Scripta 9_2_link_final.pdf - Uniandrade

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The most relevant illustration, that plays a great role on the central plot, is a brief dialogue during a dinner party between van Ruijven and Maria Thins on Vermeer’s next commission. Van Ruijven notices the “wideeyed maid,” as he likes to call Griet, while she is serving them. Maria Thins recalls how pleased he was with the painting The Music Lesson (see Fig. 3) and suggests “another with a musical setting. After a lesson, a concert, perhaps with more people in it, three or four musicians, an audience” (CHEVALIER, 1999, p. 154). Van Ruijven is against an audience but likes the idea and shows his interest in being in the painting with Griet. Maria Thins agrees at first and even compares it to The Girl with a Wine Glass. After all, she is aware of how interested the patron is in Griet and how much money he could be willing to spend on her. However, later on Maria Thins agrees with Vermeer that Griet should not be in the group scene, because she wants to avoid problems with her daughter, Catharina Bolnes, who is pregnant and could not bear the idea of the maid modeling for her husband. Van Ruijven insists that he wants his wide-eyed maid even if it cannot be in flesh but rather on a piece of canvas for him to admire her beauty. They all agree to keep it a secret in order to protect Catharina from her self-destructive jealousy. Van Ruijven, his wife and daughter end up sitting together in the group scene: the painting The Concert (see Fig. 4). The final result of the commission negotiation is the portrait Girl with a Pearl Earring. Griet also describes the setting for the painting when she finds herself in the picture scene before modeling for Vermeer. She actually describes the painting The Procuress by Dirck van Baburen (see Fig. 5): As I waited I studied the paintings he had hung on the back wall that would form part of the concert painting. There was a landscape on the left, and on the right a picture of three people – a woman playing a lute, wearing a dress that revealed much of her bosom, a gentleman with his arm around her, and an old woman. (168-69) In spite of being brief, it is important to discuss this illustration of ekphrastic description for this category – pre-work descriptions – as it displays relevant details concerning plot development which will conduct to the climax of the story. Scripta Uniandrade, v. 9, n. 2, jul.-dez. 2011 18
Fig. 3 – Johannes Vermeer, The Music Lesson – De muziekles – (Delft, 1664-67), oil painting, 28 7/8 x 25 3/8 in. The Royal Collection, Buckingham Palace. Fig. 4 – Johannes Vermeer, The Concert – Het concert – (Delft, 1664-67), oil painting, 28 ½ x 25 ½ in. Isabella Gardner Museum, Boston (stolen). Scripta Uniandrade, v. 9, n. 2, jul.-dez. 2011 19
Page 1 and 2: Scripta Uniandrade, v. 9, n. 2, jul
Page 3 and 4: Scripta Uniandrade / Brunilda T. Re
Page 5 and 6: Textos intermidiáticos na literatu
Page 7 and 8: perpétua por suspeita de terem pra
Page 9 and 10: textos sob enfoque, de publicação
Page 11 and 12: In the mid-nineties, 1995/96, an ar
Page 13 and 14: task attracts the painter’s atten
Page 15 and 16: evoquer la lune and Seeing Dutch, L
Page 17: The second ekphrastic description,
Page 21 and 22: The excerpt starts from van Ruijven
Page 23 and 24: Fig. 6 - Johannes Vermeer, Girl wit
Page 25 and 26: other Frans at his new job (CHEVALI
Page 27 and 28: ______. On Representation in Concre
Page 29 and 30: A CONSTRUÇÃO DE UM ESPAÇO MÍTIC
Page 31 and 32: medievais e clássicas, na Europa,
Page 33 and 34: Pedro Paulo Garcia Ferreira Cathari
Page 35 and 36: uma bifurcação, do lado esquerdo,
Page 37 and 38: Como consequência, essa utopia, as
Page 39 and 40: programático”, nos moldes de Má
Page 41 and 42: JUNQUEIRA, Ivan. Simbolismo: origen
Page 43 and 44: III III Goddess of Discord Choosing
Page 45 and 46: EM NOME DO PAI: O TEXTO DE GERRY CO
Page 47 and 48: 83% de todas as minisséries são a
Page 49 and 50: ambas as mídias envolvidas, a comp
Page 51 and 52: carismáticas, valores culturais e
Page 53 and 54: parceria com Terry George. Tanto Sh
Page 55 and 56: como sugere o nome do livro, em sua
Page 57 and 58: prisão; anulação da sentença im
Page 59 and 60: Na sequência, aparece a advogada G
Page 61 and 62: Fig. 3 - Gerry Conlon em um telhado
Page 63 and 64: As Figs. 6, 7 e 8 fixam o momento d
Page 65 and 66: percebe que o filho está usando dr
Page 67 and 68: destaque foi dado à foto de uma cr
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Na narrativa fílmica, contudo, nã
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5 Versão em inglês: “I’ve spe
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STAM, R. Introduction: The Theory a
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Introdução Wit (1993) é a primei
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mecanismos da mente, em sua peça W
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Fig. 1 - 00:00:35 Fig. 2 - 00:00:40
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Estou indo muito rápido? Ótimo. A
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Essa fala é o primeiro marcador qu
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Este é um momento muito importante
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que a descoberta se deu no anivers
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Foi no atual momento de rememoraç
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Da mesma forma que o pai havia lhe
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Fig. 14 - 00:56:53:00 Fig. 13 - 00:
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2 [wit] s. Juízo m.; razão, habil
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Abstract: In Prospero’s Books (19
