Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

Recommendations

Info

BARRETWATTEN Barret Watten (1948) fundó, con Robert Grenier, This, la revista pionera en los Estados Unidos de las poéticas lingüísticas autoconscientes representadas en esta antología. Es autor del volumen de ensayos críticos Total Syntax (1985) y de los siguientes libros de poesía: Opera-Works (1975), Decay (1977), Plasma/Paralleles/X (1979), ]-10 (1980), Complete Thought (1982), Progress (1985) y Conduit(1986). "Armazón ("Frame") es un texto todavía inédito en inglés. Watten vine es Berkeley. 333
Page 1 and 2:
******** * * * * * * * * * * * * *
Page 4:
Esteban Pujals Gesalí LA LENGUA RA
Page 8:
GRAMMA POEsíA Colección dirigida
Page 12:
de ensayos, libros-objeto, dos anto
Page 16:
Para el lector habituado a leer poe
Page 20:
Hubo un tiempo, sugiere Vitrubio, e
Page 24:
de las cosas. Con ello el proceso d
Page 28:
distinguir con la máxima claridad
Page 32:
on la atención de las cuestiones q
Page 36:
textos ha existido, como mínimo, u
Page 40:
From Give Em Enough Rope (1986) De
Page 44:
Art & the struggle for socialism, s
Page 48:
From Sonnets (1980) De Sonetos (198
Page 52:
STEVE BENSON La investigación poé
Page 56:
pseudo-permanency is to impose on m
Page 60:
situation to not know what the solu
Page 64:
Blue Book 35 Pages 2 + 3 it gives o
Page 68:
CHARLES BERNSTEIN La variedad de lo
Page 72:
inclusive regime, tied to alert, de
Page 76:
From Resistance (1983) De Resistenc
Page 80:
From Islets /Irritations (1983) De
Page 84:
Nellie has the most lines in the sc
Page 88:
From Metamorphopsia (1988) De Metam
Page 92:
h all the instructions on a thin pl
Page 96:
CLARK COOLIDGE Clark Coolidge (1939
Page 100:
for anything shape, rock triangular
Page 104:
and the slightest gaze could inch a
Page 108:
grandstand and wholly stolen, black
Page 112:
What sort Lock At the sill of numbe
Page 116:
From Striking Resemblance (1989) De
Page 120:
so 1 twist myself around and link u
Page 124:
humiliation of a class system - pla
Page 128:
MICHAEL DA VIDSON Michael Davidson
Page 132:
thus leaving him. Simply to do one'
Page 136:
in numbered files a logic so except
Page 140:
ALANDAVIES Alan Davies (1951) vive
Page 144:
thing, not what it was. Invest in h
Page 148:
* Lave is quite simply the process
Page 152:
From Linear e (1983) De e lineal (1
Page 156:
The intersubjectivity of extended d
Page 160:
From The Jukebox 01 Memnon (1988) .
Page 164:
inward along a line running from th
Page 168:
attling imagery meister that diffic
Page 172:
ofthe aether mists mists of del ét
Page 176:
From Something (e ven human voices)
Page 180:
* She is unfinished. She is structu
Page 184:
* He has given her a new peno The p
Page 188:
eclassification of duck into swan.
Page 192:
TED GREENW ALD Ted Greenwald (1942)
Page 196:
Changes clothes within the Eye Fan
Page 200:
ROBERT GRENIER Robert Grenier (1941
Page 204:
mobile as substitute for sorne sort
Page 208:
See for AH. everybody' s asleep the
Page 212:
From Animal I nstincts (1989) De In
Page 216:
What can you tell me about the faux
Page 220:
L YN HEJINIAN Lyn Hejinian (1941) f
Page 224:
ut irregularly-I want to be very pr
Page 228:
The greatest thrill was to be the o
Page 232:
street. On the grimy laundry porch,
Page 236:
on the inside!" - "Don't show off!"
Page 240:
But as bodies are The maps are part
Page 244:
From Red Shift (1988) De Rojo turna
Page 248:
STEVE MCCAFFERY Nacido en Inglaterr
Page 252:
seat who orders Brecht, corrigenda
Page 256:
ecomes defunct, two hamsters, form
Page 260:
From Maximsfrom My Molher's Mi/k /
Page 264:
leave everyday life. A poem is not
Page 268:
MICHAEL PALMER Michael Palmer (1943
Page 272:
That guy sure liked house plants (s
Page 276:
The number of letters it takes to f
Page 280:
Hermes alike as the bearer and conc
Page 284: BOB PERELMAN Bob Perelman editó la
Page 288: will come edit it, can it, ending w
Page 292: e acting, and every day thus unempl
Page 296: a -but un pero polished particulars
Page 300: a minimum of decorum, an outhouse i
Page 304: LESLIE SCALAPINO Leslie Scalapino v
Page 308: our culture-the flesh being fragile
Page 312: manufacturing Fred Astaire-a hoofer
Page 316: From The Age 01 Huts (1986) De El t
Page 320: etween any two statements Is anythi
Page 324: everything! You stare at your car b
Page 328: again when the sunset is reflected
Page 332: in the water of Richardson Bay. Fry
Page 338: We put frames around anything we wi
Page 342: "A no-hit game in baseball". Apure
Page 346: Then we left him on the street. xvm
Page 350: A child shows the agéd pilgrim his
Page 354: xxx Then we removed floorboards and
Page 358: "But you are abad witness". Shudder
Page 362: pág. LANGUAGE: UN PROYECTO RADICAL
Page 366: Otros títulos de la editorial: Col
show all

Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?