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availability of music is much clearer and hints into the direction where to look for answer. In this respect it is important to acknowledge the motives to search for, digitise and provide music for free to fellow music lovers despite the copyright issues and the potential to face criminal charges. The discussion on music blogging below will further elaborate on these issues. Blogging Yugoslav Popular Music I love it when you come here, but you should take a more active part in this blog as this is a heritage of a time and you should understand that any preserved sound may represent your part in preserving the memory of and truth about a country. Well, it had disintegrated but I think that it still lives as an idea and it will outlive all of us who come here, and one day, perhaps under a different name this will once again be the land of the South Slavs. Until then we will write about it and put up sounds from this former and pre-former Yugoslavia. The number of inhabitants of a large city visited this site or blog and thank you for this. We try (myself and my dear contributors) to provide you with more beautiful things. 171 Music blogs in general do not physically store any music files but rather provide links to remote file-hosting sites from where the music is then readily available for download. 172 This strategy of remote file storage and particularly the structure of music blogs remain a constant feature in music blogging, regardless of the genres, periods etc. that they may indulge in. The main reason is clearly an attempt to avoid copyright breach, as in most cases the music is (still) copyrighted, and also the fact that a site with large files would be too ‗heavy.‘ The former is clearly discernible in many blog policies, where the blogger still provides links to full albums, but at the same time 171 ―Drugarice i drugovi uskoro prelazimo 500.000 poseta na ovom blogu,‖ Jugozvuk, http://jugozvuk.blogspot.com/2010/01/drugarice-i-drugovi-uskoro-prelayimo.html, accessed 8 August 2011. 172 To avoid confusion, let me explain what kind of music blogging I am talking about, as there are several types: 1) blogging about music, i.e. writing about the scene, new releases etc.; 2) adding a music player to a blog that plays tracks or playlists; and finally, what is the central topic here, 3) music blogging this research investigates is the type of blogging where the posts or comments feature, along the description of the posted material, also the link to a remote file-sharing system where the music is ‗actually‘ located. 72
encourages the visitors to buy. 173 As ambiguous in terms of copyright compliance as this position may seem, along with storing files on remote servers this strategy clearly features as a cover. Figure 7 | Friends and followers on Jugozvuk, available from http://jugozvuk.blogspot.com/. Before moving on to discuss the post-Yugoslav music blogs, first a few words on music blog structure. Much like any other blog, a music blog is usually introduced by a heading explaining in brief what the blog is about, declaring ‗blog policy‘ or giving a mission statement. Posts are then ordered chronologically, with the most recent one on top. Usually, a post contains a description of the record, a track list, tags and comment function. Like any other, a music blog usually gives an option to the visitors to ―follow‖ it, and a selection of links to other blogs. A visitors counter is a regular feature included and occasionally a feature such as ―whos.among.us‖ or similar. The latter provides statistics on the number of users ―online in past the 24 hours,‖ ―what are they copying,‖ and ―where they come from‖ which detects the locations of users on the map of the world (―A map showing you where your visitors come from. Flashing pins are people that are online right 173 See for instance Twilightzone! Just for Your Listening Pleasure: ―The music that I post up on this site is NOT for commercial use. I'll spare you the legal jargon, but in essence, if you LIKE it, BUY it! - pw for most files: rideyourpony,‖ http://twilightzone-rideyourpony.blogspot.com/, accessed 8 August 2011. 73
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UNIVERSITY OF NOVA GORICA GRADUATE
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Some cases in vernacular digital me
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others in the remains of Yugoslavia
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Chapter 1 | Introduction: Cyberplac
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storytelling, memories and memorial
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conceptual framework supporting thi
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Media and Memory The most ubiquitou
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Archiving, Techno-topia and Pervasi
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as an archive, 29 the randomness of
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technologies (typewriters, calculat
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Page 23 and 24: which she can, at the click of the
Page 25 and 26: However, in the case of Yugoslav di
Page 27 and 28: narrativisations, sampling, remixin
Page 29 and 30: cultural frameworks.‖ 67 Moreover
Page 31 and 32: from ‗pre-media‘ (before the in
Page 33 and 34: framework accounts for numerous eme
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Page 37 and 38: understanding of (the production an
Page 39 and 40: they are able through digital conne
Page 41 and 42: Setting Sail Reappropriations and r
Page 43 and 44: After the internet and digital comm
Page 45 and 46: that was made during the era of soc
Page 47 and 48: create and communicate, via digital
Page 49 and 50: time.‖ 127 Drawing on this concep
Page 51 and 52: the different musics‘ ―common f
Page 53 and 54: Blogging and Memory The practice of
Page 55 and 56: enhanced in blogging, it apparently
Page 57 and 58: and enthusiasts alike. Thus, for in
Page 59 and 60: videos are used as audiovisual reco
Page 61 and 62: Figure 4 | Yugoslav Airlines Luggag
Page 63 and 64: the posts are fairly scant textuall
Page 65 and 66: Finally, if initially recording and
Page 67 and 68: spectacle for which that audience h
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Page 71: and replaying music require much le
Page 75 and 76: also provides a genre distinction a
Page 77 and 78: initial way for the past to ‗surv
Page 79 and 80: Through referring (nostalgically) t
Page 81 and 82: posts he uses a first-person, very
Page 83 and 84: the past ... on the part of the vis
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Page 87 and 88: music. Such blog-enabled preservati
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Page 91 and 92: I guess that in 1984 Luna and Katar
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Page 95 and 96: makes it into an organised database
