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Bijsterveld, Karin and José van Dijck, ―Introduction.‖ In Karin Bijsterveld and José van Dijck (eds.). Sound Souvenirs, Audio Technologies, Memory and Cultural Practices. Amsterdam, Amsterdam University Press, 2009. ―Blog.‖ Wikipedia. The Free Encyclopaedia. http://en.wikipedia.org/wiki/Blog. Accessed 8 August 2011. BogdanDLR. ―Star Wars Druze Tito.‖ Comments. http://www.youtube.com/all_comments?v=yirP4AAcyo. Accessed 23 August 2011. Bolter, Jay David and Richard Grusin. Remediation. Understanding New Media. Cambridge, London, MIT Press, 2000. Bordwell, David. Narration in the Fiction Film. Madison, University of Wisconsin Press, 1985. Bowker, Geoffrey C. Memory practices in the Sciences. Cambridge, MIT Press, 2008. Boyd, Danah. ―Can social networking sites enable political action.‖ In Allison Fine, Micah Sifry, Andrew Raseij and Josh Levi (eds.). Rebooting America. New York, Creative Commons, 2008, 112–116. Boyd, Danah. ―Danah Boyd: ‗People looked at me like I was an alien.‘‖ Guardian, http://www.guardian.co.uk/technology/2009/dec/09/interview-microsoft-researcher-danah-boyd, accessed 10 January 2011. Boym, Svetlana. The Future of Nostalgia. New York, Basic Books, 2001. Brideoake, Fiona. ―The republic of Pemberley: Politeness and citizenship in digital sociability.‖ Interdisciplinary studies in the long 19th century, thematic issue Minds, bodies, machines 7, 2008, http://www.19.bbk.ac.uk/index.php/19/article/view/483/343. ―Brisanje postova i komentara grupi.‖ Discussion topic. SFR Jugoslavija – SFR Yugoslavia. http://www.facebook.com/board.php?uid=36436743833&f=2&start=0#!/topic.php?uid=36436743 833&topic=13104. Accessed 9 September 2011. Brubaker, Roger. Nationalism Reframed: Nationhood and the National Question in the New Europe. Cambridge, Cambridge University Press, 1996. Bruyn, Dieter de. ―World War 2.0: Commemorating War and Holocaust in Poland through Facebook.‖ Digital Icons: Studies in Russian, Eurasian and Central European New Media 4, 2010, 45–62. http://www.digitalicons.org/issue04/dieter-de-bruyn/. Burgess, Jean and Joshua Green. YouTube: Online Video and Participatory Culture. With contributions by Henry Jenkins and John Hartley. Cambridge, Polity Press, 2009. Burgin, Victor. In/Different Spaces, Place and Memory in Visual Culture. Berkeley, Los Angeles, London, University of California Press, 1996. Castells, Manuel. The Internet Galaxy, Reflections on the Internet, Business, and Society. Oxford University Press, Oxford, 2002. Cherry, Jim. ―Jim Morrison Memorial, Light a Pixel.‖ examiner.com, http://www.examiner.com/the-doors-in-national/jim-morrison-memorial-light-a-pixel. Accessed 23 August 2011. Chion, Michel. The Voice in Cinema. New York, Columbia University Press, 1998. 250
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UNIVERSITY OF NOVA GORICA GRADUATE
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Some cases in vernacular digital me
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others in the remains of Yugoslavia
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Chapter 1 | Introduction: Cyberplac
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storytelling, memories and memorial
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conceptual framework supporting thi
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Media and Memory The most ubiquitou
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Archiving, Techno-topia and Pervasi
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as an archive, 29 the randomness of
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technologies (typewriters, calculat
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digital age. 41 Yet, considering th
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which she can, at the click of the
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However, in the case of Yugoslav di
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narrativisations, sampling, remixin
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cultural frameworks.‖ 67 Moreover
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from ‗pre-media‘ (before the in
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framework accounts for numerous eme
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outside the process of representati
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understanding of (the production an
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they are able through digital conne
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Setting Sail Reappropriations and r
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After the internet and digital comm
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that was made during the era of soc
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create and communicate, via digital
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time.‖ 127 Drawing on this concep
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the different musics‘ ―common f
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Blogging and Memory The practice of
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enhanced in blogging, it apparently
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and enthusiasts alike. Thus, for in
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videos are used as audiovisual reco
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Figure 4 | Yugoslav Airlines Luggag
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the posts are fairly scant textuall
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Finally, if initially recording and
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spectacle for which that audience h
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usiness) and outdated principles of
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and replaying music require much le
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encourages the visitors to buy. 173
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also provides a genre distinction a
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initial way for the past to ‗surv
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Through referring (nostalgically) t
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posts he uses a first-person, very
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the past ... on the part of the vis
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uploaded, so do share with others.
