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Introduction

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242<br />

Melanie Swiatloch<br />

positions” (ibid. 45). Consequently, education became for many Catholics the only<br />

way to be somebody in a biased society.<br />

Education was the only hope, it was like a rope that you struggled to cling<br />

to, in the hope of pulling yourself up to a position less disadvantaged than<br />

the one in which you started out. Keep your head down, look to your own,<br />

and don’t expect too much in any case: nobody ever said those words explicitly<br />

to her, but then nobody needed to, because the world around her<br />

wordlessly insisted on this every single day of her life (Madden 115).<br />

What Emily feels in this passage goes as far back as to the introduction of national<br />

schools in the nineteenth century. Although the main focus does not lie on the<br />

acquirement of English anymore, education is still seen as the only option to transcend<br />

the as inferior perceived Irishness.<br />

As a young teacher Emily encounters children whose future is still unclear.<br />

Many of them have unemployed fathers and Emily even thinks it a blessing they<br />

do not have high aspirations because this would only leave them frustrated (Madden<br />

119). In a time of economic hardships and an unemployment rate five per<br />

cent higher than in Great Britain (Mulholland 42) Emily’s pupils dream of driving<br />

horses for the local brewery or working in the linen mills as their mothers do<br />

(Madden 119). These fields of traditional Northern Irish economy – agriculture,<br />

textiles and engineering (Mulholland 42) – in addition represent the traditional<br />

Irish country life as celebrated by the Irish Literary Movement. That most of the<br />

parents are unemployed and look to an uncertain future also symbolises the slowly<br />

vanishing traditional Irish life. By contrast Emily stands for a Catholic woman<br />

who enjoys a rather independent work life (at least until her marriage) and who<br />

will pass this new way of life on to her children.<br />

Yet, Emily’s life is not as independent as that of her daughters is going to be.<br />

Because she wants to marry Charlie she is supposed to quit her job as “it wasn’t<br />

seen as right for women to go on working when they were married” (Madden<br />

121). At that time a married woman should not take jobs from unmarried women<br />

or from men who needed to support their families as expressed in a newspaper<br />

article Emily reads (ibid.122). Whereas she had to choose between a family and<br />

her job, Emily’s daughters Sally, Helen and Cate are no longer forced to decide on<br />

one option. Still, the importance of education is very strong in Emily’s mind and<br />

she is constantly worrying that Cate in her teenage years might get pregnant. In an<br />

argument she says: “What if you get into trouble and have a baby, what then?<br />

That’ll be your life ruined; and all your education lost” (ibid. 109).<br />

In terms of images of the New Irish Emily stands somewhere inbetween. Her<br />

daughters, however, are able to lead new and different lives. All three of them are<br />

educated well and rather successful in their jobs, Sally as a teacher like her mother,<br />

Helen a lawyer specialising in terrorist cases, and Cate working as a journalist for a<br />

fashion magazine. All three of them are still unmarried, and Cate is even having a

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