Page 97 and 98: which required more ‗action‘ to
Page 99 and 100: files as digital media objects. As
Page 101 and 102: Chapter 3 | YouTube and Digital Mem
Page 103 and 104: users of the site. 217 Moreover, as
Page 105 and 106: In the category of vernacular or us
Page 107 and 108: selection is in many cases thorough
Page 109 and 110: database is changing as well. As Ge
Page 111 and 112: image. That's it.‖ 241 The fact i
Page 113 and 114: The site is no longer operable, yet
Page 115 and 116: inflame a reaction formation: the
Page 117 and 118: commemorative act, crucially (co-)d
Page 119 and 120: and use of technology, also as ‗g
Page 121 and 122: photographs and footage from often
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[We have scattered around the world
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The ending of the video sends a ver
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Milošević giving a speech is embe
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memory practices and nostalgic refe
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moje detinjstvo, sloboda, mir [my c
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4) In Zemun [part of Belgrade]. How
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European that originated in Asia an
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Jugoslavijo A much more elaborate v
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Figure 27 | Photograph of a delegat
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And breaks into the refrain: moja r
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Damned be Josip Broz ―Tito‖ all
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HERZEGOVINA, THAT IS, IT IS THE ONL
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oppression. And the cover by Azra,
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Kroz čempres vjetar duva [Through
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Figure 30 | The closing scene. What
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This is a time when men were gentle
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The string of post‘n‘replies re
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Croats had the greatest fascists an
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among the people [...] commie, do y
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(potential) action are being built.
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the contrary, they are often overly
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Chapter 4 | The Past on Facebook: P
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to make of the interweaving of poli
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Facebook: Digital Sociability and M
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keeping in touch; or, in the case o
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author traces in both the ―import
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Nevertheless, many of these profile
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ways, these domains and the differe
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allegiance. But, at the same time w
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view they call for forming a front
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The comments here, as cursory as th
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egimes. 362 A recent post links to
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oil down to pros and cons of Yugosl
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Enver Dizdarevic Is the idea to cre
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ut how can you explain to the peopl
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intertwining of, on the one hand, t
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Zlatko Crnogorac unfortunately I se
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Party: Komunista Partija Jugoslavij
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The user Šime Zelić stands firmly
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lives came to power. we promulgate
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comments and 245 people ‗liked‘
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Ever since April 2010, the profile
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It remains to be seen what will bec
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while the country‘s ‗birthday
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Figure 36 | Nova Jugoslavija, websi
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dismissed as a-political. And even
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Chapter 5 | Conclusion: ... Archivi
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much) political agenda. Nevertheles
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(cultural reference). Today, in a t
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ather than digging for material tra
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altogether, but aim to suggest that
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social bonds among 22 million peopl
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Jugoslavija Facebook profile case d
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Povzetek Zdi se, da sta splošno ra
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Priĉujoĉo raziskavo sestavljajo t
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splošno prav v tem, da ga prebere
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odkrivajo, jo privedejo na površje
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avdiovizualnih izvedb preteklosti.
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Lahko bi se reklo, da je bila praks
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skozi avdiovizualne in besedilne ko
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»Zgodovina« uporabniške dejavnos
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katere bi se lahko gradila ta zaţe
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to malo verjetno. Kljub temu pa to
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Baker, Catherine. ―Where to Read
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―Constitution of CY (English).‖
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Hahn, Chris M. Postsocialism, Ideal
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Josip Broz Tito. ―Info.‖ http:/
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mejerchold. ―Tatu - Jugoslavija.
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Pogaĉar, Martin. ―Nostalgia in C
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Sobel, Jon. ―HOW: Technology, Tra
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―RAZNI IZVODJACI Hitovi Omera Pob
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