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UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL ...

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[We have scattered around the world like .../we have travelled the sky by/Were<br />

these really better days, or is it us that were better?/We used to fraternise<br />

.../Supposing we‘re dreaming the same dream/And the god didn‘t care whether we<br />

cross ourselves or bow]<br />

SpAcE126 264<br />

As seen from the above comments, the responses to this video range from positive to negative<br />

evaluations of both ‗intended‘ reading of the song (the NATO bombings) and the ‗delusive‘<br />

reading seeing in this video a ‗commemoration‘ of the socialist Yugoslavia. But for most of the<br />

commentators responding to the video it seems they inadvertently/unconsciously refer to the<br />

former Yugoslavia and write from the position of at least some personal or first-hand experience.<br />

In any case, there still seem to be also more distanced voices that express utter confusion over the<br />

past, and the debates this past fuels twenty years after the collapse:<br />

I‘m born in ‘87. This period really is engraved in my head. The too long 1993. it<br />

seems it lasted an eternity. I don‘t even know whether I have anything to be sorry<br />

for. I feel hatred and nostalgia at the same time. And they say it was all great :(<br />

steffanKM 265<br />

This last comment—expressing both hate and nostalgia (clearly a second-hand, mediated one)—<br />

demonstrates that the post-Yugoslav wars instilled both contempt and appreciation. The former is<br />

probably mostly a result of a scarred childhood. The hatred seems to be a somewhat<br />

undesired/inappropriate feeling precisely because the nostalgic discourse in many post-Yugoslav<br />

societies and emigrant communities alike, is often very explicit. But it fails to explicate the<br />

complexity (if it can allude to senselessness) of what was going on at the time of the country‘s<br />

collapse.<br />

This, however, is not where the life of the Russian song in user generated videos ends: the search<br />

yields several more cases that use an elaborate approach in terms of narrativisation. Interestingly,<br />

none of them explicitly relates the song to the NATO bombings: rather the makers seem to<br />

interpret the song in terms of loss of Yugoslavia and also create their videos along these lines. The<br />

following two, in which commenting function has been disabled, establish an intriguing<br />

communication between each other.<br />

The video ―Tatu – Jugoslavija‖ created by user mejerchold had 286,370 views in May 2011. 266<br />

The video starts off with a twilight shot of a river and a city in the background (Danube?<br />

Belgrade?) and cuts abruptly to a scene of Dubrovnik shelling at the beginning of the war in<br />

Croatia in 1991. Thus, at the very beginning the digital memorial maker clearly delimits the object<br />

264 Ibid.<br />

265 Ibid.<br />

266 Mejerchold, ―Tatu – Jugoslavija,‖ http://www.youtube.com/watch?v=k0Git1piHts, accessed 2 September 2011.<br />

123

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