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Introduction

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Construction of Identity in Northern Irish Novels 239<br />

way he behaves and it is constantly fuelled by the women’s behaviour towards<br />

Luke: “But the best thing they gave him was their version of him. For them, he<br />

was something special, something unique. He knew that, to them, it must have<br />

seemed really great to be him” (ibid. 352). Like the earlier colonisers Luke is<br />

spreading his territory and dates women all over the country in “Belfast, Derry,<br />

Lurgan, Antrim, Ballymena, Enniskillen, Portadown” (ibid. 352) and he briefly<br />

nourishes the idea of “going to South Africa to scour the townships and see how<br />

he fared amongst the surprised and grateful black girls” (ibid. 351). Hence, Luke<br />

embodies all the traits of a colonial power.<br />

The stereotype itself as described by John Morris is in essence the “judgment<br />

of other people by placing them in groups which relate predetermined behaviour<br />

to physical, racial, class, or other, types” and uses methods of “prejudice, anticipation<br />

and systematization of human behaviour” (Morris 1). This kind of stereotyping<br />

is experienced by Chuckie during a trip to the United States. On his way<br />

through New York together with the private eye Dave Bannon Chuckie gets in<br />

trouble with some New York hoodlums who want to rob them. Bannon uses<br />

Chuckie’s origin to scare the boys away by telling them Chuckie would be a member<br />

of the IRA. Of course, they do not believe them: “‘He don’t sound Irish to<br />

me.’ ‘He’s a Brit or Scotch or something’” (McLiam Wilson 263). When Chuckie<br />

starts imitating the Reverend Dr Ian Paisley with set phrases such as “No Pope<br />

here”, “Home Rule is Rome Rule 31” and “Ulshter will fight”, however, the boys<br />

are suddenly convinced of Chuckie’s ruthlessness (ibid. 263). With the words<br />

“‘Power to the people, man. Down with the King and everything’” (ibid. 263) they<br />

run off. This passage is as full of stereotypes as it is with irony as all of the events<br />

are actually mixed up. The boys obviously do not know much about Northern<br />

Ireland and the ongoing conflict. They cannot distinguish a Northern Irish accent<br />

from a Scottish or British one (on top there is no single British accent). Only the<br />

mentioning of the IRA and Chuckie’s usage of the Paisleyian assertions make<br />

them believe them. Finally, they do not realise that Chuckie’s statement of “Home<br />

Rule is Rome Rule” completely contradicts any IRA philosophy but rather supports<br />

the unionist counter-movement. In an underlying tone of irony that almost<br />

never wears off in Eureka Street the narrator hints at the blended realities shown in<br />

this passage. What the New York boys have in mind is one of the Northern Irish<br />

stereotypes that indicate that every Irish Catholic citizen belongs to a radical group<br />

fighting against the British monarch and who at the same time stops at nothing.<br />

They judge Chuckie by placing him into a group that could be called ‘Irish = IRA<br />

= dangerous’. By doing this they assume Chuckie to be a violent political activist.<br />

“The strength of stereotypes lies in [the] combination of validity and distortion”<br />

stresses Morris (ibid. 6). Although people do exist in Northern Ireland that might<br />

fit the boys’ assumption only a minority actually comes into consideration.<br />

31 The term was first used by unionists during the introduction of the first Home Rule Bill in 1886<br />

(Mulholland 14ff).

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