Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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STEVE BENSON <strong>La</strong> investigación poética de Steve Benson está orientada por un interés muy especial por los aspectos orales de la lengua y por las cualidades del habla repentizada, siendo algunas de sus obras publicadas transcripciones de sesiones de improvisación efectuadas públicamente. Los textos incluidos aquí proc<strong>ed</strong>en de Blue Book (1988) y forman parte de un experimento consistente en "rellenar" a gran velocidad y sin realizar correcciones un lote de cincuenta cuadernos de los utilizados en el sistema escolar norteamericano para la realización de exámenes. Benson sometió luego este resultado a un proceso de selección que a menudo le arrebata al texto su comienzo y su final. Steve Benson es autor también de Reverse Order (1989), Briarcombe Paragraphs (1985), Dominance (1985), The Busses (1981), Blindspots (1981), As Is (1978) y Steel Idea (1978). Vive en Berkeley. 51
Page 1 and 2: ******** * * * * * * * * * * * * *
Page 4: Esteban Pujals Gesalí LA LENGUA RA
Page 8: GRAMMA POEsíA Colección dirigida
Page 12: de ensayos, libros-objeto, dos anto
Page 16: Para el lector habituado a leer poe
Page 20: Hubo un tiempo, sugiere Vitrubio, e
Page 24: de las cosas. Con ello el proceso d
Page 28: distinguir con la máxima claridad
Page 32: on la atención de las cuestiones q
Page 36: textos ha existido, como mínimo, u
Page 40: From Give Em Enough Rope (1986) De
Page 44: Art & the struggle for socialism, s
Page 48: From Sonnets (1980) De Sonetos (198
Page 54: From Blue Book (1988) De Cuaderno A
Page 58: can be very adaptable and prosaic i
Page 62: 1 going to do, make love to organiz
Page 66: all that's echoes: have 1 made that
Page 70: From The Sophist (1987) De El sofis
Page 74: to estuaries, grumble's hallowed gu
Page 78: known about or gardened governs all
Page 82: Julie grows attached to an abandone
Page 86: NORMACOLE Norma Cale es poeta, pint
Page 90: c news flies through the air with a
Page 94: "brightness in the air" The system
Page 98: From At Egypt (1988 ) De Al Egipto
Page 102:
a bit north from flavor and deaf fr
Page 106:
But it is in the flying up again in
Page 110:
and listened to the opening reports
Page 114:
TINA DARRAGH Tina Darragh (1950) es
Page 118:
translate SEE "transfer" - to bear,
Page 122:
comes out as to cover (up front) th
Page 126:
so it' s there that 1 decide to aba
Page 130:
From The Landing of Rochambeau (198
Page 134:
sodden towels the whole arena of un
Page 138:
or el se we are making it up to pro
Page 142:
From Name (1986) De Nombre (1986) *
Page 146:
So there are four of us, you and 1,
Page 150:
JEANDAY Jean Day (1953) vive en Ber
Page 154:
as remnants locating the fetish in
Page 158:
RAY DI PALMA Ray DiPalma (1943) es
Page 162:
Word hoard philophosphorexcrescent
Page 166:
From Observatory Gardens (1979) De
Page 170:
sea south pass passable luxuriant h
Page 174:
KA THLEEN FRASER Fundadora y editor
Page 178:
that could be tasted only in langua
Page 182:
* She lies awake but feels unable t
Page 186:
* After months of starting and stop
Page 190:
hand beckoned, he was my guide, the
Page 194:
From Word 01 Mouth (1986) De Pedir
Page 198:
Laps Windows Back To outside Overwh
Page 202:
From A Day at the Beach (1984) Rema
Page 206:
Some say we should suffer through a
Page 210:
CARLA HARRYMAN Carla Harryman (1952
Page 214:
town, unseen by the people in the t
Page 218:
and devious posturings. Assuming th
Page 222:
From My Lije (1980) De Mi vida (198
Page 226:
with their kids. 1 never sweep the
Page 230:
spectrum. The entomology of things
Page 234:
From The Guard (1984) De La guardia
Page 238:
the twitching of number in what wou
Page 242:
P.INMAN P(eter) Inman (1947) vive e
Page 246:
do they look dimensional / curlicue
Page 250:
Lag (1989) (a fragment) Zaga (1989)
Page 254:
venesection of the sublinguistic ho
Page 258:
DOUGLAS MESSERLI Douglas Messerli e
Page 262:
as chins of sons become beards of f
Page 266:
of the rope. Perhaps that's why the
Page 270:
From Without Music (1977) De Sin m
Page 274:
Song Alive in the looking out. Cros
Page 278:
various important parts of their wi
Page 282:
As song divides itself, she explain
Page 286:
From Face Valve (1988) De Valor nom
Page 290:
presupuesto de la función. y su he
Page 294:
urgundy the pubic borgoña el vello
Page 298:
over the hard covers of lives willi
Page 302:
has only a base, carved in stone fr
Page 306:
From Way (1988) De Manera (1988) Ho
Page 310:
legs-not then puritanical-as not ha
Page 314:
RON SILLlMAN Ron Silliman (1946) ha
Page 318:
How do the deaf sing How is it thos
Page 322:
as I walk Are you now at that point
Page 326:
sent to the grocer for milk The mom
Page 330:
float again when the sunset is refl
Page 334:
BARRETWATTEN Barret Watten (1948) f
Page 338:
We put frames around anything we wi
Page 342:
"A no-hit game in baseball". Apure
Page 346:
Then we left him on the street. xvm
Page 350:
A child shows the agéd pilgrim his
Page 354:
xxx Then we removed floorboards and
Page 358:
"But you are abad witness". Shudder
Page 362:
pág. LANGUAGE: UN PROYECTO RADICAL
Page 366:
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Pujals-Esteban_ed_La-Lengua-Radical_Editorial-Gramma_1992

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