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YUGOSLAVIA AND <strong>OF</strong> THIS BLOG BECAUSE THIS IS THE WAY I REPAY MY DEBT TO THE COUNTRY WHERE I GREW UP AND LIVED AND WAS A FULL FLEDGED YUGOLSAV. TODAY WE CAN ONLY REMEMBER ALL THIS AND I WILL REMEMBER ALL THIS HERE ON THIS BLOG AND SO CAN YOU COME HERE AND REMEMBER HOW IT ONCE WAS. 186 This post recapitulates the general attitude of the blog in general. Proudly celebrating three years of existence, Aktivista nicely subsumes the mission of music blogs in general: ―today we can only remember all this and I will remember all this here on this blog and so can you come here and remember how it once was.‖ Interestingly, he posits music as the main vehicle to remembering, but at the same time also defines Jugozvuk as the place (from) where remembering can take place. Faulty Records The interlinking among ‗brotherly‘ music blogs provides the visitor (and researcher) with a way to trace other blogs that are (loosely) related in the post-Yugoslav musical blogging endeavours. One such blog is Nevaljaleploce (ova ploca nista ne valja, ima rupu u sredini! [this is a faulty record, it‘s got a hole in the middle!]), 187 managed by Bassta! Pex a.k.a. Gramofonije Plocanovic. Crosscommenting between the two blogs (and some others) suggests existence and emergence of a sort of community between the music bloggers. As compared to Aktivista, Gramofonije takes a different approach and makes his blog a much more personal endeavour by blogging also about his private life, travelling and his band. At the beginning he states: Vinyl and stuff – if someone finds anything disturbing or if I broke any law, please feel free to say so – we‘ll consider everything, but change nothing! I suggest you buy these records, if available [translation of text in Serbian]. If anyone is upset about anything, whether the content or copyright breach/whatever please get in touch. I recommend everyone and anyone and their families go out and buy these records, if available [original in English]. 188 In the part of the mission statement available in Serbian, Gramofonije ironically adapts the usual quotation used to provide some excuse for posting copyrighted material (e.g. ―let me know, I‘ll remove it‖) by saying: ―If someone finds anything disturbing or if I broke any law, please feel free to say so – we‘ll consider everything, but change nothing! I recommend you buy the vinyl/CD, if available. If you wish distribute links, feel free to do so. Those that expire will probably not be re- 186 Jugozvuk, http://jugozvuk.blogspot.com/2011/04/opera-iz-davne-1972-godine-uzivo-za-dan.html, accessed 8 August 2011. 187 Basta! Pex, Nevaljaleploce, http://nevaljaleploce.blogspot.com/, accessed 8 August 2011. 188 Basta! Pex, Nevaljaleploce, http://nevaljaleploce.blogspot.com/, accessed 8 August 2011. 84
uploaded, so do share with others.‖ 189 Thus he deliberately and consciously admits to not paying much attention to copyright issues and to go about his music-blogging ways regardless. In the English part of the statement this aspect is lost and the tone is less ironic. Figure 9 | Ova ploca nista ne valja, available from http://nevaljaleploce.blogspot.com/2011_05_01_archive.html. In terms of form, Gramofonije‘s blog is much more manageable and transparent as compared to Jugozvuk. It offers access to posts in chronological order, which makes it easier to navigate and follow. In this respect the storytelling on this blog is much more straightforward, with more extensive textual narrative supported by references to music records (and links to remote storage services) that clearly are important to the author, who overtly declares himself to be a fan of certain groups, and in that way establishes a much stronger, more personal relation to the music blogged. The quantity of music posted is considerably smaller than on Jugozvuk but on the other hand more selective and nearly each post related to Gramofonije‘s past, although at the very beginning he decidedly states: 189 Ibid. 85
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UNIVERSITY OF NOVA GORICA GRADUATE
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Some cases in vernacular digital me
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others in the remains of Yugoslavia
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Chapter 1 | Introduction: Cyberplac
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storytelling, memories and memorial
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conceptual framework supporting thi
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Media and Memory The most ubiquitou
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Archiving, Techno-topia and Pervasi
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as an archive, 29 the randomness of
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technologies (typewriters, calculat
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digital age. 41 Yet, considering th
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which she can, at the click of the
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However, in the case of Yugoslav di
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narrativisations, sampling, remixin
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cultural frameworks.‖ 67 Moreover
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from ‗pre-media‘ (before the in
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Page 41 and 42: Setting Sail Reappropriations and r
Page 43 and 44: After the internet and digital comm
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Page 49 and 50: time.‖ 127 Drawing on this concep
Page 51 and 52: the different musics‘ ―common f
Page 53 and 54: Blogging and Memory The practice of
Page 55 and 56: enhanced in blogging, it apparently
Page 57 and 58: and enthusiasts alike. Thus, for in
Page 59 and 60: videos are used as audiovisual reco
Page 61 and 62: Figure 4 | Yugoslav Airlines Luggag
Page 63 and 64: the posts are fairly scant textuall
Page 65 and 66: Finally, if initially recording and
Page 67 and 68: spectacle for which that audience h
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Page 73 and 74: encourages the visitors to buy. 173
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Page 79 and 80: Through referring (nostalgically) t
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Page 83: the past ... on the part of the vis
