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left to mediated narratives only, historiographies, media, songs, films, forums and blog posts like this, to make up their own ideas about the past. Gramofonije, however, goes in this post even further to correlate the rise of nationalism and the war to the nationalisation of music that was overtly practiced by several rock and folk performers: 1985 was the year of Plavi Orkestar. Now, we can debate till morning, but I agree with a theory that this band, along some others, was one of the culprits for the war in SFRY. I may be wrong, but Plavi Orkestar, Merlin and the likes massively imbecilised the nation from the role of rock musicians. Naturally it all started with Bijelo Dugme ten years earlier, although there was some hope left in 1983 when Zeljko Bebek was about to leave the group. unfortunately this escalated a year later in much worse album and sealed the fate of YU rock‘n‘roll, and much else. Who knows how the political situation might have unravelled had the leading role been taken by still mainstream, but much more cultivised bands such as EKV, Film, Haustor, Leb I sol, Zabranjeno Pusenje… 204 Now, this post, be it a joke or not (―for your information this whole text is a joke. and an obvious one at that. Plavi Orkestar is still an awful band. This is no joke‖), 205 unlike many at Jugozvuk and elsewhere, expresses much more elaborate arguments and actually uses the space for both music criticism and historico-political commenting. Thus, Gramofonije manages to situate the music within a broader historical context. Some Other Post-Yugoslav Music Blogs Among the many blogs that do Yugoslav music, there are not many that provide more elaborate cases in storytelling. Another case in point is another Aktivista‘s blog, ZABORAVLJENI ZVUCI – Forgotten sounds, a ―blog with forgotten records from the countries that exist no more.‖ 206 On this blog, he is not strictly limited to Yugoslavia, as is the case with Jugozvuk, but endorses a wider Eastern European approach: WHY ANOTHER SUCH BLOG IF THERE ARE SO MANY ALREADY? You know that a whole world of sounds that once belonged to the eastern bloc is COMPLETELY FORGOTTEN. We here on this blog are will keep trying to bring such recordings from the darkness of the past and post them here. These are the sounds of USSR, Poland, Czechoslovakia, Hungary, Rumania, Bulgaria and Albania. All these enormous sound archives lurk about foreign attics and it would be good if they are granted a trip into the present here. Welcome! THIS IS A BLOG ABOUT THE FORGOTTEN SOUNDS <strong>OF</strong> EASTERN BLOCK IN EUROPE. HERE YOU CAN HEAR THE SOUNDS <strong>OF</strong> USSR, pOLAND, 204 ―Plavi orkestar,‖ Nevaljajleploce, http://nevaljaleploce.blogspot.com/2010/10/plavi-orkestar.html, accessed 8 August 2011. 205 Ibid. 206 Zaboravljeni zvuci – Forgotten Sounds, http://zaboravljenizvuci.wordpress.com/, accessed 8 August 2011. 92
TCHECHOSLOVAKIA, HUNGARY, ROMANIA, BULGARIA AND ALBANIA. WELCOME! 207 The blog has a much different feel to it, despite being run by the same person: the posts are more uniform in terms of presentation and invariantly include a cover image and a short note about the record, but often alluding to the present (political situation). Regarding the not so specific field of interest, as compared to Jugozvuk, on this blog Aktivista discloses much more about himself as he does on Jugozvuk, particularly with respect to the post-1991 situation. Thus, in one instance, he blogs about a particular Bosnian tape-record containing songs for Bosnian soldiers (made during the Yugoslav wars): As you‘ve already grown used to, on this site we keep all kinds of forgotten music, a bit repressed, or a bit nationalistic. Today, it‘s music made for Bosnian Muslims who were burning down Christian villages or slaughter Serbian or Croatian civilians to the sound of it, strictly purposeful music. The cassette brings some knownnames of the former JUGOSLAVIJA who ran to embrace the mujahidin. This nice and educational tape is here for us never to forget what they did to Serbs and Croats. What is says on the tape cover that ―out wounds are great‖ is really funny. How grave are the wounds of other Bosnian nations? Хитови ОМЕРА ПОБРИЋА This cassette contains the music for muslim mujahedins from Bosnia. With this music they went to war and kill Serbs, Croats and Jews. Some of these names are very well known musicians from ex YUGOSLAVIA. 208 As fiercely critical as he is of the alleged nationalist hue allegedly defining this music, he nevertheless fails to see a problem in his statements about present day political situation in Serbia and turning the blind eye on the complexity of the situation of post-1991 wars and the nonnegligible part that Serbia played in the latest Yugoslav wars. 207 Ibid. 208 ―RAZNI IZVODJACI Hitovi Omera Pobrića (BIH) – The songs of muslim nationalists from Bosnia,‖ Zaboravljeni zvuci – Forgotten Sounds, https://zaboravljenizvuci.wordpress.com/2010/12/10/razni-izvodjaci-hitovi-omera-pobricabih-the-songs-of-muslim-nationalists-from-bosnia/, accessed 8 August 2011. 93
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UNIVERSITY OF NOVA GORICA GRADUATE
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Some cases in vernacular digital me
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others in the remains of Yugoslavia
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Chapter 1 | Introduction: Cyberplac
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storytelling, memories and memorial
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conceptual framework supporting thi
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Media and Memory The most ubiquitou
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Archiving, Techno-topia and Pervasi
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as an archive, 29 the randomness of
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technologies (typewriters, calculat
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digital age. 41 Yet, considering th
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which she can, at the click of the
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However, in the case of Yugoslav di
