UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL ...

More documents

Recommendations

Info

An interesting and telling thing happened earlier in 2011: a profile Josip Broz Tito has been disabled by Facebook. In a discussion section of the SFR Jugoslavija profile an embittered exchange provides some insight into how this was received by some of the more engaged users: Goran Mandić Facebook shut down the profile Josip Broz Tito. The profile had 5000 'friends' and several thousand of those who couldn‘t be accepted. Has anybody got any wise advice? [original in BSH] Your account has been disabled because we have determined that you are not representing yourself authentically on Facebook. Fake accounts are a violation of our Statement of Rights and Responsibilities. All accounts must abide by the following policies: • You must provide your real first name and last name. • Impersonating anyone or anything is prohibited. • Profiles created to represent celebrities, pets, ideas, or inanimate objects are strictly prohibited. • Profiles created for the purpose of spamming or harassing others are strictly prohibited. People on Facebook want to interact with their real friends and the people they know in the real world. Since fake accounts can damage the integrity of this environment, they are not allowed to remain on the site. Unfortunately, we will not be able to reactivate this account for any reason, nor will we provide further information about your violation or the systems we have in place. This decision is final and cannot be appealed. Thanks for your understanding, Avery User Operations Facebook 343 This reveals the very ‗technicist‘ conceptualisation of sociability by the service provider, in fact rather a strictly regulated sociability that can be terminated without notice by the provider, should they so decide. Ivo Lola E, my dear Yugoslavs and all the honourable people from the territory of Yugoslavia what ever the nationality.... That‘s the way they do it at Mr. ‗berg from Face and in the ‗democratic‘ (capitalist) West. What they have done is the RIGHT picture of ‗democracy‘ THEY promote as global. And the ‗explanation‘ is so hypocritical and rotten that you can spit on it. Disgrace, but what‘s the point. They haven‘t fought us so that they would now let us free of charge advertise what they hate the most (and what we love the best)... [...] PS – Maybe we are not yet technically up for these global gulanferima, but we‘ve got heart and soul. 344 343 SFR Jugoslavija – SFR Yugoslavia, ―Facebook ugasio profil Josip Broz Tito...,‖ http://www.facebook.com/pages/SFR-Jugoslavija-SFR-Yugoslavia/36436743833#!/topic.php?uid= 36436743833&topic=15244, accessed 24 August 2011. 344 Ibid. 174
Nevertheless, many of these profiles increasingly figure as places for post-Yugoslavs to represence topics spanning the country‘s past and the post-Yugoslav present(s). The profiles at that also tend to feature as forums where one can ‗nostalgicise‘ while visiting massive amounts of posted (links to) content (predominantly YouTube videos and news papers). Or, one can actively engage in heated debates on the country‘s past, and, more importantly, its future. Among numerous profiles dedicated to socialist countries, a conspicuous number openly calls for ‗reforming‘ or resurrecting, recreating this or that socialist country. This is particularly relevant with regards to the ‗historical profiles‘ in the case of Yugoslavia where ―the central architectural organisation of Facebook as a fluid hypertext of interconnected profiles‖ 345 enables for a rapid diffusion and, in the next turn, also for the potential for establishing contact between post-Yugoslavs based on a historical commonly shared historical and cultural referential framework. Living in exile, at ‗home‘ or abroad, those who come to ‗like‘ or befriend Yugoslavia historical profiles tend to have one thing in common: they continue to like the country also in its afterlife and seem to a considerable extent ‗convinced‘ by the truthfulness of both the profiles and the ‗commomoratee.