Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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"But you are abad witness". Shudder of impact on landing breaks fusilage in half. As if to fall from a c1iff were to touch the girl' s bar<strong>ed</strong> knee. lar Carla Harryman "Pero tú eres un mal testigo". <strong>La</strong> vibración del impacto al aterrizar quiebra el fuselaje en dos. Como si caerse por un acantilado fuera tocar la rodilla desnuda de una niña. para Carla Harruman 356 357
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Esteban Pujals Gesalí LA LENGUA RA
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GRAMMA POEsíA Colección dirigida
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de ensayos, libros-objeto, dos anto
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Para el lector habituado a leer poe
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Hubo un tiempo, sugiere Vitrubio, e
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de las cosas. Con ello el proceso d
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distinguir con la máxima claridad
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on la atención de las cuestiones q
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textos ha existido, como mínimo, u
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From Give Em Enough Rope (1986) De
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Art & the struggle for socialism, s
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From Sonnets (1980) De Sonetos (198
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STEVE BENSON La investigación poé
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pseudo-permanency is to impose on m
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situation to not know what the solu
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Blue Book 35 Pages 2 + 3 it gives o
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CHARLES BERNSTEIN La variedad de lo
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inclusive regime, tied to alert, de
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From Resistance (1983) De Resistenc
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From Islets /Irritations (1983) De
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Nellie has the most lines in the sc
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From Metamorphopsia (1988) De Metam
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h all the instructions on a thin pl
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CLARK COOLIDGE Clark Coolidge (1939
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for anything shape, rock triangular
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and the slightest gaze could inch a
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grandstand and wholly stolen, black
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What sort Lock At the sill of numbe
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From Striking Resemblance (1989) De
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so 1 twist myself around and link u
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humiliation of a class system - pla
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MICHAEL DA VIDSON Michael Davidson
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thus leaving him. Simply to do one'
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in numbered files a logic so except
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ALANDAVIES Alan Davies (1951) vive
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thing, not what it was. Invest in h
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* Lave is quite simply the process
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From Linear e (1983) De e lineal (1
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The intersubjectivity of extended d
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From The Jukebox 01 Memnon (1988) .
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inward along a line running from th
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attling imagery meister that diffic
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ofthe aether mists mists of del ét
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From Something (e ven human voices)
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* She is unfinished. She is structu
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* He has given her a new peno The p
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eclassification of duck into swan.
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TED GREENW ALD Ted Greenwald (1942)
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Changes clothes within the Eye Fan
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ROBERT GRENIER Robert Grenier (1941
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mobile as substitute for sorne sort
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See for AH. everybody' s asleep the
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From Animal I nstincts (1989) De In
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What can you tell me about the faux
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L YN HEJINIAN Lyn Hejinian (1941) f
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ut irregularly-I want to be very pr
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The greatest thrill was to be the o
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street. On the grimy laundry porch,
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on the inside!" - "Don't show off!"
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But as bodies are The maps are part
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From Red Shift (1988) De Rojo turna
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STEVE MCCAFFERY Nacido en Inglaterr
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seat who orders Brecht, corrigenda
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ecomes defunct, two hamsters, form
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From Maximsfrom My Molher's Mi/k /
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leave everyday life. A poem is not
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MICHAEL PALMER Michael Palmer (1943
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That guy sure liked house plants (s
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The number of letters it takes to f
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Hermes alike as the bearer and conc
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BOB PERELMAN Bob Perelman editó la
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will come edit it, can it, ending w
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e acting, and every day thus unempl
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a -but un pero polished particulars
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a minimum of decorum, an outhouse i
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LESLIE SCALAPINO Leslie Scalapino v
Page 308: our culture-the flesh being fragile
Page 312: manufacturing Fred Astaire-a hoofer
Page 316: From The Age 01 Huts (1986) De El t
Page 320: etween any two statements Is anythi
Page 324: everything! You stare at your car b
Page 328: again when the sunset is reflected
Page 332: in the water of Richardson Bay. Fry
Page 336: Frame I A chain link fence around a
Page 340: VID 1 make a correction by running
Page 344: A virus has penetrated our data. Th
Page 348: XXI The woman is well placed; her f
Page 352: XXVIII Speech shows an awareness of
Page 356: Whereas I can only write what I wan
Page 362: pág. LANGUAGE: UN PROYECTO RADICAL
Page 366: Otros títulos de la editorial: Col
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Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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