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narrativisations, sampling, remixin
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cultural frameworks.‖ 67 Moreover
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from ‗pre-media‘ (before the in
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framework accounts for numerous eme
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outside the process of representati
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understanding of (the production an
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they are able through digital conne
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Page 53 and 54: Blogging and Memory The practice of
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Page 101 and 102: Chapter 3 | YouTube and Digital Mem
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Damned be Josip Broz ―Tito‖ all
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HERZEGOVINA, THAT IS, IT IS THE ONL
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oppression. And the cover by Azra,
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Kroz čempres vjetar duva [Through
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Figure 30 | The closing scene. What
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This is a time when men were gentle
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The string of post‘n‘replies re
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Croats had the greatest fascists an
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among the people [...] commie, do y
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(potential) action are being built.
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the contrary, they are often overly
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Chapter 4 | The Past on Facebook: P
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to make of the interweaving of poli
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Facebook: Digital Sociability and M
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keeping in touch; or, in the case o
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author traces in both the ―import
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Nevertheless, many of these profile
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ways, these domains and the differe
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allegiance. But, at the same time w
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view they call for forming a front
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The comments here, as cursory as th
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egimes. 362 A recent post links to
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oil down to pros and cons of Yugosl
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Enver Dizdarevic Is the idea to cre
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ut how can you explain to the peopl
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intertwining of, on the one hand, t
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Zlatko Crnogorac unfortunately I se
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Party: Komunista Partija Jugoslavij
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The user Šime Zelić stands firmly
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lives came to power. we promulgate
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comments and 245 people ‗liked‘
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Ever since April 2010, the profile
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It remains to be seen what will bec
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while the country‘s ‗birthday
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Figure 36 | Nova Jugoslavija, websi
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dismissed as a-political. And even
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Chapter 5 | Conclusion: ... Archivi
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much) political agenda. Nevertheles
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(cultural reference). Today, in a t
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ather than digging for material tra
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altogether, but aim to suggest that
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social bonds among 22 million peopl
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Jugoslavija Facebook profile case d
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Povzetek Zdi se, da sta splošno ra
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Priĉujoĉo raziskavo sestavljajo t
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splošno prav v tem, da ga prebere
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odkrivajo, jo privedejo na površje
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avdiovizualnih izvedb preteklosti.
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Lahko bi se reklo, da je bila praks
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skozi avdiovizualne in besedilne ko
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»Zgodovina« uporabniške dejavnos
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katere bi se lahko gradila ta zaţe
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to malo verjetno. Kljub temu pa to
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Baker, Catherine. ―Where to Read
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―Constitution of CY (English).‖
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Hahn, Chris M. Postsocialism, Ideal
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Josip Broz Tito. ―Info.‖ http:/
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mejerchold. ―Tatu - Jugoslavija.
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Pogaĉar, Martin. ―Nostalgia in C
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Sobel, Jon. ―HOW: Technology, Tra
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―RAZNI IZVODJACI Hitovi Omera Pob
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