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In this rather ironic statement several socio-cultural issues come to the fore: secure jobs and ease<br />

of travel with the increasingly famed ‗red passport.‘ 382 This statement, ‗unhistorical‘ in its form<br />

and content nevertheless contains affective response to both the past and the present: by evoking<br />

two aspects of life in Yugoslavia that from today‘s perspective feature as tenets of most basic, yet<br />

absent, human dignity. In this view the past once again becomes a repository of (all kinds of)<br />

cultural and historical value worth knowing about; and on the other hand, the present, a bleak<br />

reflection of the life as once was imagined and a as far away from the socialist post-war dream of<br />

a better future and just as distant from the liberty, opportunity, democracy famed by the<br />

‗transitionalists.‘ As one cannot learn much factually from such statements, the resentiment and<br />

affect are telling.<br />

Romance Departed<br />

If we take the issue of resentiment a bit further and connect it with the discussion of the digital<br />

afterlife, or in fact the ‗digital post mortem,‘ an even from the 2 July 2011 provides an intriguing<br />

insight. On that day, a Yugoslav and Serbian actress and a singer (interpret of Russian romances),<br />

Olivera Marković had passed away. I first found about this when logging into my Facebook<br />

account that Saturday evening, in a routine practice of what could also be termed ‗hovering<br />

attention.‘ As I browsed through the posts on my Wall, one of the many posted by SFR<br />

Jugoslavija brought the news:<br />

SFR Jugoslavija – SFR Yugoslavia<br />

ETERNAL GLORY AND MANY THANKS TO THE GREAT DIVA <strong>OF</strong> YUGOSLAV<br />

THEATRE....<br />

OLIVERA MARKOVIĆ - DOVIĐENJA DRUŽE DOVIĐENJA(1973)<br />

www.youtube.com<br />

IN MEMORIAM..... After a long and difficult illness the diva of Serbian and Yugoslav<br />

theatre passed away in Belgrade, 2 July at the age o 87, the National Theatre, Belgrade<br />

informed. 383<br />

Before I realised I was involved in an act of co-creative commemoration, on-the-fly. As I was<br />

browsing through the post and the comments, I actually witnessed a digital memorial in the<br />

making. Within hours of the posted news over 70 people expressed their condolences in short<br />

382 See Stef Jansen, ―After the red passport: towards an anthropology of the everyday geopolitics of entrapment in the<br />

EU‘s ‗immediate outside,‘‖ Journal of the Royal Anthropological Institute (N.S.) 15, 2009, 815-832.<br />

383 SFR Jugoslavija – SFR Yugoslavia, post from 2 July 2011, 14:23, accessed 21 September 2011.<br />

202

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