- Page 1 and 2:
******** * * * * * * * * * * * * *
- Page 4:
Esteban Pujals Gesalí LA LENGUA RA
- Page 8:
GRAMMA POEsíA Colección dirigida
- Page 12:
de ensayos, libros-objeto, dos anto
- Page 16:
Para el lector habituado a leer poe
- Page 20:
Hubo un tiempo, sugiere Vitrubio, e
- Page 24:
de las cosas. Con ello el proceso d
- Page 28:
distinguir con la máxima claridad
- Page 32:
on la atención de las cuestiones q
- Page 36:
textos ha existido, como mínimo, u
- Page 40:
From Give Em Enough Rope (1986) De
- Page 44:
Art & the struggle for socialism, s
- Page 48:
From Sonnets (1980) De Sonetos (198
- Page 52:
STEVE BENSON La investigación poé
- Page 56:
pseudo-permanency is to impose on m
- Page 60:
situation to not know what the solu
- Page 64:
Blue Book 35 Pages 2 + 3 it gives o
- Page 68:
CHARLES BERNSTEIN La variedad de lo
- Page 72:
inclusive regime, tied to alert, de
- Page 76:
From Resistance (1983) De Resistenc
- Page 80:
From Islets /Irritations (1983) De
- Page 84:
Nellie has the most lines in the sc
- Page 88:
From Metamorphopsia (1988) De Metam
- Page 92:
h all the instructions on a thin pl
- Page 96:
CLARK COOLIDGE Clark Coolidge (1939
- Page 100:
for anything shape, rock triangular
- Page 104:
and the slightest gaze could inch a
- Page 108:
grandstand and wholly stolen, black
- Page 112:
What sort Lock At the sill of numbe
- Page 116:
From Striking Resemblance (1989) De
- Page 120:
so 1 twist myself around and link u
- Page 124:
humiliation of a class system - pla
- Page 128:
MICHAEL DA VIDSON Michael Davidson
- Page 132:
thus leaving him. Simply to do one'
- Page 136:
in numbered files a logic so except
- Page 140:
ALANDAVIES Alan Davies (1951) vive
- Page 144:
thing, not what it was. Invest in h
- Page 148:
* Lave is quite simply the process
- Page 152: From Linear e (1983) De e lineal (1
- Page 156: The intersubjectivity of extended d
- Page 160: From The Jukebox 01 Memnon (1988) .
- Page 164: inward along a line running from th
- Page 168: attling imagery meister that diffic
- Page 172: ofthe aether mists mists of del ét
- Page 176: From Something (e ven human voices)
- Page 180: * She is unfinished. She is structu
- Page 184: * He has given her a new peno The p
- Page 188: eclassification of duck into swan.
- Page 192: TED GREENW ALD Ted Greenwald (1942)
- Page 196: Changes clothes within the Eye Fan
- Page 200: ROBERT GRENIER Robert Grenier (1941
- Page 206: Some say we should suffer through a
- Page 210: CARLA HARRYMAN Carla Harryman (1952
- Page 214: town, unseen by the people in the t
- Page 218: and devious posturings. Assuming th
- Page 222: From My Lije (1980) De Mi vida (198
- Page 226: with their kids. 1 never sweep the
- Page 230: spectrum. The entomology of things
- Page 234: From The Guard (1984) De La guardia
- Page 238: the twitching of number in what wou
- Page 242: P.INMAN P(eter) Inman (1947) vive e
- Page 246: do they look dimensional / curlicue
- Page 250: Lag (1989) (a fragment) Zaga (1989)
- Page 254:
venesection of the sublinguistic ho
- Page 258:
DOUGLAS MESSERLI Douglas Messerli e
- Page 262:
as chins of sons become beards of f
- Page 266:
of the rope. Perhaps that's why the
- Page 270:
From Without Music (1977) De Sin m
- Page 274:
Song Alive in the looking out. Cros
- Page 278:
various important parts of their wi
- Page 282:
As song divides itself, she explain
- Page 286:
From Face Valve (1988) De Valor nom
- Page 290:
presupuesto de la función. y su he
- Page 294:
urgundy the pubic borgoña el vello
- Page 298:
over the hard covers of lives willi
- Page 302:
has only a base, carved in stone fr
- Page 306:
From Way (1988) De Manera (1988) Ho
- Page 310:
legs-not then puritanical-as not ha
- Page 314:
RON SILLlMAN Ron Silliman (1946) ha
- Page 318:
How do the deaf sing How is it thos
- Page 322:
as I walk Are you now at that point
- Page 326:
sent to the grocer for milk The mom
- Page 330:
float again when the sunset is refl
- Page 334:
BARRETWATTEN Barret Watten (1948) f
- Page 338:
We put frames around anything we wi
- Page 342:
"A no-hit game in baseball". Apure
- Page 346:
Then we left him on the street. xvm
- Page 350:
A child shows the agéd pilgrim his
- Page 354:
xxx Then we removed floorboards and
- Page 358:
"But you are abad witness". Shudder
- Page 362:
pág. LANGUAGE: UN PROYECTO RADICAL
- Page 366:
Otros títulos de la editorial: Col