Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992
Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992
Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992
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our culture-the flesh being fragile<br />
-and not hurt-in the women being lick<strong>ed</strong><br />
between their legs-by the men, but who're<br />
customers---or who're not that-but aren't<br />
socially important-are ordinary<br />
their being ordinary-as<br />
the attractive feature of-the men-and women<br />
in their being lick<strong>ed</strong><br />
between their legs-though it may not<br />
be commercial-but for the<br />
flesh being fragile-and not hurt<br />
the man-though<br />
thinking of the women' s<br />
-feelings-in regard to-passing by<br />
the booths---of customers-and allowing them<br />
to lean out and lick between their legs-as part<br />
of their performance<br />
if it were not---or is-in the<br />
commercial setting-but after that-and<br />
the woman---{;aress<strong>ed</strong> between the legs by the<br />
man-their both not being socially importantas<br />
the conjunction---of the flesh<br />
being fragile-in that episode<br />
so there would be just an<br />
excuse-for this-and not<br />
a real reason-manufacturing-as the<br />
substantive---or -<br />
determination from it<br />
close to-being the<br />
episode-from the-aman<br />
having lick<strong>ed</strong> the woman's<br />
middle-that is-between her<br />
nuestra cultura-siendo la carne frágil<br />
_y no dolorida- y a las mujeres las<br />
chupan entre las piernas-hombres que son<br />
clientes-o que no loson-pero no son<br />
socialmente importantes-son comunes<br />
el ser comunes-como<br />
rasgo atractivo de-los hombres-y mujeres<br />
al ser chupadas entre<br />
las piernas-aunque pu<strong>ed</strong>e<br />
no ser comercial-sino por<br />
la carne frágil-y no dolorida<br />
el hombre-aunque<br />
piensa en los sentimientos<br />
-de las mujeres- con respecto a pasar<br />
por las mesas-de los clientes- y dejarles<br />
inclinarse y chupar entre sus piernas-parte<br />
de la actuación<br />
si no fuera-o es-en el<br />
escenario comercial-sino después-y<br />
la mujer-acariciada entre las piernas por el<br />
hombre-no siendo su mesa socialmente importantecomo<br />
la conjugación-de la carne<br />
que es frágil-en tal episodio<br />
así que no habría sino un<br />
pretexto-para estoy-y no<br />
una razón verdadera-fabricación-como<br />
sustantivo-odeterminación<br />
de ello<br />
junto al-que es<br />
el episodio-del-un<br />
hombre que le ha chupado a la mujer<br />
el centro-esto es-entre las