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Introduction

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Construction of Identity in Northern Irish Novels 215<br />

passed onwards. Culture then connects the individual to present values and patterns.<br />

Home, schools and churches communicate the necessary elements of cultural<br />

values and thus “culture has the capacity to form identity; it mediates the way<br />

people relate to themselves, others and to the world” (ibid. 54). A strong sense of<br />

loyalty to that cultural identity is the result. If nation and state are not congruent<br />

people are likely to set up cultural markers for their identity. Sources can be<br />

among others religion, language, music or folk traditions. The stress will be put on<br />

uniqueness and distinctiveness (ibid. 54). If people start overdoing this, the cultural<br />

clash will become too deep, however, and deep-rooted aversion as in the case<br />

between Catholics and Protestants in Northern Ireland may be the result.<br />

One of the stories Saoirse is told even reminds of the torn apart state of Ireland:<br />

Cúchulainn who is in love with Emer comes under the spell of Fand and is<br />

“going to betray Emer, and throw away everything that he has, for a love which<br />

isn’t love, for a love which is like a sickness, a mist that descends and chokes reason”<br />

(Caldwell 16). Emer here is presented as Ireland that loses part of itself to<br />

Fand, which resembles Great Britain. The union between Fand and Cúchulainn<br />

only causes an ill condition like the union of Irish and British elements in Northern<br />

Ireland.<br />

Mystic and historic figures also used to prove of significance for nationalist<br />

wall murals. For this reason, Cúchulainn and Celtic warriors were frequently depicted<br />

in Belfast such as King Nuada depicted in figure 1.<br />

Figure 1: King Nuada, mythological warrior of the Tuatha de Danaan, Springhill Avenue, Belfast 1987<br />

(Rolston 57).<br />

“Heroes and myths of bygone ages are used to provide a coherent and satisfying<br />

story of origins and history that act to unite group identity in the present” Mitchel<br />

stresses (52). For Saoirse’s mother Deirdre the stories of Cúchulainn provide her<br />

with a sense of her Irish background while living among Protestants who contrast

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