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Bulletin - John Jay College Of Criminal Justice - CUNY

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Courses <strong>Of</strong>fered<br />

slave era, legacies of colonialism and postcolonialism, the experience<br />

of exile, racial experience and creolization, the culture of tourism,<br />

and definitions of “Caribbeanness.”<br />

Prerequisites: ENG 102 or ENG 201, and LIT 230 or LIT 231 or LIT<br />

232 or LIT 233<br />

LIT 346 Cultures in Conflict<br />

3 hours, 3 credits<br />

This course will examine the literature and film of non-western<br />

groups that have experienced disruption in their familiar social,<br />

political and cultural lives due to a cataclysmic historical event. The<br />

regional content of the course will vary from semester to semester,<br />

but it will focus on a moment of rupture which affected geographical<br />

borders and/or international relations, and individual consciousness.<br />

Literary and cinematic responses to these major historical shifts often<br />

involve reconciling old and new identities, old and new national<br />

loyalties, first and second languages, as well as eastern and western,<br />

ancient and modern, local and global perspectives. Areas of possible<br />

interest include South and East Asia, Africa, and Latin America.<br />

Some examples of such defining historical moments are: the<br />

republican revolution in China, the Tiananmen Square uprising, the<br />

Partition of India, the anti-Apartheid movement in South Africa, and<br />

the DMZ in Korea — all of which provoked a literature and film of<br />

crisis.<br />

Prerequisites: ENG 102 or ENG 201, and LIT 230 or LIT 231 or LIT<br />

232 or LIT 233<br />

LIT 352 New Fiction<br />

3 hours, 3 credits<br />

Writers today try to make sense out of the moral, cultural, political<br />

and social changes in the world since World War II. A study of<br />

novels and short stories written in the past several decades by major<br />

international authors such as Solzhenitsyn, Nabokov, Mailer and<br />

Borges.<br />

Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />

LIT 233<br />

LIT 360 Mythology in Literature<br />

3 hours, 3 credits<br />

Examination of mythological themes like the creation of the world,<br />

the loves of gods with mortals, the descent into the underworld and<br />

the heroic quest as they appear in such writers as Homer, Ovid,<br />

Shakespeare, Tennyson and Yeats. Greek, Roman, Teutonic, Indian<br />

and African myths are among those studied.<br />

Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />

LIT 233<br />

LIT 362 The Bible as Literature<br />

3 hours, 3 credits<br />

A non-doctrinal introduction to the Bible. Selected books from the<br />

Old and New Testament approached as literary and historical<br />

documents. Structure, characters, themes and archetypes. Modern<br />

translation to be used.<br />

Prerequisite: one of the following: LIT 230, LIT 231, LIT 232 or<br />

LIT 233<br />

LIT 370 Topics in Ancient Literature<br />

3 hours, 3 credits<br />

Topics in Ancient Literature gives students insight into myth,<br />

religion, politics, culture and aesthetics of a variety of cultures in the<br />

ancient world. Individual instructors will develop their syllabi<br />

according to their areas of specialization, but possible subjects<br />

include: (a) topics such as oral vs. written culture, democracy in<br />

literature, outlaws in the ancient world; (b) themes such as fate,<br />

heroism, love, and war; (c) genres such as tragedy, comedy, and oral<br />

epics. Students will learn to examine the ancient world through<br />

theoretical perspectives such as postcolonialism, feminism,<br />

performance, and historiography, and in the process, they will<br />

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