Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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As song divides itself, she explains with a wave. We have never been happy here have never been happier. Al dividirse la canción, ella lo explica haciendo ondas con el brazo. Aquí nunca hemos sido felices nunca más felices. 280 281
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Esteban Pujals Gesalí LA LENGUA RA
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GRAMMA POEsíA Colección dirigida
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de ensayos, libros-objeto, dos anto
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Para el lector habituado a leer poe
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Hubo un tiempo, sugiere Vitrubio, e
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de las cosas. Con ello el proceso d
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distinguir con la máxima claridad
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on la atención de las cuestiones q
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textos ha existido, como mínimo, u
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From Give Em Enough Rope (1986) De
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Art & the struggle for socialism, s
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From Sonnets (1980) De Sonetos (198
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STEVE BENSON La investigación poé
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pseudo-permanency is to impose on m
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situation to not know what the solu
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Blue Book 35 Pages 2 + 3 it gives o
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CHARLES BERNSTEIN La variedad de lo
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inclusive regime, tied to alert, de
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From Resistance (1983) De Resistenc
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From Islets /Irritations (1983) De
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Nellie has the most lines in the sc
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From Metamorphopsia (1988) De Metam
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h all the instructions on a thin pl
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CLARK COOLIDGE Clark Coolidge (1939
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for anything shape, rock triangular
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and the slightest gaze could inch a
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grandstand and wholly stolen, black
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What sort Lock At the sill of numbe
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From Striking Resemblance (1989) De
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so 1 twist myself around and link u
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humiliation of a class system - pla
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MICHAEL DA VIDSON Michael Davidson
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thus leaving him. Simply to do one'
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in numbered files a logic so except
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ALANDAVIES Alan Davies (1951) vive
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thing, not what it was. Invest in h
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* Lave is quite simply the process
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From Linear e (1983) De e lineal (1
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The intersubjectivity of extended d
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From The Jukebox 01 Memnon (1988) .
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inward along a line running from th
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attling imagery meister that diffic
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ofthe aether mists mists of del ét
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From Something (e ven human voices)
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* She is unfinished. She is structu
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* He has given her a new peno The p
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eclassification of duck into swan.
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TED GREENW ALD Ted Greenwald (1942)
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Changes clothes within the Eye Fan
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ROBERT GRENIER Robert Grenier (1941
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mobile as substitute for sorne sort
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See for AH. everybody' s asleep the
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From Animal I nstincts (1989) De In
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What can you tell me about the faux
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L YN HEJINIAN Lyn Hejinian (1941) f
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ut irregularly-I want to be very pr
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The greatest thrill was to be the o
Page 232: street. On the grimy laundry porch,
Page 236: on the inside!" - "Don't show off!"
Page 240: But as bodies are The maps are part
Page 244: From Red Shift (1988) De Rojo turna
Page 248: STEVE MCCAFFERY Nacido en Inglaterr
Page 252: seat who orders Brecht, corrigenda
Page 256: ecomes defunct, two hamsters, form
Page 260: From Maximsfrom My Molher's Mi/k /
Page 264: leave everyday life. A poem is not
Page 268: MICHAEL PALMER Michael Palmer (1943
Page 272: That guy sure liked house plants (s
Page 276: The number of letters it takes to f
Page 280: Hermes alike as the bearer and conc
Page 286: From Face Valve (1988) De Valor nom
Page 290: presupuesto de la función. y su he
Page 294: urgundy the pubic borgoña el vello
Page 298: over the hard covers of lives willi
Page 302: has only a base, carved in stone fr
Page 306: From Way (1988) De Manera (1988) Ho
Page 310: legs-not then puritanical-as not ha
Page 314: RON SILLlMAN Ron Silliman (1946) ha
Page 318: How do the deaf sing How is it thos
Page 322: as I walk Are you now at that point
Page 326: sent to the grocer for milk The mom
Page 330: float again when the sunset is refl
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BARRETWATTEN Barret Watten (1948) f
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We put frames around anything we wi
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"A no-hit game in baseball". Apure
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Then we left him on the street. xvm
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A child shows the agéd pilgrim his
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xxx Then we removed floorboards and
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"But you are abad witness". Shudder
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pág. LANGUAGE: UN PROYECTO RADICAL
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Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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