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Introduction

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Lord Byron’s Descendants 71<br />

and never before encountered” (192) and is left with the knowledge of his errors<br />

and failure in a true Byronic manner.<br />

3.5 The Last Confrontation<br />

Jane suffers in running away from Rochester; nevertheless, it is a necessary act to<br />

escape the purely semiotic. Before she can achieve a balance of the two orders<br />

however, she is once again confronted with the symbolic in the form of her<br />

cousin St. John Rivers.<br />

St. John Rivers is the embodiment of sexual and sensual renunciation, and<br />

thus an opposing extreme to Rochester. Even physically, there is a contrast to be<br />

found; where Rochester is depicted as the dark Byronic hero, St. John is presented<br />

as a fair avenging angel. His total repression of sexuality seems to have transformed<br />

him into something dangerous and harmful. Like Bertha, he has indications<br />

of madness, but where Bertha’s madness is connected to fiery passion, his<br />

madness derives from cold repressed desires. Like Helen’s inner fire, St. John’s<br />

repressed passions are self-consuming. Through him, Jane moves once again into<br />

a layer of the novel that is social and moral, rather than personally and sexually<br />

characterised but demonstrates the danger of repressed emotions. This time however,<br />

not female but male sexuality is repressed through a self-imposed renunciation<br />

of desire.<br />

The contrast of Rochester and St. John lies not only in their physical appearance<br />

but also in their characters, which is demonstrated in their behaviour towards<br />

Jane. When St. John asks Jane to marry him, she thinks: “To me, he was in reality<br />

become no longer flesh, but marble. His eye was a cold bright, blue gem; his<br />

tongue, a speaking instrument – nothing more” (361). With inhuman strength, he<br />

directs his will towards self-sacrifice and tries to pressure Jane into the same direction.<br />

Even Jane’s relationship to St. John is contrasted to Rochester, whereas the<br />

latter acknowledges Jane’s independence and passion, St. John, on the other hand,<br />

tries to oppress it. However, like Rochester, he exerts an inexplicable power over<br />

Jane that she finds hard to resist:<br />

By degrees, he acquired a certain influence over me that took away my liberty<br />

of mind; his praise and notice were more restraining than his indifferences.<br />

I could no longer talk or laugh freely when he was by, because a tiresomely<br />

importunate instinct reminded me that vivacity (at least in me) was<br />

distasteful to him. I was so fully aware that only serious moods and occupations<br />

were acceptable, that in his presence every effort to sustain or follow<br />

any other became vain; I fell under a freezing spell. When he said “Go,” I<br />

went; “Come,” I came; “Do this,” I did it. But I did not love my servitude;<br />

I wished, many a time, he had continued to neglect me.” (350)

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