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Bulletin - John Jay College Of Criminal Justice - CUNY

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Courses <strong>Of</strong>fered<br />

professions. Students will work in governmental and nongovernmental<br />

organizations and must complete a minimum of 120<br />

hours of work for three credits and 240 hours for six credits granted.<br />

Each student will maintain a bi-weekly journal and complete a final<br />

report covering a detailed description of the work accomplished and<br />

reflections on their learning experiences.<br />

Prerequisites: ENG 102 or 201, ACC 250, junior standing, and<br />

permission of the instructor<br />

ACC 383/384 Accounting Internship Intensive<br />

6 hours, 6 credits<br />

This supervised internship provides an experiential learning<br />

experience where students learn to integrate their academic<br />

knowledge with practical applications. It also provides an<br />

opportunity to improve career opportunities and to develop skills and<br />

core capabilities for success in the accounting and anti-fraud<br />

professions. Students will work in governmental and nongovernmental<br />

organizations and must complete a minimum of 120<br />

hours of work for three credits and 240 hours for six credits granted.<br />

Each student will maintain a bi-weekly journal and complete a final<br />

report covering a detailed description of the work accomplished and<br />

reflections on their learning experiences.<br />

Prerequisites: ENG 102 or 201, ACC 250, junior standing, and<br />

permission of the instructor<br />

ACC 410 Seminar in Forensic Financial Analysis<br />

3 hours, 3 credits<br />

This seminar course provides an understanding of financial statement<br />

analysis techniques and commercial data-mining software. Statistical<br />

and analytic methods are used to evaluate potential fraud activities.<br />

Prerequisites: ENG 102 or 201, ACC 308, ACC 309<br />

AFRICAN-AMERICAN STUDIES<br />

AAA 224 African-American Women in Art<br />

(Same course as ART 224)<br />

3 hours, 3 credits<br />

The course examines the representation of African-American women<br />

in art throughout the centuries, particularly the stereotypes of the<br />

Mammy, Sapphire and Jezebel; and the history of African-American<br />

women artists from slavery to the present, as they struggled to<br />

combat these negative stereotypes through their lives and art. A study<br />

of the American slave experience and Post-Reconstruction will lay<br />

the foundation for understanding the myriad misconceptions about<br />

African-American women and how their images have been<br />

manipulated in art and popular culture. Each class will present a<br />

series of visual art images via slide presentations and films of the art<br />

work discussed. Whenever possible, gallery or museum visits will be<br />

incorporated into the course.<br />

Prerequisite: ENG 101 or permission of the instructor<br />

AAD 230 African-American Theatre<br />

(Same course as Drama 230)<br />

3 hours, 3 credits<br />

A study of the development of the African-American theatre<br />

considering selected works of such playwrights as Langston Hughes,<br />

Lorraine Hansberry, James Baldwin, Imamu Amiri Baraka (LeRoi<br />

Jones), Ed Bullins, Charles Gordone, Douglas Turner Ward,<br />

Adrienne Kennedy, Ron Milner, Ben Caldwell, Philip Hayes Dean,<br />

Richard Wesley and Joseph A. Walker, as well as such production<br />

companies as the Spirit House Players and Movers, the Negro<br />

Ensemble Company, and the Afro-American Studio Theatre. Plays<br />

focusing on such areas as ethnic identity, lifestyles and nationalism<br />

will be examined.<br />

Prerequisites: ENG 101 and sophomore standing or above<br />

48

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