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Introduction

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Lord Byron’s Descendants 53<br />

every Byronic characteristic and theme, such as “love, jealousy, treachery, ambition,<br />

courage, pride and daring”, as well as with “quality satanic ruthlessness and<br />

demonic power” (2-3).<br />

3.1.1 An “Unwomanly” Woman<br />

The presentation of female desire in Brontë’s novel outraged many readers. The<br />

novel addresses the stigmatization of female desire, as it does not depict Jane as a<br />

mere passive being or as a sexual, demonic assailer. The novel raises the awareness<br />

of the difficulties women had to communicate their desire. Female novelists challenged<br />

and questioned the codes of female behaviour through their depiction of<br />

fictional female characters. They tried to create a counter motion to advice literature<br />

that tried to regulate female behaviour. Mitchell and Osland comment that<br />

during the sixteenth century<br />

women where regarded as inherently sexually voracious, driven by bodily<br />

desires that their inferior rational powers struggled to control, advice literature<br />

emphasized … prohibitions that would establish a system of behavioural<br />

defences, chief amongst these being the scriptural case for obedience<br />

which men saw as the basic resolution to women’s wiles and weaknesses.<br />

(6)<br />

They continue by pointing out that from the 1630s onwards, conduct books<br />

changed their course from proclaiming that the dangers of female sexuality could<br />

be avoided through submissiveness to men by focusing more on female “modesty”:<br />

A modesty that in its broadest sense is no different form the moderation<br />

earlier enjoined on women in subjugating themselves to masculine authority<br />

as a ‘due master’ of their inferior status, but increasingly understood, or at<br />

least increasingly discussed, more narrowly as a personal delicacy that<br />

prompts a woman to shrink from notice or self-assertion. (6)<br />

With the help of advice literature, critics could thus reconstruct the development<br />

of the “image of woman as lustful, loquacious, and wilful to one that is naturally<br />

rather than prescriptively chaste, silent and obedient” (6). The alteration from the<br />

idea that women’s sexuality should be regulated through male authority to the<br />

concept that all women are naturally delicate, sensitive and modest, and that they<br />

instinctively shrink back from sexuality did not mean that one idea of femininity<br />

replaced the other. Mitchell and Osland argue, “in the social construction of<br />

womanhood, beliefs seem to have accumulated in layers” (7). This is why women<br />

on the one hand could be condemned as demonic, voluptuous and wilful beings

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