... 50 Blogging and Memory ............................................................................................................................................... 53 Blog as a Multimodal Mobile Media Object .......................................................................................................... 55 Yugoslavia in Some Blogs‘ Digital Storytelling ..................................................................................................... 57 A Blog as a Virtual Museum .................................................................................................................................. 59 Popular Music: Heritage and Memory ....................................................................................................................... 64 Music in Cyberspace .................................................................................................................................................. 68 Blogging Yugoslav Popular Music ............................................................................................................................ 72 The Sounds of Yugoslavia – Jugozvuk ................................................................................................................... 78 Digital Storytelling in Jugozvuk ............................................................................................................................ 80 Faulty Records ....................................................................................................................................................... 84 Some Other Post-Yugoslav Music Blogs ................................................................................................................ 92 Conclusion ................................................................................................................................................................. 95 Chapter 3 | YouTube and Digital Memorials: Broadcast your past ............................................. 101 Introduction ............................................................................................................................................................. 101 Co-creating and Sharing Memories in YouTube ..................................................................................................... 102 Digital memorials .................................................................................................................................................... 108 2
Some cases in vernacular digital memorials ............................................................................................................ 118 Tatu - Jugoslavija ................................................................................................................................................ 119 ―Triput sam video Tita‖ ...................................................................................................................................... 128 Jugoslavijo ........................................................................................................................................................... 137 Partisans Forever ................................................................................................................................................ 146 Conclusion ............................................................................................................................................................... 160 Chapter 4 | The Past on Facebook: Profiling Yugoslavia .............................................................. 165 Introduction ............................................................................................................................................................. 165 Facebook: Digital Sociability and Memory ............................................................................................................. 169 Non-personal and Fake Historical Profiles .............................................................................................................. 171 Memories are Made of ... Popular Culture ............................................................................................................... 175 Profiling Yugoslavia ................................................................................................................................................ 178 SFR Jugoslavija ................................................................................................................................................... 178 Josip Broz Tito ..................................................................................................................................................... 195 Romance Departed .............................................................................................................................................. 202 Nova Jugoslavija ................................................................................................................................................. 207 Conclusion ............................................................................................................................................................... 211 Chapter 5 | Conclusion: ... Archiving Nostalgia? ........................................................................... 215 Archiving ... Nostalgia ......................................................................................................................................... 220 Reassembling the Historical ................................................................................................................................ 223 The Quest for Normalcy ...................................................................................................................................... 224 Povzetek ............................................................................................................................................. 229 Bibliography ...................................................................................................................................... 248 3
Page 1: UNIVERSITY OF NOVA GORICA GRADUATE
Page 5 and 6: others in the remains of Yugoslavia
Page 7 and 8: Chapter 1 | Introduction: Cyberplac
Page 9 and 10: storytelling, memories and memorial
Page 11 and 12: conceptual framework supporting thi
Page 13 and 14: Media and Memory The most ubiquitou
Page 15 and 16: Archiving, Techno-topia and Pervasi
Page 17 and 18: as an archive, 29 the randomness of
Page 19 and 20: technologies (typewriters, calculat
Page 21 and 22: digital age. 41 Yet, considering th
Page 23 and 24: which she can, at the click of the
Page 25 and 26: However, in the case of Yugoslav di
Page 27 and 28: narrativisations, sampling, remixin
Page 29 and 30: cultural frameworks.‖ 67 Moreover
Page 31 and 32: from ‗pre-media‘ (before the in
Page 33 and 34: framework accounts for numerous eme
Page 35 and 36: outside the process of representati
Page 37 and 38: understanding of (the production an
Page 39 and 40: they are able through digital conne
Page 41 and 42: Setting Sail Reappropriations and r
Page 43 and 44: After the internet and digital comm
Page 45 and 46: that was made during the era of soc
Page 47 and 48: create and communicate, via digital
Page 49 and 50: time.‖ 127 Drawing on this concep
Page 51 and 52: the different musics‘ ―common f
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Blogging and Memory The practice of
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enhanced in blogging, it apparently
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and enthusiasts alike. Thus, for in
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videos are used as audiovisual reco
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Figure 4 | Yugoslav Airlines Luggag
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the posts are fairly scant textuall
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Finally, if initially recording and
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spectacle for which that audience h
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usiness) and outdated principles of
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and replaying music require much le
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encourages the visitors to buy. 173
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also provides a genre distinction a
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initial way for the past to ‗surv
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Through referring (nostalgically) t
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posts he uses a first-person, very
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the past ... on the part of the vis
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uploaded, so do share with others.
