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Bulletin - John Jay College Of Criminal Justice - CUNY

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Courses <strong>Of</strong>fered<br />

LIT 319 Law and <strong>Justice</strong> in European Medieval<br />

Literature<br />

3 hours, 3 credits<br />

This course introduces the student to the classics of medieval<br />

literature and to the legal structure of the period. Each semester,<br />

individual instructors will anchor the course in specific cultures,<br />

bodies of law, and primary texts. Medieval law was often unwritten,<br />

and performed locally through debate and decision, and public ritual<br />

gestures (clasping of hands, kissing, the giving of objects as pledges,<br />

touching relics, etc.). Medieval literature often dramatizes such<br />

rituals and legal issues. The course ranges broadly over many<br />

centuries and encompasses (translated) texts in many languages,<br />

principally Latin. Students should be prepared to learn some key<br />

terms of vocabulary and basic linguistic principles.<br />

Prerequisites: ENG 102 or 201, and LIT 230 or LIT 231 or LIT 232<br />

or LIT 233<br />

LIT 323 The Crime Film<br />

3 hours, 3 credits<br />

An in-depth study of the evolution and aesthetics of two major film<br />

genres, the gangster film and the film noir, though an examination of<br />

conventions of motivation, character, action, locale and iconography.<br />

The course will emphasize the genre film’s treatment of the<br />

fundamental cultural conflicts that exist in society.<br />

Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />

LIT 233<br />

LIT 324 Road Movies<br />

3 hours, 3 credits<br />

An in-depth study of the evolution and aesthetics of a major film<br />

genre, Road Movies, through an examination of conventions of<br />

motivation, character, action, locale and iconography. The course<br />

will emphasize the genre film’s treatment of the fundamental cultural<br />

conflicts that exist in society.<br />

LIT 325 Science Fiction Film<br />

3 hours, 3 credits<br />

An in-depth study of the evolution and aesthetics of a major film<br />

genre, the Science Fiction Film, through an examination of<br />

conventions of motivation, character, action, locale and iconography.<br />

The course will emphasize the genre film’s treatment of the<br />

fundamental cultural conflicts that exist in society.<br />

Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />

LIT 233<br />

LIT 327 Crime and Punishment in Literature<br />

3 hours, 3 credits<br />

A study of works treating the theme of crime and related matters,<br />

such as motivation, guilt and responsibility. Works are considered<br />

from the psychological, sociological and philosophical points of<br />

view, as well as from the purely literary standpoint. Authors include<br />

Aeschylus, Shakespeare, Dostoevsky, Poe, Melville, Burgess,<br />

Capote.<br />

Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />

LIT 233<br />

LIT 330 Alfred Hitchcock<br />

3 hours, 3 credits<br />

An intensive study of the work and vision of Alfred Hitchcock<br />

through an examination of theme, style, structure and view of<br />

cinema. Special emphasis will be placed on the recurrent artistic<br />

concerns as well as the philosophic, psychoanalytic and political<br />

concerns that identify the work of an important cinematic author.<br />

Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />

LIT 233<br />

Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />

LIT 233<br />

112

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