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Page 101 and 102: Chapter 3 | YouTube and Digital Mem
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Page 105 and 106: In the category of vernacular or us
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Page 117 and 118: commemorative act, crucially (co-)d
Page 119 and 120: and use of technology, also as ‗g
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Page 125 and 126: The ending of the video sends a ver
Page 127 and 128: Milošević giving a speech is embe
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Page 133 and 134: 4) In Zemun [part of Belgrade]. How
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European that originated in Asia an
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Jugoslavijo A much more elaborate v
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Figure 27 | Photograph of a delegat
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And breaks into the refrain: moja r
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Damned be Josip Broz ―Tito‖ all
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HERZEGOVINA, THAT IS, IT IS THE ONL
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oppression. And the cover by Azra,
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Kroz čempres vjetar duva [Through
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Figure 30 | The closing scene. What
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This is a time when men were gentle
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The string of post‘n‘replies re
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Croats had the greatest fascists an
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among the people [...] commie, do y
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(potential) action are being built.
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the contrary, they are often overly
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Chapter 4 | The Past on Facebook: P
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to make of the interweaving of poli
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Facebook: Digital Sociability and M
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keeping in touch; or, in the case o
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author traces in both the ―import
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Nevertheless, many of these profile
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ways, these domains and the differe
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allegiance. But, at the same time w
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view they call for forming a front
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The comments here, as cursory as th
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egimes. 362 A recent post links to
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oil down to pros and cons of Yugosl
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Enver Dizdarevic Is the idea to cre
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ut how can you explain to the peopl
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intertwining of, on the one hand, t
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Zlatko Crnogorac unfortunately I se
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Party: Komunista Partija Jugoslavij
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The user Šime Zelić stands firmly
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lives came to power. we promulgate
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comments and 245 people ‗liked‘
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Ever since April 2010, the profile
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It remains to be seen what will bec
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while the country‘s ‗birthday
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Figure 36 | Nova Jugoslavija, websi
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dismissed as a-political. And even
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Chapter 5 | Conclusion: ... Archivi
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much) political agenda. Nevertheles
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(cultural reference). Today, in a t
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ather than digging for material tra
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altogether, but aim to suggest that
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social bonds among 22 million peopl
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Jugoslavija Facebook profile case d
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Povzetek Zdi se, da sta splošno ra
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Priĉujoĉo raziskavo sestavljajo t
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splošno prav v tem, da ga prebere
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odkrivajo, jo privedejo na površje
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avdiovizualnih izvedb preteklosti.
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Lahko bi se reklo, da je bila praks
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skozi avdiovizualne in besedilne ko
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»Zgodovina« uporabniške dejavnos
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katere bi se lahko gradila ta zaţe
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to malo verjetno. Kljub temu pa to
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Baker, Catherine. ―Where to Read
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―Constitution of CY (English).‖
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Hahn, Chris M. Postsocialism, Ideal
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Josip Broz Tito. ―Info.‖ http:/
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mejerchold. ―Tatu - Jugoslavija.
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Pogaĉar, Martin. ―Nostalgia in C
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Sobel, Jon. ―HOW: Technology, Tra
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―RAZNI IZVODJACI Hitovi Omera Pob
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