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Construction of Identity in Northern Irish Novels 261<br />

on the marchers, that is, everyone except Saoirse and Daisy who have to stay in<br />

the garden (Caldwell 3); and they do not go to church, “not even at Christmas,<br />

when everybody else goes” (ibid. 51). For Saoirse’s father the church is just<br />

“Magicking Nonsense” and for her mother going to church is more dangerous<br />

than staying away from it as she has advised her daughters to say “We don’t go to<br />

church” in case anybody should ask (ibid. 51). Only when the Pentlands’ marriage<br />

breaks up does Deirdre return to her faith. The church appears to be like a prison<br />

to Saoirse and Daisy, however, mainly because of the black bars across the windows<br />

(ibid. 52). What serves as a protection against attacks from radical activists<br />

here at the same time becomes a metaphor for the religious situation in Northern<br />

Ireland: Religion becomes a prison itself as it is quite hard for anybody to flee<br />

from its stigmatising effects. Even if one is not an active Christian one will always<br />

be considered being a Catholic or a Protestant in the North. Religion thus becomes<br />

an “ethnic marker” and justifies delimitation (Mitchell 2005, 8).<br />

In 2000 and 2001 interviews with 35 people were taken by Mitchell, among<br />

them with a young woman called Niamh who claimed to be a non-practicing<br />

Catholic. Although she did not go to church and did not believe in anything told<br />

by it she would have her children christened. Furthermore, it was important to her<br />

that her children went to a Catholic school, learned Irish and played Gaelic sports.<br />

“Thus the import of Catholicism for Niamh is that it is not Protestantism”,<br />

Mitchell claims (ibid. 8). For her religion itself does not play a major role but the<br />

cultural difference it implies. Another interviewee, Joe, recounted how he was<br />

beaten up for being Catholic and had problems finding a job (ibid. 9). These examples<br />

show the importance to identify oneself in Northern Irish society and to<br />

mark oneself off the ‘enemy’ and it also illustrates the prison again from which<br />

one cannot escape; according to the motto once a Catholic, always a Catholic.<br />

Nic Craith has observed that although it seems to result from difference conflict<br />

between groups very often actually has much in common. The groups involved<br />

artificially create distinction by making use of the same sources and applying<br />

analogous tactics. “Where communities are remarkably alike, it is similarities,<br />

rather than differences that generate conflict as great creativity is required to construct<br />

cultural boundaries when the cultural other is very alike” (Nic Craith 2003,<br />

1). Jake poignantly summarises this problematic socio-religious situation in Northern<br />

Ireland:<br />

The tragedy was that Northern Ireland (Scottish) Protestants thought<br />

themselves like the British. Northern Ireland (Irish) Catholics thought<br />

themselves like Eireans (proper Irish). The comedy was that any oncestrong<br />

difference had long melted away and they resembled no one now as<br />

much as they resembled each other. The world saw this and mostly wondered,<br />

but round these parts folk were blind (McLiam Wilson 163).

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