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UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL ...

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they are able through digital connectivity to establish shared memories. This physical immobility<br />

might have been perhaps one of the strongest opponents‘ points in the late 1990s when critiquing<br />

the cyberspace and cyber communities for eliminating social contact. With the emergence of<br />

mobile devices that allow logging in from practically anywhere, such reservations are losing<br />

ground, while many others, out of the scope of this writing, will surely arise. The issue of space<br />

and territoriality is particularly pertinent to national spaces as online interaction to an important<br />

extent facilitates communication beyond the restrictions of territory. Not that this is some grand<br />

novelty, but the instant-messaging aspect of it surely is unprecedented. Furthermore, the<br />

implications the deterritorialisation has for national histories lies in that remembering is much less<br />

contained geographically, but rather becomes a global participatory practice which may also reject<br />

the predicates of national history. 104<br />

In terms of temporal conceptions of digital worlds, and consequently their analogue counterparts,<br />

a concept of detemporalisation proves useful. On the level of interaction it proposes that the<br />

linearity of time is collapsed by the possibility of synchronous communication between<br />

individuals in discrete locations, meaning that the time to transport the message is negligible. This<br />

enables interpersonal connectivity and synchronicity of various temporal dislocations. Yet what is<br />

even more important with respect to the representations of the past is the implication that the<br />

mediated pasts can coexist in one time, e.g. multimodal content related to the various pasts, often<br />

stripped of many aspects of their original contexts, coexist in one temporal window. This means<br />

that the past is easily re-presented as leading to an expansion of the time-present, despite the<br />

pervasive ideology of progress resting on ever-faster passage of time engendered by the<br />

development of new technologies and the postmodern deconstruction of historicity. An important<br />

topic in relation to digital temporality is the so-called ‗digital post mortem,‘ referring both to<br />

commemorating online a deceased friend or a celebrity, and importantly to the lives of personal<br />

information, profiles, various accounts after a user had passed away.<br />

Digital Memorials<br />

When a digital memorial is put up on the internet, it physically only requires some space on a<br />

server located at a certain geographical position, and it can only come to life if accessed from a<br />

104 An important aspect in this context is the fact that despite the high-flying words about free market of goods and<br />

ideas, global accessibility, as resident of Slovenia, I am unable to log into, e.g. Spotify.com service for listening to<br />

music (http://www.spotify.com/int/why-not-available/) or participate fully as a consuming citizen of the world, being<br />

unable to order a second-hand book from Amazon to be delivered to my home address.<br />

39

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