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music. Such blog-enabled preservati
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This activity is in a way similar t
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I guess that in 1984 Luna and Katar
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TCHECHOSLOVAKIA, HUNGARY, ROMANIA,
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makes it into an organised database
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which required more ‗action‘ to
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files as digital media objects. As
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Chapter 3 | YouTube and Digital Mem
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users of the site. 217 Moreover, as
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In the category of vernacular or us
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selection is in many cases thorough
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database is changing as well. As Ge
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image. That's it.‖ 241 The fact i
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The site is no longer operable, yet
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inflame a reaction formation: the
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commemorative act, crucially (co-)d
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and use of technology, also as ‗g
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photographs and footage from often
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[We have scattered around the world
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The ending of the video sends a ver
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Milošević giving a speech is embe
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memory practices and nostalgic refe
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moje detinjstvo, sloboda, mir [my c
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4) In Zemun [part of Belgrade]. How
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European that originated in Asia an
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Jugoslavijo A much more elaborate v
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Figure 27 | Photograph of a delegat
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And breaks into the refrain: moja r
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Damned be Josip Broz ―Tito‖ all
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HERZEGOVINA, THAT IS, IT IS THE ONL
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oppression. And the cover by Azra,
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Kroz čempres vjetar duva [Through
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Figure 30 | The closing scene. What
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This is a time when men were gentle
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The string of post‘n‘replies re
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Croats had the greatest fascists an
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among the people [...] commie, do y
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(potential) action are being built.
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the contrary, they are often overly
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Chapter 4 | The Past on Facebook: P
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to make of the interweaving of poli
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Facebook: Digital Sociability and M
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keeping in touch; or, in the case o
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author traces in both the ―import
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Nevertheless, many of these profile
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ways, these domains and the differe
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allegiance. But, at the same time w
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view they call for forming a front
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The comments here, as cursory as th
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egimes. 362 A recent post links to
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oil down to pros and cons of Yugosl
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Enver Dizdarevic Is the idea to cre
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ut how can you explain to the peopl
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intertwining of, on the one hand, t
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Zlatko Crnogorac unfortunately I se
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Party: Komunista Partija Jugoslavij
Page 199 and 200: The user Šime Zelić stands firmly
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Page 203 and 204: comments and 245 people ‗liked‘
Page 205 and 206: Ever since April 2010, the profile
Page 207 and 208: It remains to be seen what will bec
Page 209 and 210: while the country‘s ‗birthday
Page 211 and 212: Figure 36 | Nova Jugoslavija, websi
Page 213 and 214: dismissed as a-political. And even
Page 215 and 216: Chapter 5 | Conclusion: ... Archivi
Page 217 and 218: much) political agenda. Nevertheles
Page 219 and 220: (cultural reference). Today, in a t
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Page 227 and 228: Jugoslavija Facebook profile case d
Page 229 and 230: Povzetek Zdi se, da sta splošno ra
Page 231 and 232: Priĉujoĉo raziskavo sestavljajo t
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Page 237 and 238: avdiovizualnih izvedb preteklosti.
Page 239 and 240: Lahko bi se reklo, da je bila praks
Page 241 and 242: skozi avdiovizualne in besedilne ko
Page 243 and 244: »Zgodovina« uporabniške dejavnos
Page 245 and 246: katere bi se lahko gradila ta zaţe
Page 247 and 248: to malo verjetno. Kljub temu pa to
Page 249: Baker, Catherine. ―Where to Read
Page 253 and 254: Hahn, Chris M. Postsocialism, Ideal
Page 255 and 256: Josip Broz Tito. ―Info.‖ http:/
Page 257 and 258: mejerchold. ―Tatu - Jugoslavija.
Page 259 and 260: Pogaĉar, Martin. ―Nostalgia in C
Page 261 and 262: Sobel, Jon. ―HOW: Technology, Tra
Page 263: ―RAZNI IZVODJACI Hitovi Omera Pob
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