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Download (PDF, 23.58MB) - Plurality Press

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COMPARATIVE ANATOMY. 277<br />

of human artifice wrought by the lamplight of know<br />

ledge. 1<br />

Our admiration for the consummate perfection and fit<br />

ness for their ends in all the works of Nature, is at the<br />

bottom based upon our viewing them in the same light as<br />

we do our own works. In these, in the first place, the will<br />

to do the work and the work are two different things ;<br />

then again two other things lie between these two : firstly,<br />

the medium of representation, which, taken by itself, is<br />

foreign to the will, through which the will must pass<br />

before it realizes itself here; and secondly the material<br />

foreign to the will here at work, on which a form foreign<br />

to it has to be forced, which it resists, because the<br />

material already belongs to another will, that is to say,<br />

to its own nature, its forma substantialis, the (Platonic)<br />

idea, expressed by it : therefore this material has first<br />

to be overcome, and however deeply the artificial form<br />

may have penetrated, will always continue inwardly resist-<br />

1 The appearance of every animal therefore presents a totality, a<br />

unity, a perfection and a rigidly carried out harmony in all its parts<br />

which is so entirely based upon a single fundamental thought, that even<br />

the strangest animal shape seems to the attentive observer as if it were<br />

the only right, nay, only possible form of existence, and as if there<br />

&quot;<br />

&quot;<br />

natural<br />

could be no other than just this very one. The expression<br />

used to denote that a thing is a matter of course, and that it cannot be<br />

otherwise, is in its deepest foundation based upon this. Gothe himself<br />

was struck by this unity when contemplating whelks and crabs at Venice,<br />

&quot;<br />

and it caused him to exclaim : How delightful, how glorious is a living<br />

thing ! how well adapted for its condition ; how true, how real !<br />

(&quot; Life,&quot; vol. iv. p. 223). No artist therefore, who has not made it bis<br />

business to study such forms for years and to penetrate into their meaning<br />

and comprehension, can rightly imitate them. Without this study his<br />

work will seem as if it were pasted together : the parts no doubt will be<br />

there, but the bond which unites them and gives them cohesion, the<br />

spirit, the idea, which is the objectivity of the primary act of the will<br />

presenting itself as this or that particular species, will be wanting.<br />

[Add. to 3rd ed.]<br />

&quot;

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