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father‘s favourite, and now it‘s mine,‖ but in general tend to express a rather superficial engagement. The first category, i.e. the links to musical videos featured on YouTube, seem to be the most dominant and affective means for eliciting response, if the least conducive to much debate. The links generally include popular (predominantly pop, rock) songs, but also ethno and revolutionary or army songs from the Yugoslav period and from after the collapse. In many cases they elicit rather nostalgic responses and reminiscences about the pop-cultural socialist Yugoslav past. For instance, the post form 4 June at 01:51 contains a link to Toma Zdravković‘s song ―Da mi je stari ziv‖. The responses to the video are very brief, yet emotional: Dušan Koprivica What a legend , respect..... 04 June at 01:59 Nermina Jukic when I see this flag I know I‘m about to hear or see something good and even remember one old good time regards 04 June at 02:01 2 people... Nena Rehberg It made me cry ... 04 June at 02:42 Dusan Stojkov fanatic and unrepeatable legend of folk music... :) 04 June at 09:56 360 The post with a link to the Yugoslav anthem elicits just as emotional responses but also alludes to the present day dissatisfaction with the post-Yugoslav situation: SFR Jugoslavija – SFR Yugoslavia Himna Jugoslavije www.youtube.com Yugoslav anthem with photos 04 June at 03:11 280 people like this. Tanja Urosevic the one and only for all the times. 04 June at 13:45 5 people... Koviljka Starjacki Ex Mumovic Never forgotten. 04 June at 15:16 6 people Rudolf Diosi we‘ll never have a better anthem, death to fascism freedom to the people, for yugoslavia, always ready. 04 June at 21:46 2 people Olga Rück this is the most beautiful anthem in the world. For me even today ,this is my anthem.once we would stand up and listen to it. 05 June at 00:33 3 people. Nada Tosic The only anthem I ever respected, loved and new the lines, because I often used to sing it at manifestations and celebrations! 05 June at 17:08 361 360 SFR Jugoslavija – SFR Yugoslavia. 361 SFR Jugoslavija – SFR Yugoslavia, post from 4 June 2011 at 03:11. 182
The comments here, as cursory as they may be, nevertheless contribute significantly to the crucial attributes of the profile as a digital memorial: co-creation of remembering and the enhanced immediacy of remembering. With regards to the former, the visitor who engage in commenting bring in their own, often personal considerations of the past and the present. Thus the visitor indicates her intimate relation to the posted content. The fact that the statements rarely bring into the process of remembrance an elaborate explanation of why somebody likes particular music or the description of feelings it arouses calls for another consideration. The case is that people, when contributing to Facebook posts, are not in any way required to justify their thinking or beliefs. By participating in a pub(lic) interaction they are also not required to make consistent or sensible statements ... which does not free them (users nor posts) from politicisation. Figure 32 | SFR Jugoslavija, Facebook profile, http://www.facebook.com/#!/pages/SFR-Jugoslavija-SFR- Yugoslavia/36436743833. On the contrary, the Facebook-facilitated/enabled digital sociability—along with the limitations that discourage and prevent longer posts generally being accepted, by the technology (character limit) and the users—actively encourages brief, also inconsistent posts. As such they could easily be dismissed as irrelevant both as a research object and politically. True, the comments in music 183
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UNIVERSITY OF NOVA GORICA GRADUATE
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Some cases in vernacular digital me
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others in the remains of Yugoslavia
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Chapter 1 | Introduction: Cyberplac
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storytelling, memories and memorial
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conceptual framework supporting thi
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Media and Memory The most ubiquitou
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Archiving, Techno-topia and Pervasi
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as an archive, 29 the randomness of
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technologies (typewriters, calculat
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digital age. 41 Yet, considering th
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which she can, at the click of the
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However, in the case of Yugoslav di
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narrativisations, sampling, remixin
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cultural frameworks.‖ 67 Moreover
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from ‗pre-media‘ (before the in
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framework accounts for numerous eme
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outside the process of representati
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understanding of (the production an
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they are able through digital conne
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Setting Sail Reappropriations and r
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After the internet and digital comm
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that was made during the era of soc
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create and communicate, via digital
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time.‖ 127 Drawing on this concep
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the different musics‘ ―common f
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Blogging and Memory The practice of
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enhanced in blogging, it apparently
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and enthusiasts alike. Thus, for in
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videos are used as audiovisual reco
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Figure 4 | Yugoslav Airlines Luggag
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the posts are fairly scant textuall
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Finally, if initially recording and
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spectacle for which that audience h
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usiness) and outdated principles of
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and replaying music require much le
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encourages the visitors to buy. 173
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also provides a genre distinction a
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initial way for the past to ‗surv
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Through referring (nostalgically) t
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posts he uses a first-person, very
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the past ... on the part of the vis
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uploaded, so do share with others.
