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Descargar PDF - Museo Nacional Centro de Arte Reina Sofía

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Política y poética <strong>de</strong> la transgresión - 37THURSTON, J., “The carnival comes to/from Vancouver Island”, MMB, 256, 1983, p. 68.TODOROV, T. , “Mikhail Bakhtin: the dialogic principle”, en Theory and History of Literature 13, University ofMinnesota Press, Minneapolis, 1894. Traducción al inglés: W. Godzich. [Mikhaïl Bakhtine: le principe dialogique,Seuil, París, 1981].TODOROV, T., The Conquest of America, Harper Colophon, Nueva York, 1985. Traducción al inglés: R. Howard.[La conquista <strong>de</strong> América: el problema <strong>de</strong>l otro, Siglo XXI, Madrid, 1987. Traducción: Flora Botton Burlá].TURNER, V., The Ritual Process: Structure and Anti-structure, Cornell University Press, Ithaca, NuevaYork,1977.TURNER, V., From Ritual to Theatre: The Human Seriousness of Play, Performing Arts Journal Publication, NuevaYork, 1982.VAN BUUREN, M., “Carnaval in the theatre of Samuel Beckett” [abstrac], en MMB (Coll.), Queen’s University,Kingston, Ontario, 1983, p. 28.VILAR DE KERKHOFF, A.M., “Echoes of Bakhtin’s dialogic principle in Puerto Rican prose fiction”, MMB (Coll.)Queen’s University, Kinsgton, Ontario, 1983.WALVIN, J., Leisure and Society 1830-1950, Longman, Londres, 1978.WHITE, A., “Pigs and pierrots: politics of transgression in mo<strong>de</strong>rne fiction”, en Raritan, vol. II, nº 2 (otoño), NewBrunswick, Nueva Jersey, 1982, pp. 51-70.WILLIAMS, R., Marxism and Literature, Oxford University Press, Oxford, 1977. [Marxismo y literatura, Península,Barcelona, 1980. Traducción: Pablo di Masso].WILSON, R., “Carnaval and play”, MMB (Coll.), Queen’s University, Kingston, Ontario, 1983.YAMAGUCHI, M., “Bakhtin and symbolic anthropology”, MMB (Coll.), Queen’s University, Kingston, Ontario, 1983,pp. 323-39.YEO, E. y YEO, S., “Perceived patterns: competition and licence versus class & struggle”, en Yeo, E. y Yeo, S.(eds.), Popular Culture and Class Conflict, Harvester, Brighton, 1981 c, pp. 271-305.

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