Bulletin - John Jay College Of Criminal Justice - CUNY
Bulletin - John Jay College Of Criminal Justice - CUNY
Bulletin - John Jay College Of Criminal Justice - CUNY
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Courses <strong>Of</strong>fered<br />
LIT 319 Law and <strong>Justice</strong> in European Medieval<br />
Literature<br />
3 hours, 3 credits<br />
This course introduces the student to the classics of medieval<br />
literature and to the legal structure of the period. Each semester,<br />
individual instructors will anchor the course in specific cultures,<br />
bodies of law, and primary texts. Medieval law was often unwritten,<br />
and performed locally through debate and decision, and public ritual<br />
gestures (clasping of hands, kissing, the giving of objects as pledges,<br />
touching relics, etc.). Medieval literature often dramatizes such<br />
rituals and legal issues. The course ranges broadly over many<br />
centuries and encompasses (translated) texts in many languages,<br />
principally Latin. Students should be prepared to learn some key<br />
terms of vocabulary and basic linguistic principles.<br />
Prerequisites: ENG 102 or 201, and LIT 230 or LIT 231 or LIT 232<br />
or LIT 233<br />
LIT 323 The Crime Film<br />
3 hours, 3 credits<br />
An in-depth study of the evolution and aesthetics of two major film<br />
genres, the gangster film and the film noir, though an examination of<br />
conventions of motivation, character, action, locale and iconography.<br />
The course will emphasize the genre film’s treatment of the<br />
fundamental cultural conflicts that exist in society.<br />
Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />
LIT 233<br />
LIT 324 Road Movies<br />
3 hours, 3 credits<br />
An in-depth study of the evolution and aesthetics of a major film<br />
genre, Road Movies, through an examination of conventions of<br />
motivation, character, action, locale and iconography. The course<br />
will emphasize the genre film’s treatment of the fundamental cultural<br />
conflicts that exist in society.<br />
LIT 325 Science Fiction Film<br />
3 hours, 3 credits<br />
An in-depth study of the evolution and aesthetics of a major film<br />
genre, the Science Fiction Film, through an examination of<br />
conventions of motivation, character, action, locale and iconography.<br />
The course will emphasize the genre film’s treatment of the<br />
fundamental cultural conflicts that exist in society.<br />
Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />
LIT 233<br />
LIT 327 Crime and Punishment in Literature<br />
3 hours, 3 credits<br />
A study of works treating the theme of crime and related matters,<br />
such as motivation, guilt and responsibility. Works are considered<br />
from the psychological, sociological and philosophical points of<br />
view, as well as from the purely literary standpoint. Authors include<br />
Aeschylus, Shakespeare, Dostoevsky, Poe, Melville, Burgess,<br />
Capote.<br />
Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />
LIT 233<br />
LIT 330 Alfred Hitchcock<br />
3 hours, 3 credits<br />
An intensive study of the work and vision of Alfred Hitchcock<br />
through an examination of theme, style, structure and view of<br />
cinema. Special emphasis will be placed on the recurrent artistic<br />
concerns as well as the philosophic, psychoanalytic and political<br />
concerns that identify the work of an important cinematic author.<br />
Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />
LIT 233<br />
Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />
LIT 233<br />
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