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music. Such blog-enabled preservati
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This activity is in a way similar t
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I guess that in 1984 Luna and Katar
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TCHECHOSLOVAKIA, HUNGARY, ROMANIA,
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makes it into an organised database
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which required more ‗action‘ to
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files as digital media objects. As
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Chapter 3 | YouTube and Digital Mem
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users of the site. 217 Moreover, as
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In the category of vernacular or us
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selection is in many cases thorough
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database is changing as well. As Ge
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image. That's it.‖ 241 The fact i
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The site is no longer operable, yet
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inflame a reaction formation: the
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commemorative act, crucially (co-)d
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and use of technology, also as ‗g
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photographs and footage from often
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[We have scattered around the world
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The ending of the video sends a ver
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Milošević giving a speech is embe
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memory practices and nostalgic refe
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moje detinjstvo, sloboda, mir [my c
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4) In Zemun [part of Belgrade]. How
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European that originated in Asia an
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Jugoslavijo A much more elaborate v
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Figure 27 | Photograph of a delegat
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And breaks into the refrain: moja r
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Damned be Josip Broz ―Tito‖ all
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HERZEGOVINA, THAT IS, IT IS THE ONL
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oppression. And the cover by Azra,
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Kroz čempres vjetar duva [Through
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Figure 30 | The closing scene. What
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This is a time when men were gentle
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The string of post‘n‘replies re
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Croats had the greatest fascists an
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among the people [...] commie, do y
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(potential) action are being built.
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the contrary, they are often overly
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Chapter 4 | The Past on Facebook: P
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to make of the interweaving of poli
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Facebook: Digital Sociability and M
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keeping in touch; or, in the case o
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author traces in both the ―import
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Nevertheless, many of these profile
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ways, these domains and the differe
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allegiance. But, at the same time w
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view they call for forming a front
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The comments here, as cursory as th
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egimes. 362 A recent post links to
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oil down to pros and cons of Yugosl
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Enver Dizdarevic Is the idea to cre
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ut how can you explain to the peopl
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intertwining of, on the one hand, t
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Zlatko Crnogorac unfortunately I se
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Party: Komunista Partija Jugoslavij
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The user Šime Zelić stands firmly
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lives came to power. we promulgate
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comments and 245 people ‗liked‘
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Ever since April 2010, the profile
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It remains to be seen what will bec
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while the country‘s ‗birthday
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Figure 36 | Nova Jugoslavija, websi
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dismissed as a-political. And even
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Chapter 5 | Conclusion: ... Archivi
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much) political agenda. Nevertheles
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(cultural reference). Today, in a t
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ather than digging for material tra
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altogether, but aim to suggest that
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social bonds among 22 million peopl
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Jugoslavija Facebook profile case d
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Povzetek Zdi se, da sta splošno ra
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Priĉujoĉo raziskavo sestavljajo t
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splošno prav v tem, da ga prebere
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odkrivajo, jo privedejo na površje
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avdiovizualnih izvedb preteklosti.
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Lahko bi se reklo, da je bila praks
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skozi avdiovizualne in besedilne ko
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»Zgodovina« uporabniške dejavnos
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katere bi se lahko gradila ta zaţe
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to malo verjetno. Kljub temu pa to
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Baker, Catherine. ―Where to Read
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―Constitution of CY (English).‖
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Hahn, Chris M. Postsocialism, Ideal
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Josip Broz Tito. ―Info.‖ http:/
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mejerchold. ―Tatu - Jugoslavija.
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Pogaĉar, Martin. ―Nostalgia in C
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Sobel, Jon. ―HOW: Technology, Tra
Page 263:
―RAZNI IZVODJACI Hitovi Omera Pob
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