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176 Journal of Italian Translation * alterata ampliata maschile rubato ogni periodo descrittivo in ragione di linee divisorie ondata sfocata dal senso di una figura sottostante mappa macchia di latte l’idea del vedere trafitta col rastrello un biscotto messo a fuoco valutato per la sua forma allunga la mano verso lo schieramento coetaneo denotato in quest’angolo il giardino l’odore di tempera l’orlo del vestito e della fotografia profondissimo mare liscio e stampato ritaglia realtà t’aspettano uccelli in fotografia sfuggita al guardiano grande tempo t’incatena paesaggi dentro a susan sontag
* altered enlarged masculine stolen 1 each descriptive period according to dividing lines surged unfocused from the sense of a figure below map milk stain the idea of seeing pierced by the rake a cookie brought into focus valued for its form stretches out its hand toward the line-up of the same age denoted in this corner the garden the aroma of tempera the hem of the dress and the photograph deepest sea smooth and printed Doebler/Cini 177 1. In the Italian, the first two words have feminine endings, while the second two have masculine endings—an illogical and agrammatical construction in Italian that cannot be expressed in English. The same phenomenon occurs in the poem that begins “rolling / along the serrated shadow / walking against the background /extraordinary” where, in Italian, “background” is masculine and “extraordinary” appears as if modifying a feminine noun. it clips reality birds await you in the photograph that eluded the keeper big time chains you for Susan Sontag
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Journal of Italian Translation
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Journal of Italian Translation Edit
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Journal of Italian Translation Volu
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Achille Serrao Appunti sull’autot
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Achille Serrao (C’è stato un tem
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Achille Serrao acquisto di esplicit
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Dante Maffia 13 Della traduzione e
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Dante Maffia 15 della poesia nella
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Dante Maffia 17 riportare, modifica
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Dante Maffia 19 risolvessero i trad
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Dante Maffia 21 barbaroi, almeno in
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Dante Maffia 23 cale che adombra la
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Dante Maffia 25 infiocchettate da t
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Dante Maffia 27 perché ho adoperat
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La lingua mia Anna Maria Farabbi An
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Anna Maria Farabbi (lessemi e sinta
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Anna Maria Farabbi corpo, di dire l
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Anna Maria Farabbi una condivisione
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Anna Maria Farabbi labiodentale son
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Translations
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Luigi Bonaffini has translated book
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I carried a thousand pictures in my
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Diana Festa 45 the rustle of burnin
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I desperately looked for you, wanti
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50 Journal of Italian Translation h
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Fortini/Ferrarelli 53 The Position
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into the dugout basements of hospit
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Fortini/Ferrarelli 57 that go back
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Dead, but when, a long time back. F
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nonexistent word my youth load of k
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Fortini/Ferrarelli 63 Write I tell
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Fortini/Ferrarelli 65 to hesitate h
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Fortini/Ferrarelli 67 which the old
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Fortini/Ferrarelli 69 to help. The
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Rusnak/Piersanti 71 wrote of Piersa
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Rusnack/Piersanti 73 Changes My Tim
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Rusnack/Piersanti 75 these alterati
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I despair, you respond always yello
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other cars’ headlights add to my
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whistles around me but there were t
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with the colors of back then, but t
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Conti/Fusco torical information and
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Conti/Fusco 87 D’Annunzio’s “
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Conti/Fusco 89 said) it would be a
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Conti/Fusco 91 giant standing behin
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Conti/Fusco 93 these things that re
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Conti/Fusco 95 whose name was Manic
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Di Sabato-Siani/longhi 97 variegato
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Di Sabato-Siani/Longhi Publisher Aw
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102 Journal of Italian Translation
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Six Poems by Edoardo Sanguineti Tra
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6. Hahn - Martini/Sanguineti your h
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Hahn - Martini/Sanguineti (and the
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Hahn - Martini/Sanguineti (a blow t
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124 Journal of Italian translation
Page 126 and 127: 126 Seeing Her sunrise, dance, my d
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Page 135 and 136: Poems by Antonio Riccardi Translate
Page 137 and 138: 1. Santos/Riccardi UNIONE The day,
Page 139 and 140: Santos/Riccardi with sticks and voi
Page 141 and 142: on hot and humid nights. Santos/Ric
Page 143 and 144: Santos/Riccardi they breathe air sc
Page 145 and 146: Santos/Riccardi of war and hell som
Page 147 and 148: Santos/Riccardi burners flaming blu
Page 149 and 150: Fabris/Giacomini 149 with his Friul
Page 151 and 152: Fabris/Giacomini 151 Not Returning
Page 153: What to Ask You Moon What to ask yo
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Page 159 and 160: Le Altre Lingue Edited by Achille S
Page 161 and 162: Serrao/Zoppi 161 e l’accensione s
Page 163 and 164: Serrao/Zoppi 163 In mezzo al ciarpa
Page 165 and 166: che non vede né giorno né sera. P
Page 167 and 168: e che bisogna toglierselo di torno,
Page 169 and 170: Serrao/Zoppi 169 Forse gira così?
Page 171 and 172: Doebler/Cini 171 case)? Rather, her
Page 173 and 174: the birthday of objects produces ch
Page 175: * playing as it is made of wood or
Page 179 and 180: landscapes inside the view of the u
Page 181 and 182: D’Agostino/Buzzati 181 sonalized
Page 183 and 184: D’agostino/Buzzati 183 First Pano
Page 185 and 186: D’agostino/Buzzati 185 of God, fo
Page 187 and 188: D’agostino/Buzzati 187 the tempta
Page 189 and 190: D’agostino/Buzzati 189 and you wo
Page 191: the skylights and the spires ? Is i
Page 194 and 195: I AMERICA LIBERA ODE PRIMA ACCENNA
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Perspectives from the Other Shore S
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Gémini. A translation and an Inter
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Poets Under Forty Edited by Alessan
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Bonaffini/Inglese 247 Un lavoro imp
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English translation by Luigi Bonaff
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Bonaffini/Inglese 251 frame of the
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Bonaffini/Inglese 253 with every mu
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Book Reviews Bartolo Cattafi, Winte
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G R A D I V A INTERNATIONAL JOURNAL
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