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music. Such blog-enabled preservati
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This activity is in a way similar t
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I guess that in 1984 Luna and Katar
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TCHECHOSLOVAKIA, HUNGARY, ROMANIA,
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makes it into an organised database
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which required more ‗action‘ to
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files as digital media objects. As
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Chapter 3 | YouTube and Digital Mem
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users of the site. 217 Moreover, as
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In the category of vernacular or us
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selection is in many cases thorough
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database is changing as well. As Ge
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image. That's it.‖ 241 The fact i
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The site is no longer operable, yet
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inflame a reaction formation: the
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commemorative act, crucially (co-)d
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and use of technology, also as ‗g
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photographs and footage from often
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[We have scattered around the world
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The ending of the video sends a ver
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Milošević giving a speech is embe
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memory practices and nostalgic refe
Page 131 and 132: moje detinjstvo, sloboda, mir [my c
Page 133 and 134: 4) In Zemun [part of Belgrade]. How
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Page 137 and 138: Jugoslavijo A much more elaborate v
Page 139 and 140: Figure 27 | Photograph of a delegat
Page 141 and 142: And breaks into the refrain: moja r
Page 143 and 144: Damned be Josip Broz ―Tito‖ all
Page 145 and 146: HERZEGOVINA, THAT IS, IT IS THE ONL
Page 147 and 148: oppression. And the cover by Azra,
Page 149 and 150: Kroz čempres vjetar duva [Through
Page 151 and 152: Figure 30 | The closing scene. What
Page 153 and 154: This is a time when men were gentle
Page 155 and 156: The string of post‘n‘replies re
Page 157 and 158: Croats had the greatest fascists an
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Page 163 and 164: the contrary, they are often overly
Page 165 and 166: Chapter 4 | The Past on Facebook: P
Page 167 and 168: to make of the interweaving of poli
Page 169 and 170: Facebook: Digital Sociability and M
Page 171 and 172: keeping in touch; or, in the case o
Page 173 and 174: author traces in both the ―import
Page 175 and 176: Nevertheless, many of these profile
Page 177 and 178: ways, these domains and the differe
Page 179 and 180: allegiance. But, at the same time w
Page 181: view they call for forming a front
Page 185 and 186: egimes. 362 A recent post links to
Page 187 and 188: oil down to pros and cons of Yugosl
Page 189 and 190: Enver Dizdarevic Is the idea to cre
Page 191 and 192: ut how can you explain to the peopl
Page 193 and 194: intertwining of, on the one hand, t
Page 195 and 196: Zlatko Crnogorac unfortunately I se
Page 197 and 198: Party: Komunista Partija Jugoslavij
Page 199 and 200: The user Šime Zelić stands firmly
Page 201 and 202: lives came to power. we promulgate
Page 203 and 204: comments and 245 people ‗liked‘
Page 205 and 206: Ever since April 2010, the profile
Page 207 and 208: It remains to be seen what will bec
Page 209 and 210: while the country‘s ‗birthday
Page 211 and 212: Figure 36 | Nova Jugoslavija, websi
Page 213 and 214: dismissed as a-political. And even
Page 215 and 216: Chapter 5 | Conclusion: ... Archivi
Page 217 and 218: much) political agenda. Nevertheles
Page 219 and 220: (cultural reference). Today, in a t
Page 221 and 222: ather than digging for material tra
Page 223 and 224: altogether, but aim to suggest that
Page 225 and 226: social bonds among 22 million peopl
Page 227 and 228: Jugoslavija Facebook profile case d
Page 229 and 230: Povzetek Zdi se, da sta splošno ra
Page 231 and 232: Priĉujoĉo raziskavo sestavljajo t
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splošno prav v tem, da ga prebere
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odkrivajo, jo privedejo na površje
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avdiovizualnih izvedb preteklosti.
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Lahko bi se reklo, da je bila praks
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skozi avdiovizualne in besedilne ko
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»Zgodovina« uporabniške dejavnos
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katere bi se lahko gradila ta zaţe
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to malo verjetno. Kljub temu pa to
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Baker, Catherine. ―Where to Read
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―Constitution of CY (English).‖
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Hahn, Chris M. Postsocialism, Ideal
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Josip Broz Tito. ―Info.‖ http:/
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mejerchold. ―Tatu - Jugoslavija.
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Pogaĉar, Martin. ―Nostalgia in C
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Sobel, Jon. ―HOW: Technology, Tra
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―RAZNI IZVODJACI Hitovi Omera Pob
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