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24<br />

Vanessa Mangione<br />

sphere (paid work, politics, etc.) she “ceases to be a lady” (qtd. in Davidoff and<br />

Hall 3). In other words, the separate spheres concept imposed bondage on<br />

women that permeated every aspect of their being. Rights and independence were<br />

denied to them, desires and passions had to be suppressed and the justification of<br />

there existence was connected entirely to their roles as mothers and wives. 14<br />

Until recently, feminism has represented Victorian sexuality in terms of opposites:<br />

Angel and fallen woman. This conception summarised the discourse of<br />

sexuality in the Victorian age, and it continues to direct the modern view of the<br />

correlation between women and sexuality in the nineteenth century. Reynolds and<br />

Humble note that:<br />

(T)he sense of being torn between two incompatible positions typifies<br />

much twentieth century feminist criticism … Stimulated in particular by the<br />

work of Michel Foucault, feminists have made many fruitful readings of a<br />

wide range of Victorian images which explore the relationship between<br />

femininity and sexuality. Time and again the contradictory nature of this relationship<br />

has been brought to the fore. The complexity and prolificacy of<br />

the discourses surrounding female sexuality amply support Foucault’s thesis<br />

that traditional images of Victorian Britain as refusing to acknowledge<br />

sexuality have been mistaken. (1-2)<br />

Reynolds and Humble proceed by arguing that the public discourses concerning<br />

sexuality, which state that a woman is either the angel in the house, submissive<br />

and sexually passive, or a “sexually charged and demonic mad-woman-in-theattic”<br />

(2) cannot be seen as private reality. They judge the common understanding<br />

of Victorian sexuality as a dyadic model as out-dated, since “common sense suggests<br />

that the Victorians’ angelic feminine ideal is entirely suspect” (3). They allude<br />

to the fact that for women the Victorian was not a static epoch but ever changing.<br />

It started with the invention of the separate spheres notion and the creation of the<br />

angel of the house and ended with the fragile females in “bloomers, in offices, in<br />

higher education, and driving motorcars” (4-5). Still, the word “Victorian” is still<br />

associated with “prudery, repression, hypocrisy, smug confidence, and uncompromising<br />

patriarchy” (5).<br />

Nevertheless, a tendency to set up boundaries and establish certainties through<br />

classification and categorising was commonplace during the Victorian period. This<br />

tendency is particularly evident in its application to sexuality, which led to an oppressive<br />

ideology, a division of female and male experiences 15 and the categorisation<br />

of women as “pure” or “impure”. However, in the approach of female sexuality<br />

within the Victorian period, tensions and contradictions were seen that easily<br />

14 It must be mentioned that contemporary discussions result in the realization that the reality<br />

differed immensely from the idea of the separate spheres. The Angel in the House was not to be<br />

found, the concept, however, brought along restrictive conventions for women.<br />

15 For a detailed presentation of the public sphere read Jürgen Habermas 1989.

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