Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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mobile as substitute for sorne sort of self-concept móvil como suc<strong>ed</strong>áneo de un concepto de uno mismo Feeling colder sweather hat there is a real sequence of clothes Tener más frío jersey gorro hay de verdad una sucesión de las prendas Clouds take on the shape coming up off the horizon from the shadows back here Sunny Brrr shoes on a sweater * 1 swam again when the shade disappears 1 must go Against silence melody not versus 202 Nubes Toman la forma al venir del horizonte de las sombras que hay aquí Soleado brrr zapatos sobre un jersey * volví a bañarme cuando se quite la sombra me tengo que ir Contra el silencio melodía no versus 203
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Esteban Pujals Gesalí LA LENGUA RA
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GRAMMA POEsíA Colección dirigida
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de ensayos, libros-objeto, dos anto
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Para el lector habituado a leer poe
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Hubo un tiempo, sugiere Vitrubio, e
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de las cosas. Con ello el proceso d
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distinguir con la máxima claridad
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on la atención de las cuestiones q
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textos ha existido, como mínimo, u
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From Give Em Enough Rope (1986) De
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Art & the struggle for socialism, s
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From Sonnets (1980) De Sonetos (198
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STEVE BENSON La investigación poé
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pseudo-permanency is to impose on m
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situation to not know what the solu
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Blue Book 35 Pages 2 + 3 it gives o
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CHARLES BERNSTEIN La variedad de lo
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inclusive regime, tied to alert, de
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From Resistance (1983) De Resistenc
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From Islets /Irritations (1983) De
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Nellie has the most lines in the sc
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From Metamorphopsia (1988) De Metam
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h all the instructions on a thin pl
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CLARK COOLIDGE Clark Coolidge (1939
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for anything shape, rock triangular
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and the slightest gaze could inch a
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grandstand and wholly stolen, black
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What sort Lock At the sill of numbe
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From Striking Resemblance (1989) De
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so 1 twist myself around and link u
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humiliation of a class system - pla
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MICHAEL DA VIDSON Michael Davidson
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thus leaving him. Simply to do one'
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in numbered files a logic so except
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ALANDAVIES Alan Davies (1951) vive
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thing, not what it was. Invest in h
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* Lave is quite simply the process
Page 152: From Linear e (1983) De e lineal (1
Page 156: The intersubjectivity of extended d
Page 160: From The Jukebox 01 Memnon (1988) .
Page 164: inward along a line running from th
Page 168: attling imagery meister that diffic
Page 172: ofthe aether mists mists of del ét
Page 176: From Something (e ven human voices)
Page 180: * She is unfinished. She is structu
Page 184: * He has given her a new peno The p
Page 188: eclassification of duck into swan.
Page 192: TED GREENW ALD Ted Greenwald (1942)
Page 196: Changes clothes within the Eye Fan
Page 200: ROBERT GRENIER Robert Grenier (1941
Page 206: Some say we should suffer through a
Page 210: CARLA HARRYMAN Carla Harryman (1952
Page 214: town, unseen by the people in the t
Page 218: and devious posturings. Assuming th
Page 222: From My Lije (1980) De Mi vida (198
Page 226: with their kids. 1 never sweep the
Page 230: spectrum. The entomology of things
Page 234: From The Guard (1984) De La guardia
Page 238: the twitching of number in what wou
Page 242: P.INMAN P(eter) Inman (1947) vive e
Page 246: do they look dimensional / curlicue
Page 250: Lag (1989) (a fragment) Zaga (1989)
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venesection of the sublinguistic ho
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DOUGLAS MESSERLI Douglas Messerli e
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as chins of sons become beards of f
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of the rope. Perhaps that's why the
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From Without Music (1977) De Sin m
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Song Alive in the looking out. Cros
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various important parts of their wi
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As song divides itself, she explain
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From Face Valve (1988) De Valor nom
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presupuesto de la función. y su he
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urgundy the pubic borgoña el vello
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over the hard covers of lives willi
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has only a base, carved in stone fr
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From Way (1988) De Manera (1988) Ho
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legs-not then puritanical-as not ha
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RON SILLlMAN Ron Silliman (1946) ha
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How do the deaf sing How is it thos
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as I walk Are you now at that point
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sent to the grocer for milk The mom
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float again when the sunset is refl
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BARRETWATTEN Barret Watten (1948) f
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We put frames around anything we wi
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"A no-hit game in baseball". Apure
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Then we left him on the street. xvm
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A child shows the agéd pilgrim his
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xxx Then we removed floorboards and
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"But you are abad witness". Shudder
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pág. LANGUAGE: UN PROYECTO RADICAL
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Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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