Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

Recommendations

Info

ROBERT GRENIER Robert Grenier (1941) fue el primer <strong>ed</strong>itor (1971-73) de la revista This, la primera publicación que intentó articular una propuesta poética lingüísticamente autoconsciente como alternativa a las poéticas norteamericanas "del habla". Traductor de Georg Trakl y <strong>ed</strong>itor de los poemas de Robert Creeley, es autor de los siguientes libros de poemas: DuskRoad Games (1967), Sentences (una caja chinesca de cartón azul que contiene 500 poemas impresos sobre tarjetas, lo que le entrega al lector el orden de lectura, 1978), Series (1978), CAMBRIDGE M'ASS (265 poemas impresos en un cartel, 1979), Oakland (1980),A Day at the Beach (1984), y Phantom Anthems (1986). Los poemas aquí incluidos pertenecen a estas dos últimas publicaciones. 199
Page 1 and 2:
******** * * * * * * * * * * * * *
Page 4:
Esteban Pujals Gesalí LA LENGUA RA
Page 8:
GRAMMA POEsíA Colección dirigida
Page 12:
de ensayos, libros-objeto, dos anto
Page 16:
Para el lector habituado a leer poe
Page 20:
Hubo un tiempo, sugiere Vitrubio, e
Page 24:
de las cosas. Con ello el proceso d
Page 28:
distinguir con la máxima claridad
Page 32:
on la atención de las cuestiones q
Page 36:
textos ha existido, como mínimo, u
Page 40:
From Give Em Enough Rope (1986) De
Page 44:
Art & the struggle for socialism, s
Page 48:
From Sonnets (1980) De Sonetos (198
Page 52:
STEVE BENSON La investigación poé
Page 56:
pseudo-permanency is to impose on m
Page 60:
situation to not know what the solu
Page 64:
Blue Book 35 Pages 2 + 3 it gives o
Page 68:
CHARLES BERNSTEIN La variedad de lo
Page 72:
inclusive regime, tied to alert, de
Page 76:
From Resistance (1983) De Resistenc
Page 80:
From Islets /Irritations (1983) De
Page 84:
Nellie has the most lines in the sc
Page 88:
From Metamorphopsia (1988) De Metam
Page 92:
h all the instructions on a thin pl
Page 96:
CLARK COOLIDGE Clark Coolidge (1939
Page 100:
for anything shape, rock triangular
Page 104:
and the slightest gaze could inch a
Page 108:
grandstand and wholly stolen, black
Page 112:
What sort Lock At the sill of numbe
Page 116:
From Striking Resemblance (1989) De
Page 120:
so 1 twist myself around and link u
Page 124:
humiliation of a class system - pla
Page 128:
MICHAEL DA VIDSON Michael Davidson
Page 132:
thus leaving him. Simply to do one'
Page 136:
in numbered files a logic so except
Page 140:
ALANDAVIES Alan Davies (1951) vive
Page 144:
thing, not what it was. Invest in h
Page 148: * Lave is quite simply the process
Page 152: From Linear e (1983) De e lineal (1
Page 156: The intersubjectivity of extended d
Page 160: From The Jukebox 01 Memnon (1988) .
Page 164: inward along a line running from th
Page 168: attling imagery meister that diffic
Page 172: ofthe aether mists mists of del ét
Page 176: From Something (e ven human voices)
Page 180: * She is unfinished. She is structu
Page 184: * He has given her a new peno The p
Page 188: eclassification of duck into swan.
Page 192: TED GREENW ALD Ted Greenwald (1942)
Page 196: Changes clothes within the Eye Fan
Page 202: From A Day at the Beach (1984) Rema
Page 206: Some say we should suffer through a
Page 210: CARLA HARRYMAN Carla Harryman (1952
Page 214: town, unseen by the people in the t
Page 218: and devious posturings. Assuming th
Page 222: From My Lije (1980) De Mi vida (198
Page 226: with their kids. 1 never sweep the
Page 230: spectrum. The entomology of things
Page 234: From The Guard (1984) De La guardia
Page 238: the twitching of number in what wou
Page 242: P.INMAN P(eter) Inman (1947) vive e
Page 246: do they look dimensional / curlicue
Page 250:
Lag (1989) (a fragment) Zaga (1989)
Page 254:
venesection of the sublinguistic ho
Page 258:
DOUGLAS MESSERLI Douglas Messerli e
Page 262:
as chins of sons become beards of f
Page 266:
of the rope. Perhaps that's why the
Page 270:
From Without Music (1977) De Sin m
Page 274:
Song Alive in the looking out. Cros
Page 278:
various important parts of their wi
Page 282:
As song divides itself, she explain
Page 286:
From Face Valve (1988) De Valor nom
Page 290:
presupuesto de la función. y su he
Page 294:
urgundy the pubic borgoña el vello
Page 298:
over the hard covers of lives willi
Page 302:
has only a base, carved in stone fr
Page 306:
From Way (1988) De Manera (1988) Ho
Page 310:
legs-not then puritanical-as not ha
Page 314:
RON SILLlMAN Ron Silliman (1946) ha
Page 318:
How do the deaf sing How is it thos
Page 322:
as I walk Are you now at that point
Page 326:
sent to the grocer for milk The mom
Page 330:
float again when the sunset is refl
Page 334:
BARRETWATTEN Barret Watten (1948) f
Page 338:
We put frames around anything we wi
Page 342:
"A no-hit game in baseball". Apure
Page 346:
Then we left him on the street. xvm
Page 350:
A child shows the agéd pilgrim his
Page 354:
xxx Then we removed floorboards and
Page 358:
"But you are abad witness". Shudder
Page 362:
pág. LANGUAGE: UN PROYECTO RADICAL
Page 366:
Otros títulos de la editorial: Col
show all

Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?