‘ Memories are Made of ... Popular Culture Departing from Boyd‘s observation on the cursory rather than more substantial interaction above, it can be argued that the unofficiality of Facebook spaces, in all its ‗gossipy predisposition,‘ renders practices of remembering evermore informal, presupposing unfixed, face-to-face quotidian communication, with all the works: linguistic inaccuracies, affective and emotional responses, superficial commenting. All this, importantly, tends to (yet not always) remain much more restrained as compared to outbursts of rage in YouTube. 346 Remembering and sharing-in someone else‘s audiovisualised memory is, for instance, performed either through more ‗digitally engaged‘ emphatic commenting on a holiday photo (also using emoticons) or via less engaged actions such 345 Dieter de Bruyn, ―World War 2.0,‖ 47. 346 To go into much more detail regarding the distinction between YouTube and Facebook sociability would be out of the scope of this writing. Suffice to say that communication in Facebook (between friends and stranger alike) seems much more restrained and deliberate as compared to YouTube, to some extent because of the ‗status of acquaintance‘ (not entirely, as in the memorials such as those analysed here, absolute strangers meet as well) but predominantly because in most cases, the users ‗perform‘ via their real names. In this respect, it has to be noted that the communication on Facebook unravels on two levels: public (e.g. Wall posts) and private (e.g. emailing and instant messaging) and that this study only looks at the public level. 175
Page 1 and 2:
UNIVERSITY OF NOVA GORICA GRADUATE
Page 3 and 4:
Some cases in vernacular digital me
Page 5 and 6:
others in the remains of Yugoslavia
Page 7 and 8:
Chapter 1 | Introduction: Cyberplac
Page 9 and 10:
storytelling, memories and memorial
Page 11 and 12:
conceptual framework supporting thi
Page 13 and 14:
Media and Memory The most ubiquitou
Page 15 and 16:
Archiving, Techno-topia and Pervasi
Page 17 and 18:
as an archive, 29 the randomness of
Page 19 and 20:
technologies (typewriters, calculat
Page 21 and 22:
digital age. 41 Yet, considering th
Page 23 and 24:
which she can, at the click of the
Page 25 and 26:
However, in the case of Yugoslav di
Page 27 and 28:
narrativisations, sampling, remixin
Page 29 and 30:
cultural frameworks.‖ 67 Moreover
Page 31 and 32:
from ‗pre-media‘ (before the in
Page 33 and 34:
framework accounts for numerous eme
Page 35 and 36:
outside the process of representati
Page 37 and 38:
understanding of (the production an
Page 39 and 40:
they are able through digital conne
Page 41 and 42:
Setting Sail Reappropriations and r
Page 43 and 44:
After the internet and digital comm
Page 45 and 46:
that was made during the era of soc
Page 47 and 48:
create and communicate, via digital
Page 49 and 50:
time.‖ 127 Drawing on this concep
Page 51 and 52:
the different musics‘ ―common f
Page 53 and 54:
Blogging and Memory The practice of
Page 55 and 56:
enhanced in blogging, it apparently
Page 57 and 58:
and enthusiasts alike. Thus, for in
Page 59 and 60:
videos are used as audiovisual reco
Page 61 and 62:
Figure 4 | Yugoslav Airlines Luggag
Page 63 and 64:
the posts are fairly scant textuall
Page 65 and 66:
Finally, if initially recording and
Page 67 and 68:
spectacle for which that audience h
Page 69 and 70:
usiness) and outdated principles of
Page 71 and 72:
and replaying music require much le
Page 73 and 74:
encourages the visitors to buy. 173
Page 75 and 76:
also provides a genre distinction a
Page 77 and 78:
initial way for the past to ‗surv
Page 79 and 80:
Through referring (nostalgically) t
Page 81 and 82:
posts he uses a first-person, very
Page 83 and 84:
the past ... on the part of the vis
Page 85 and 86:
uploaded, so do share with others.
Page 87 and 88:
music. Such blog-enabled preservati
Page 89 and 90:
This activity is in a way similar t
Page 91 and 92:
I guess that in 1984 Luna and Katar
Page 93 and 94:
TCHECHOSLOVAKIA, HUNGARY, ROMANIA,
Page 95 and 96:
makes it into an organised database
Page 97 and 98:
which required more ‗action‘ to
Page 99 and 100:
files as digital media objects. As
Page 101 and 102:
Chapter 3 | YouTube and Digital Mem
Page 103 and 104:
users of the site. 217 Moreover, as
Page 105 and 106:
In the category of vernacular or us
