18.12.2012 Views

Introduction

Introduction

Introduction

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

270<br />

5. Conclusion and Outlook<br />

Melanie Swiatloch<br />

“It’s not our business to turn Orange and Green into a sludgy brown”, remarked<br />

one of the founding members of the cultural diversity programme 40 in Northern<br />

Ireland (Crozier 38). Instead of mixing the cultural backgrounds of Catholics and<br />

Protestants the cultural diversity programme’s aim in the first place was to join<br />

both parties in dialogue so that they could learn about the ‘Other’ but never “to<br />

overrule or eliminate difference” (ibid. 38). That a mutual understanding without<br />

giving up one’s own identity is possible is also shown in the novels discussed.<br />

Although the protagonists have not participated and do not participate in any of<br />

the cultural diversity programmes they nevertheless develop, or already have developed,<br />

a certain degree of openness towards their fellow countrymen. By looking<br />

at different aspects that are important for Northern Irish identity, such as the<br />

Irish language, the postcolonial background, and the effects of war, it can be seen<br />

how characters are affected by both their past and present situations and how a<br />

new way in contemporary literature has been pursued. Models like Anderson’s<br />

imagined community as well as more traditional models of the nation and<br />

Bhabha’s theory of hybridity help to understand the building of communities as<br />

well as why some people become able to abandon old ways of thinking.<br />

Hence, it becomes understandable why nationalism still is important to a great<br />

number of people as colonial aspects have been affecting the country. Characters<br />

like Aoirghe or Brian use this to make up great parts of their identities. Other<br />

characters like Johnny Mahon or Tony Larkin are proof of how far people were<br />

willing to go and even engaged in paramilitary activities. This is contrasted by the<br />

vision of Jake’s ‘New Irish’ who can look very different as depicted by the three<br />

novels but who also leaves the old quarrels behind and turns to a brighter and<br />

more promising future. This model of the ‘New Irish’ can primarily be applied to<br />

Jake himself but also to Chuckie and their close circle of friends. Even Aoirghe at<br />

the end of the novel seems to have changed from the stereotypical nationalist to a<br />

more moderate type who is able to follow Jake on the path of new Irishness. Beyond<br />

the novel Eureka Street that has introduced the term of the ‘New Irish’, characters<br />

of this type can be found in both One by One in the Darkness and Where They<br />

Were Missed. Cate embodies the ‘New Irish’ because she both clings to her Catholic<br />

faith but also manages to lead her life free from restrictions. Saoirse inherits<br />

40 As there had been no government initiatives to abolish the divisions between the Catholic and<br />

the Protestant community the Cultural Traditions Group was founded in 1988, which later was<br />

changed to the Cultural Diversity Group. The immediate aim of the group was to bring children<br />

of segregated schools together and give them the opportunity to meet members of the other<br />

community. Several programmes for shared projects were thus initiated. Also the “wider community”<br />

in the form of the family was not left out. Later various other courses to encourage<br />

mutual understanding were introduced like television and radio programmes, which promoted<br />

CDs and films. Also history societies, resident groups and women’s and youth organizations<br />

were created (Crozier 36ff).

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!