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Rand, Ayn (1905–1982) 413<br />

have no connection with, the latest aberration of some conservatives,<br />

the so-called ‘hippies of the right.’” These “libertarians,”<br />

she emphasized in Philosophy: Who Needs It,<br />

“subordinate reason to whims, and substitute anarchism for<br />

<strong>capitalism</strong>.” They undermine individual rights by attacking<br />

the government’s legitimate monopoly on the retaliatory use<br />

of force and by failing to recognize the dependence of politics<br />

on broader philosophical foundations. The realization of<br />

human freedom requires, in Rand’s view, a simultaneous<br />

commitment to reason, egoism, and individualism. Absent<br />

any of these prerequisites, freedom cannot long survive.<br />

Despite her antipathy to this anarchic brand of libertarianism,<br />

however, Rand profoundly inspired a generation of<br />

individuals to pursue the goal of a libertarian society. Some<br />

of her closest followers have occupied positions in government,<br />

among them Martin Anderson, who served in the<br />

Reagan administration, and Alan Greenspan, who served as<br />

chairman of the Federal Reserve Board. Others have challenged<br />

contemporary politics from without, forming such<br />

organizations as the Cato Institute, the Reason Foundation,<br />

and the Libertarian Party. Various aspects of the position<br />

she put forward have found their way into the works of<br />

libertarian-minded academic philosophers, among them<br />

Douglas Den Uyl, John Hospers, Tibor Machan, Eric Mack,<br />

Douglas Rasmussen, David Kelley, and Tara Smith. She<br />

also has played a crucial role in shaping the views of psychologist<br />

Nathaniel Branden.<br />

Born Alissa Zinovievna Rosenbaum in St. Petersburg<br />

during the Russian Silver Age, Rand was inspired by the<br />

heroic ideals embodied in the philosophy of Friedrich<br />

Nietzsche and the Romantic fiction and drama of such writers<br />

as Victor Hugo, Edmond Rostand, and Friedrich<br />

Schiller. Educated under the Soviets, she embraced the<br />

Russian dialectical tendency toward transcending the<br />

dualisms of mind and body, theory and practice, morality<br />

and prudence. Yet she adamantly rejected that culture’s<br />

altruist religious and moral traditions and statist politics. An<br />

avowed atheist, she maintained that the communists had<br />

merely substituted subordination of the individual to the<br />

collective and the state for subordination of the individual<br />

to God. Her profoundly negative personal experience with<br />

communism had long-term effects; she immigrated to<br />

America in 1926, determined to inform the world of the<br />

barbarity of totalitarian dictatorship. Her first novel, We the<br />

Living, published in 1936, focused on the conflict between<br />

the individual and the state, and it attempted to show how<br />

totalitarianism created an “airtight” environment that destroyed<br />

society’s best men and women.<br />

Around this time, Rand began corresponding with several<br />

leading American proponents of individualism. In the<br />

early 1930s, she wrote to H. L. Mencken, whom she<br />

regarded “as the foremost champion of individualism” in<br />

America, and she quickly identified herself as “a young and<br />

very humble brother-in-arms” of Mencken’s libertarian<br />

cause. Rand hoped to translate the remarkable success of her<br />

next novel, The Fountainhead, into a broad antistatist political<br />

movement of the leading conservatives and libertarians<br />

of the day with whom she had become acquainted, including<br />

Rose Wilder Lane, Albert Jay Nock, and Isabel Paterson.<br />

The coalition never materialized, however, owing to the ideological<br />

disparity of its prospective members, many of<br />

whom Rand regarded as traditionalists and religionists.<br />

Her relationship with Paterson—whose God of the<br />

Machine was published in 1943, the same year as both<br />

The Fountainhead and Lane’s Discovery of Freedom—<br />

probably had the deepest impact on Rand’s growing individualist<br />

sensibility. Paterson had introduced Rand to many<br />

key libertarian works in economics, history, philosophy, and<br />

politics. She also publicized Rand’s writings in her New<br />

York Herald Tribune column. Both women were headstrong,<br />

however, and their differences—primarily their disparate<br />

views of religion—eventually undermined their friendship.<br />

Nonetheless, Rand characterized God of the Machine as<br />

among the most “brilliant,” “extraordinary,” “invaluable,”<br />

“sparkling,” “heroic,” and “illustrious” political tracts of its<br />

time—a virtual antidote to Marx’s Das Kapital, and “the<br />

greatest defense of <strong>capitalism</strong>” she had “ever read.”<br />

Rand also had dealings with other libertarian writers,<br />

such as Leonard Read and Henry Hazlitt. Hazlitt introduced<br />

her to Ludwig von Mises, the leading economist of the<br />

Austrian School. Although Rand objected to certain aspects<br />

of Mises’s “praxeological” approach to the human sciences<br />

and to his views of morality, she respected his economic<br />

defense of free markets, and, in later years, she championed<br />

his writings in her various publications. Mises, in turn, is<br />

said to have greatly respected Rand’s ideological courage.<br />

By contrast, Rand did not take well to the writings of<br />

F. A. Hayek. Hayek, a student and associate of Mises and an<br />

eventual Nobel laureate in economics, had published The<br />

Road to Serfdom in 1944. In her Marginalia, Rand<br />

expressed the conviction that Hayek’s work was “real poison”<br />

because it compromised the case for freedom with various<br />

“collectivist” and “altruist” justifications. For Rand,<br />

such compromises made Hayek a “pernicious enemy” of the<br />

individualist movement; nothing less than a full, moral<br />

defense of unadulterated laissez-faire <strong>capitalism</strong> would do.<br />

In the 1940s, while laboring on her next novel, Atlas<br />

Shrugged, Rand worked in Hollywood as a screenwriter.<br />

During those years, she became a vocal critic of communist<br />

propaganda in film—a conviction she shared with conservative<br />

members of the Motion Picture Alliance for the<br />

Preservation of American Ideals, such as Gary Cooper,<br />

Walt Disney, Adolphe Menjou, Robert Taylor, and John<br />

Wayne. For the alliance, Rand authored a “Screen Guide<br />

for Americans,” and she also testified as a friendly witness<br />

before the House Un-American Activities Committee.<br />

By the time Atlas Shrugged was published in 1957, Rand<br />

had achieved worldwide fame for offering a controversial,

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