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144<br />

Sabina Fazli<br />

Collecting means ownership for the sake of owning without any considerations of<br />

usefulness. The aim of a collection therefore is not gain but completeness. The<br />

prime motive among the collectors of diamonds in the texts is possession rather<br />

than realising wealth from the stone. This practice bears negative connotations as<br />

it aligns the English protagonists with Indians or exposes them as greedy and<br />

Orientalised.<br />

John Herncastle owns the Moonstone just for the sake of owning: “He never<br />

gave it away; he never even showed it to any living soul” (Collins, Moonstone 40)<br />

for fear of his persecutors. The Moonstone is an object known among collectors<br />

and a valuable item. For John Herncastle, the possession of the diamond goes<br />

along with “smoking opium and collecting old books, […] trying strange things in<br />

chemistry” (40-41). The Orientalising aspect is alluded to in paralleling John Vandeleur<br />

and the Rajah of Kashgar as collectors (Stevenson, “Rajah’s” 97; 130). In<br />

“The Rajah’s Diamond”, Prince Florizel describes John Vandeleur’s motif for<br />

stealing his brother’s diamonds: “Not to be richer, nor to have more comforts or<br />

more respect, but simply to call this diamond yours for a year or two until you die,<br />

and now and again to open a safe and look at it as one looks at a picture” (97).<br />

The Rajah of Kashgar, as well, owns not only the diamond but a whole “collection”<br />

(130). John Vandeleur is a collector of diamonds which he brings “from all<br />

parts of the world” (110) and hoards in his house. This passion is complemented<br />

by his hunting: “I have hunted most things, from men and women down to mosquitos;<br />

I have dived for coral; I have followed both whales and tigers”, (97) he<br />

professes. The hunting of “men and women” highlights John Vandeleur’s personality.<br />

Francis Scrymgeour catches John Vandeleur in the act of robbing Reverend<br />

Rolles surrounded by these collections, which form part of the crime scene: “In a<br />

small apartment, carpeted with matting and surrounded by glazed cabinets full of<br />

rare and costly curios, Mr. Vandeleur was stooping over the body of Mr. Rolles”<br />

(117).<br />

The connection between collector and crime which the setting highlights can<br />

also be found in The Sign of Four. John Sholto is too greedy to share the treasure<br />

with its other ‘rightful owners’, and he withholds it from Miss Morstan. On his<br />

deathbed he confesses to his sons:<br />

The cursed greed which has been my besetting sin through life has withheld<br />

from her [Miss Morstan] the treasure, half at least of which should have<br />

been hers. And yet I have made no use of it myself, so blind and foolish a<br />

thing is avarice. The mere feeling of possession has been so dear to me that<br />

I could not bear to share it with another. (Doyle, Sign 145)<br />

In this handling of the treasure, John Sholto directly parallels its original owner,<br />

the Indian rajah, “who is of a low nature and hoards his gold rather than spend it”<br />

(Doyle, Sign 220). Even Lizzie owns the Eustace Diamonds just for the pleasure

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