Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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do they look dimensional / curlicue service / creek limch / the number of times in going quiet / clake distance parecen dimensionales / servicio de floritura / hinchamiento en la rambla / el número de las ocasiones para callarse / distancia al glago * * . what does steach blood / a white over leverage let into me / qué hace greseñar sangre / un reblanco apalancar en mi dejado redondeadas restañas pero para nadie / piel de un clima que si- gue a una sombra / dónde perdí el rastro / tarta Follette / inventan los aleutinos el juicio del demonio I habla borrosa afuera bola del hombro de través servida / hervor de corp / tequeño semei lashes rounded none-to-people / skin of one weather following out a shadow / where did i lose trace / pie Follette / Aleuts invent deuce court / speech slurred on the outside / ball of shoulder poured though / corp boíl / spall semei 244 245
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Esteban Pujals Gesalí LA LENGUA RA
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GRAMMA POEsíA Colección dirigida
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de ensayos, libros-objeto, dos anto
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Para el lector habituado a leer poe
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Hubo un tiempo, sugiere Vitrubio, e
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de las cosas. Con ello el proceso d
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distinguir con la máxima claridad
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on la atención de las cuestiones q
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textos ha existido, como mínimo, u
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From Give Em Enough Rope (1986) De
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Art & the struggle for socialism, s
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From Sonnets (1980) De Sonetos (198
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STEVE BENSON La investigación poé
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pseudo-permanency is to impose on m
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situation to not know what the solu
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Blue Book 35 Pages 2 + 3 it gives o
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CHARLES BERNSTEIN La variedad de lo
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inclusive regime, tied to alert, de
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From Resistance (1983) De Resistenc
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From Islets /Irritations (1983) De
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Nellie has the most lines in the sc
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From Metamorphopsia (1988) De Metam
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h all the instructions on a thin pl
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CLARK COOLIDGE Clark Coolidge (1939
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for anything shape, rock triangular
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and the slightest gaze could inch a
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grandstand and wholly stolen, black
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What sort Lock At the sill of numbe
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From Striking Resemblance (1989) De
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so 1 twist myself around and link u
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humiliation of a class system - pla
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MICHAEL DA VIDSON Michael Davidson
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thus leaving him. Simply to do one'
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in numbered files a logic so except
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ALANDAVIES Alan Davies (1951) vive
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thing, not what it was. Invest in h
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* Lave is quite simply the process
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From Linear e (1983) De e lineal (1
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The intersubjectivity of extended d
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From The Jukebox 01 Memnon (1988) .
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inward along a line running from th
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attling imagery meister that diffic
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ofthe aether mists mists of del ét
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From Something (e ven human voices)
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* She is unfinished. She is structu
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* He has given her a new peno The p
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eclassification of duck into swan.
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TED GREENW ALD Ted Greenwald (1942)
Page 196: Changes clothes within the Eye Fan
Page 200: ROBERT GRENIER Robert Grenier (1941
Page 204: mobile as substitute for sorne sort
Page 208: See for AH. everybody' s asleep the
Page 212: From Animal I nstincts (1989) De In
Page 216: What can you tell me about the faux
Page 220: L YN HEJINIAN Lyn Hejinian (1941) f
Page 224: ut irregularly-I want to be very pr
Page 228: The greatest thrill was to be the o
Page 232: street. On the grimy laundry porch,
Page 236: on the inside!" - "Don't show off!"
Page 240: But as bodies are The maps are part
Page 244: From Red Shift (1988) De Rojo turna
Page 250: Lag (1989) (a fragment) Zaga (1989)
Page 254: venesection of the sublinguistic ho
Page 258: DOUGLAS MESSERLI Douglas Messerli e
Page 262: as chins of sons become beards of f
Page 266: of the rope. Perhaps that's why the
Page 270: From Without Music (1977) De Sin m
Page 274: Song Alive in the looking out. Cros
Page 278: various important parts of their wi
Page 282: As song divides itself, she explain
Page 286: From Face Valve (1988) De Valor nom
Page 290: presupuesto de la función. y su he
Page 294: urgundy the pubic borgoña el vello
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over the hard covers of lives willi
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has only a base, carved in stone fr
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From Way (1988) De Manera (1988) Ho
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legs-not then puritanical-as not ha
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RON SILLlMAN Ron Silliman (1946) ha
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How do the deaf sing How is it thos
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as I walk Are you now at that point
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sent to the grocer for milk The mom
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float again when the sunset is refl
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BARRETWATTEN Barret Watten (1948) f
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We put frames around anything we wi
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"A no-hit game in baseball". Apure
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Then we left him on the street. xvm
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A child shows the agéd pilgrim his
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xxx Then we removed floorboards and
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"But you are abad witness". Shudder
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pág. LANGUAGE: UN PROYECTO RADICAL
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