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Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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our culture-the flesh being fragile<br />

-and not hurt-in the women being lick<strong>ed</strong><br />

between their legs-by the men, but who're<br />

customers---or who're not that-but aren't<br />

socially important-are ordinary<br />

their being ordinary-as<br />

the attractive feature of-the men-and women<br />

in their being lick<strong>ed</strong><br />

between their legs-though it may not<br />

be commercial-but for the<br />

flesh being fragile-and not hurt<br />

the man-though<br />

thinking of the women' s<br />

-feelings-in regard to-passing by<br />

the booths---of customers-and allowing them<br />

to lean out and lick between their legs-as part<br />

of their performance<br />

if it were not---or is-in the<br />

commercial setting-but after that-and<br />

the woman---{;aress<strong>ed</strong> between the legs by the<br />

man-their both not being socially importantas<br />

the conjunction---of the flesh<br />

being fragile-in that episode<br />

so there would be just an<br />

excuse-for this-and not<br />

a real reason-manufacturing-as the<br />

substantive---or -<br />

determination from it<br />

close to-being the<br />

episode-from the-aman<br />

having lick<strong>ed</strong> the woman's<br />

middle-that is-between her<br />

nuestra cultura-siendo la carne frágil<br />

_y no dolorida- y a las mujeres las<br />

chupan entre las piernas-hombres que son<br />

clientes-o que no loson-pero no son<br />

socialmente importantes-son comunes<br />

el ser comunes-como<br />

rasgo atractivo de-los hombres-y mujeres<br />

al ser chupadas entre<br />

las piernas-aunque pu<strong>ed</strong>e<br />

no ser comercial-sino por<br />

la carne frágil-y no dolorida<br />

el hombre-aunque<br />

piensa en los sentimientos<br />

-de las mujeres- con respecto a pasar<br />

por las mesas-de los clientes- y dejarles<br />

inclinarse y chupar entre sus piernas-parte<br />

de la actuación<br />

si no fuera-o es-en el<br />

escenario comercial-sino después-y<br />

la mujer-acariciada entre las piernas por el<br />

hombre-no siendo su mesa socialmente importantecomo<br />

la conjugación-de la carne<br />

que es frágil-en tal episodio<br />

así que no habría sino un<br />

pretexto-para estoy-y no<br />

una razón verdadera-fabricación-como<br />

sustantivo-odeterminación<br />

de ello<br />

junto al-que es<br />

el episodio-del-un<br />

hombre que le ha chupado a la mujer<br />

el centro-esto es-entre las

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