Page 107 and 108:
selection is in many cases thorough
Page 109 and 110:
database is changing as well. As Ge
Page 111 and 112:
image. That's it.‖ 241 The fact i
Page 113 and 114:
The site is no longer operable, yet
Page 115 and 116:
inflame a reaction formation: the
Page 117 and 118:
commemorative act, crucially (co-)d
Page 119 and 120:
and use of technology, also as ‗g
Page 121 and 122:
photographs and footage from often
Page 123 and 124: [We have scattered around the world
Page 125 and 126: The ending of the video sends a ver
Page 127 and 128: Milošević giving a speech is embe
Page 129 and 130: memory practices and nostalgic refe
Page 131 and 132: moje detinjstvo, sloboda, mir [my c
Page 133 and 134: 4) In Zemun [part of Belgrade]. How
Page 135 and 136: European that originated in Asia an
Page 137 and 138: Jugoslavijo A much more elaborate v
Page 139 and 140: Figure 27 | Photograph of a delegat
Page 141 and 142: And breaks into the refrain: moja r
Page 143 and 144: Damned be Josip Broz ―Tito‖ all
Page 145 and 146: HERZEGOVINA, THAT IS, IT IS THE ONL
Page 147 and 148: oppression. And the cover by Azra,
Page 149 and 150: Kroz čempres vjetar duva [Through
Page 151 and 152: Figure 30 | The closing scene. What
Page 153 and 154: This is a time when men were gentle
Page 155 and 156: The string of post‘n‘replies re
Page 157 and 158: Croats had the greatest fascists an
Page 159 and 160: among the people [...] commie, do y
Page 161 and 162: (potential) action are being built.
Page 163 and 164: the contrary, they are often overly
Page 165 and 166: Chapter 4 | The Past on Facebook: P
Page 167 and 168: to make of the interweaving of poli
Page 169 and 170: Facebook: Digital Sociability and M
Page 171 and 172: keeping in touch; or, in the case o
Page 173: author traces in both the ―import
Page 177 and 178: ways, these domains and the differe
Page 179 and 180: allegiance. But, at the same time w
Page 181 and 182: view they call for forming a front
Page 183 and 184: The comments here, as cursory as th
Page 185 and 186: egimes. 362 A recent post links to
Page 187 and 188: oil down to pros and cons of Yugosl
Page 189 and 190: Enver Dizdarevic Is the idea to cre
Page 191 and 192: ut how can you explain to the peopl
Page 193 and 194: intertwining of, on the one hand, t
Page 195 and 196: Zlatko Crnogorac unfortunately I se
Page 197 and 198: Party: Komunista Partija Jugoslavij
Page 199 and 200: The user Šime Zelić stands firmly
Page 201 and 202: lives came to power. we promulgate
Page 203 and 204: comments and 245 people ‗liked‘
Page 205 and 206: Ever since April 2010, the profile
Page 207 and 208: It remains to be seen what will bec
Page 209 and 210: while the country‘s ‗birthday
Page 211 and 212: Figure 36 | Nova Jugoslavija, websi
Page 213 and 214: dismissed as a-political. And even
Page 215 and 216: Chapter 5 | Conclusion: ... Archivi
Page 217 and 218: much) political agenda. Nevertheles
Page 219 and 220: (cultural reference). Today, in a t
Page 221 and 222: ather than digging for material tra
Page 223 and 224: altogether, but aim to suggest that
Page 225 and 226:
social bonds among 22 million peopl
Page 227 and 228:
Jugoslavija Facebook profile case d
Page 229 and 230:
Povzetek Zdi se, da sta splošno ra
Page 231 and 232:
Priĉujoĉo raziskavo sestavljajo t
Page 233 and 234:
splošno prav v tem, da ga prebere
Page 235 and 236:
odkrivajo, jo privedejo na površje
Page 237 and 238:
avdiovizualnih izvedb preteklosti.
Page 239 and 240:
Lahko bi se reklo, da je bila praks
Page 241 and 242:
skozi avdiovizualne in besedilne ko
Page 243 and 244:
»Zgodovina« uporabniške dejavnos
Page 245 and 246:
katere bi se lahko gradila ta zaţe
Page 247 and 248:
to malo verjetno. Kljub temu pa to
Page 249 and 250:
Baker, Catherine. ―Where to Read
Page 251 and 252:
―Constitution of CY (English).‖
Page 253 and 254:
Hahn, Chris M. Postsocialism, Ideal
Page 255 and 256:
Josip Broz Tito. ―Info.‖ http:/
Page 257 and 258:
mejerchold. ―Tatu - Jugoslavija.
Page 259 and 260:
Pogaĉar, Martin. ―Nostalgia in C
Page 261 and 262:
Sobel, Jon. ―HOW: Technology, Tra
Page 263:
―RAZNI IZVODJACI Hitovi Omera Pob
show all

UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?