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Construction of Identity in Northern Irish Novels 265<br />

tion of her death is very detailed and matter-of-fact and breaks with the airy atmosphere<br />

created before.<br />

The largest part of one of the glass display cases blasted in her direction.<br />

Though fragmented before it reached her, the pieces of shrapnel and glass<br />

were still large enough to kill her instantly. Her left arm was torn off by<br />

sheeted glass and most of her head and face destroyed by the twisted mass<br />

of a metal tray. The rim of the display case, which was in three large sections,<br />

sliced through or embedded in her recently praised hips and some<br />

heavy glass jars impacted on her chest and stomach, pulverizing her major<br />

organs. Indeed, one substantial chunk of glass whipped through her midriff,<br />

taking her inner stuff half-way through the large hole in her back (ibid.<br />

222).<br />

Martin O’Hare, Kevin McCafferty, Natalie Crawford, her sister Liz and their<br />

mother Margaret plus further twelve people die in the bomb attack, and many<br />

more are injured severely (ibid. 225). A number of times the narrator stresses that<br />

they all had stories (ibid. 223, 224, 231). By giving the victims’ names and short<br />

introductions into their lives McLiam Wilson manages to create an understanding<br />

in the reader that those people who died during the Troubles were really quite<br />

normal people with quite normal lives and that none of them deserved to die.<br />

This disturbing scene is contrasted with Jake’s statement from the beginning<br />

of the novel in which he emphasises the routine of bomb explosions in the city:<br />

“As Belfast bombs go, it went. […] It was dull stuff. Nobody really noticed. What<br />

had happened to us here? Since when had detonations in the neighbourhood<br />

barely raised a grumble” (McLiam Wilson 15)? Farquharson rightly points out that<br />

the things Jake is talking about are “made more important than Jake seems to<br />

suggest; as McLiam Wilson shows, we are meant to be horrified” (ibid. 72). This is<br />

achieved by Jake’s “sarcastic, critical and cynical” language (ibid. 71). Indeed Jake<br />

cares a lot what is happening around him, especially when Roche, a twelve-yearold<br />

kid he has met in the streets, is injured in a riot. Jake loses control screaming<br />

at the reporters around and saying mean things to Aoirghe who has always been a<br />

supporter of nationalist views (McLiam Wilson 363ff).<br />

As the figures mentioned at the beginning of this chapter undoubtedly show,<br />

most deaths were caused by paramilitary groups, the republican IRA and the loyalist<br />

UDA and UVF being the most prominent ones. Among scholars the question<br />

has been raised how to deal with these paramilitary groups. Are they politically<br />

legitimate or merely criminals (Aughey and Morrow 159)? Alain Bairner emphasises<br />

the fact that these paramilitary groups in the 25 years of conflict “had the<br />

weaponry, the organization and the will to continue their violent activities for an<br />

unlimited period of time.” He continues by noting that at first few people believed<br />

the ceasefires called in 1994 to last very long (ibid. 159). Jake for example is one of<br />

those people who eyes the ceasefires skeptically when his friend Slat tells him

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