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Download (PDF, 23.58MB) - Plurality Press

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FIRST CLASS OF OBJECTS FOR THE SUBJECT. 75<br />

The third process by which the Understanding converts<br />

sensation into perception, consists in constructing bodies<br />

out of the simple surfaces hitherto obtained that is, in<br />

adding the third dimension. This it does by estimating<br />

the expansion of bodies in this third dimension in Space<br />

which is known to the Understanding a priori through<br />

Causality, according to the degree in which the eye is<br />

affected by the objects, and to the gradations of light and<br />

shade. In fact, although objects fill Space<br />

in all three<br />

dimensions, they can only produce an impression upon the<br />

eye with two ;<br />

for the nature of that organ is such, that<br />

our sensation, in seeing, is merely plauimetrical, not stereo-<br />

metrical. All that is stereometrical in our perception is<br />

a/lded by the Understanding, which has for its sole data<br />

the direction whence the eye receives its impression, the<br />

limits of that impression, and the various gradations of light<br />

and dark: these data directly indicate their causes, and<br />

enable us to distinguish whether what we have before us<br />

is a disk or a ball. This mental process, like the preceding<br />

ones, takes place so immediately and with such rapidity,<br />

that we are conscious of nothing but the result. It is this<br />

which makes perspective drawing so difficult a problem,<br />

that it can only be solved by mathematics and has to be<br />

learnt ; although all it has to do, is to represent the sen<br />

sation of seeing as it presents itself to our Understanding<br />

as a datum for the third process : that is, visual sen<br />

sation in its merely planimetrical extension, to the two<br />

dimensions of which extension, together with the said data<br />

in them, the Understanding forthwith adds the third, in<br />

contemplating a drawing as well as in contemplating reality.<br />

Perspective drawing is, in fact, a sort of writing which can<br />

be read as easily as printed type, but which few are able to<br />

write ; precisely because our intellect, in perceiving, only<br />

apprehends effects with a view to constructing their causes,<br />

immediately losing sight of the former as soon as it has

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