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Whitehall Palace and, probably beca
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etreat where he can shut out the ex
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are impregnated with the minerals,
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Frame 3 - Prospero and Ariel as a c
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subjects. The film’s title appear
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In Greenaway’s characterization o
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7 Our translation from Portuguese:
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STAM, Robert. Introdução à teori
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ROMEO AND JULIET: A TRAGEDY RETOLD
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In one of the takes that follows, s
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‘Yea’, quoth he, ‘dost thou f
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with the original’s aura of sacra
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Now old desire doth in his death-be
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that his brother is alive in the co
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SHAKESPEARE EM PORTUGUÊS DO BRASIL
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scholarly mas nem por isso erudita
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frequentemente fecham as cenas, em
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Todo esse cuidado e dedicação à
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— quase 70% do total — de fato
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Nº do Escansão Comentários verso
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O primeiro verso da fala é complet
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Antônio e Cleópatra; observe-se,
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AS CONVENÇÕES DO GÊNERO DETETIVE
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Publicada como volume à parte em 1
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descobrimos que o telefone que apar
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afirmação legítima? Aos meus olh
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Por fim, depois de falhar como dete
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Work que, em certas ocasiões, pare
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utilizamos uma abordagem que buscou
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REFERÊNCIAS AUSTER, P. City of Gla
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Introdução O presente estudo visa
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dois ou mais sistemas de signos e/o
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REPRODUÇÃO / HARPER COLLINS Fig.
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dentro das paredes - berrou o maior
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O poema é sobre a menina Bonnie qu
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GAIMAN, Neil ; MCKEAN, Dave. The wo
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Introdução Aceitas na contemporan
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linguagem dos quadrinhos ainda esta
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Como o quadro de Magritte, analisad
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texto de Carroll é transposto e il
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REPRODUÇÃO / JONATHAN CAPE Fig. 2
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Na obra de Bryan Talbot, o personag
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Além das referências aos quadrinh
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REFERÊNCIAS BARTHES, Roland. Mitol
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Resumo: O presente trabalho se prop
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cuja realização plena só se dá
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Vilém Flusser (2008, p.15), um dos
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cultural, uma vez que não somente
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mobilidade. No plano interativo, o
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Porém, o texto está muito além d
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Imagens, sons, gestos, cores, expre
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No Japão, segundo lugar no ranking
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www.youtube.com/watch?v=x8Imk7B7s1c
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Resumo: Este artigo demonstra as in
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Quando o computador e a internet co
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[…] a grande revolução propicia
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Penúltimo quadro do texto Autópsi
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Bomba, de Augusto de Campos. Imagem
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Totalmente composto em preto e bran
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Ilustração da página inicial do
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Life, de Décio Pignatari, disponí
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Ninguém, de Arnaldo Antunes. Image
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também pode fazer um retrato de Ma
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GUIMARÃES, D. A. D. Comunicação
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NORMAS DA REVISTA 1 Os trabalhos en
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